Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Analysis essay on the epic of gilgamesh
Epic of gilgamesh literary analysis
The epic gilgamesh literary analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Analysis essay on the epic of gilgamesh
Epic poetry describes the journey of a worthy hero from his home, into a dangerous setting in order to embark on an accepted mission, with the goal of conquering or completing something great for an even greater prize. Although The Epic of Gilgamesh is meant to emphasize the power of true, loving friendships as the most significant reward in life, Gilgamesh is given multiple journeys to solve an personal, psychological issue that he had never acknowledged. Although the authors use Gilgamesh’s final journey to reveal that he is simply afraid of not being immortal, along with creating Enkidu, I believe that the true psychological reasoning for sending Gilgamesh to meet Utnapishtim, a man who defied mortal life, was to help him finally reach an appropriate level of maturity, which he lacked from the very beginning of the poem, and to force him to accept that his life is no greater than any other mortals.
From the very beginning of The Epic of Gilgamesh, Gilgamesh is introduced as a riddle-and-beast-conqueror and two-thirds mortal hero that rules over a city that he himself built, called Uruk. Praised and loved by his people in a god-like way for his strength, he is Uruk’s greatest protector. Unfortunately, Gilgamesh suffers from loneliness that no mortal in Uruk can
…show more content…
The Epic of Gilgamesh has an ultimate theme of the rules of mortality and immortality according to Mesopotamian literature, and fits directly into the description of a true epic poem. Gilgamesh’s ultimate dedication to a friend, rather than himself, completes the idea of an accomplished mortal life according to the deities during his final journey. An epic poem requires a hero that exemplifies the ideals of the type of society the literature is created in, which in this case is reflected through Gilgamesh’s strength, and, in the end, his dedication to the city he
The ancient Mesopotamian writing, The Epic of Gilgamesh, gives readers insight into the traditions and customs of the people who wrote it. Like all epics, The Epic of Gilgamesh is the story of a heroic national figure: this epic gives the story of the life of Gilgamesh from his birth as two-thirds god, one-third man to his death. Throughout the epic the importance of loyalty is addressed. In The Epic of Gilgamesh readers see that loyalty is the most important aspect of a Mesopotamian relationship and that there are always consequences for violating trust.
The Epic of Gilgamesh is an epic poem dating from the Third Dynasty of Ur. From the ancient Mesopotamia, the poem is set where modern day Iraq is today. Composed of five Sumerian poems about Bilgamesh, which is Sumerian for Gilgamesh, Gilgamesh is two parts God and one part Man who is a hero. Gilgamesh encounters many challenges and situations during The Epic of Gilgamesh that cause him to evolve into a better king. Consequential, Gilgamesh recommences his position in Urk and evolves as an improved king.
Utnapishtim explained to Gilgamesh that man cannot achieve immortality because it requires too much sacrifice, which is simply unattainable for any human, but he still gave Gilgamesh a chance to prove himself. However, Gilgamesh failed miserably and was told to return home (page 97-99). But before he left, at the request of Utnapishtim’s wife, he told Gilgamesh about a plant that will make him young again. After acquiring the plant, he decided to the elderly in Uruk to see if it truly worked. Unfortunately, Gilgamesh lost his chance toward immortality when a snake took the plant while he was bathing. Gilgamesh learns that being human entails accepting one’s fate of death and not trying to run from it. This allows him to be content with what he has and understand that his city and the people are what matter not fame. As Gilgamesh is telling Ur-shanabi about Uruk he is saying it with pride and joy, unlike in the beginning of the epic where the tone of the description was as if the city of Uruk wasn’t good enough and he needed to accomplish more to leave a legacy behind (page 99). We can tell he is content with what he has and that he has transitioned to a hero-king by taking pride in his
In many literary works we see significant transitions in the hero's character as the story is developed. This is also true in the Epic of Gilgamesh with its hero, Gilgamesh. In this narrative poem, we get glimpses of who Gilgamesh is and what his purposes and goals are. We see Gilgamesh act in many different ways -- as an overbearing ruler resented by his people, a courageous and strong fighter, a deflated, depressed man, and finally as a man who seems content with what he's accomplished. Through all of these transitions, we see Gilgamesh's attitude toward life change. The goals he has for his own life alter dramatically, and it is in these goals that we see Gilgamesh's transition from being a shallow, ruthless ruler to being an introspective, content man.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
In the beginning of the book, Gilgamesh appears to be selfish. Gilgamesh’s “arrogance has no bounds by day or night” (62). Even though he is created by the Gods to be perfect, he misuses his powers and gifts for his own earthly pleasure. He has sexual intercourse with all the virgins of his city even if they are already engaged. Through all Gilgamesh’s imperfections and faults, he learns to change his amoral personality. The friendship of Enkidu helped to change his ways, for only Enkidu, who “is the strongest of wild creatures,” (66) is a match for Gilgamesh. Through this companionship with Enkidu, Gilgamesh starts to realize his incapabilities and need for his friend. When they fight Humbaba, they both give moral support to each other when the other is scared. Another event that changes Gilgamesh’s character is the death of Enkidu. When Enkidu dies, Gilgamesh goes through the suffering of losing a loved one. Gilgamesh experiences a pain, which no worldly pleasure can ease. By this experience Gilgamesh starts to understand his vulnerability toward death and pain. Losing his best friend causes Gilgamesh to be melancholic. At this point Gilgamesh is humbled by the fact that even he could not escape the wrath of death. Gilgamesh goes from this arrogant king to a lonely grieving person with fear of death in his heart.
True love and immortality in life would be a dream come true to many people. To spend time with a special someone; the person one feels closest to; the so-called soul mate and to never have that high feeling of emotion end mentally and physically would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves and realizes the important things in life and puts it all into perspective. In The Epic of Gilgamesh, the main character, Gilgamesh, is a powerful, arrogant king and part god. Enkidu, Gilgamesh’s partner, is animal-like but later takes on more humanistic traits such as his contemplation’s of death. The friendship between Gilgamesh and Enkidu is a very powerful, loving friendship. Enkidu is Gilgamesh’s soul mate, not only acting as his friend but as a lover too. Enkidu’s presence in Gilgamesh’s life allows Gilgamesh to see what is truly good in life and to accept his mortality much easier.
Gilgamesh is an epic of great love, followed by lingering grief that causes a significant change in character. It is the story of a person who is feared and honored, a person who loves and hates, a person who wins and loses and a person who lives life. Gilgamesh's journey is larger than life, yet ends so commonly with death. Through Gilgamesh, the fate of mankind is revealed, and the inevitable factor of change is expressed.
This paper will provide a unique, psychological perspective on a timeless story that is alive with mythological and religious splendor. I must state clearly that this is not the first time that Gilgamesh has been viewed in the light of the philosophy of Jung. One of two Jung essays I happened upon while preparing my research was the Psychology of Religion. Although I initially felt that this source would provide little help with my paper, I was very mistaken. On the seventeenth page, I have discovered Jung directly referencing Gilgamesh himself.
The stories of the hunt for immortality gathered in the Epic of Gilgamesh depict the conflict felt in ancient Sumer. As urbanization swept Mesopotamia, the social status shifted from a nomadic hunting society to that of a static agricultural gathering society. In the midst of this ancient "renaissance", man found his relationship with the sacred uncertain and precarious. The Epic portrays the strife created between ontological nostalgia for a simpler time and the dawn of civilization breaking in the Near East. In this Epic, Gilgamesh is seen trying to achieve immortality through the methods of both the old and the new. His journeys through the sacred and the profane in many ways characterize the confusion arising from the unstable social climate. Therefore, the society, by writing the story of Gilgamesh, guarantees not only his immortality, but the immortality of the new order being established.
The Epic of Gilgamesh is a moving tale of the friendship between Gilgamesh, the demigod king of Uruk, and the wild man Enkidu. Accepting ones own mortality is the overarching theme of the epic as Gilgamesh and Enkidu find their highest purpose in the pursuit of eternal life.
The purpose of The Epic of Gilgamesh serves as a testament to humanity through relationships and losing those relationships. The poem attempts to answer the universal question of what happens to us after death. The archetypal patterns of a struggle, ally, threshold crossing and redemption establish the value of friendship, lessons on pride and how to keep history alive. Blessed as he was by the gods Gilgamesh’s quest for immortality was unattainable. However wisdom acquired through this journey of love and loss of friendship Gilgamesh secures his mortality.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
One of the main themes in the epic is that death is inevitable, which is shown through Enkidu's death. When Enkidu dies, Gilgamesh becomes very worried, because he realizes for the first time that everyone is going to die at some point in time. The fact that Enkidu is a close friend makes it even more visible to Gilgamesh that everyone is mortal. Then, along with this realization, comes the theme of denial. Gilgamesh does not want to accept the fact that he will die. He denies the truth, because he does not want to think about the truth or cope with the tragedy that has struck him. "And he-he does not lift his head. 'I touched his heart, it does not beat'" (Tablet VIII, Column II, 15-16). "'Me! Will I too not die like Enkidu? Sorrow was come into my belly. I fear death; I roam over the hills. I will seize the road; quickly I will go to the house of Utnapishtim, offspring of Ubaratutu. I approach the entrance of the mountain at night. Lions I see, and I am terrified. I lift my head to pray to the mood god Sin: For...a dream I go to the gods in prayer: ...preserve me!'" (Tablet IX, Column I, 3-12).
The Epic of Gilgamesh likewise follows the idea of an epic since it conveys an ahistorical message. Through its topic, this epic has a supernatural angle. Despite the fact that it is set in a chronicled circumstance, the message it conveys is immortal and can be connected to people paying little heed to the age in which the story is perused. This ahistorical message is the possibility of everlasting status. The purpose of Gilgamesh’s unsuccessful voyage for endless life was not to stress over your existence in the wake of death, but rather to center around the time you have on earth with your family and companions.