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The character of the merchant inthe prologue to the Canterbury tales
The character of the merchant inthe prologue to the Canterbury tales
Different viewpoints of marriage in The Merchant's Tale
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In the Prologue to the Merchant’s tale, the Merchant begins to speak of marriage. He explains how he has a cynical view of marriage. In lines 1219-20, the merchant says of his wife, “For if she and the devil were a pair, / She’d be more than his match, I dare to swear.” The Merchant then begins to tell his tale.
In his tale, an elderly knight named January decides to marry. He believes it to be God’s plan for him to marry a woman and have a son. January calls two of his closest friends, Justinius and Placebo, to offer him advice. Justinius believes that marriage would not be right for January and that women are unfaithful. Arguing against Justinius is Placebo, who believes that January should decide himself. After some time, January chooses
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a young girl named May to marry. January has a squire named Damian, who falls in love with May at first sight.
One day when Damian was sick, January sends his wife to go check on him. Then Damian gives May a letter that professed his love for her. After reading the letter, May returns a letter to Damian showing her desire for him. At this time January begins to become blind and extremely possessive of his wife. January’s new possessive actions become a burden for both May and Damian, who secretly love each other and are communicating through letters.
January’s house has a magnificent garden. Line 2030 describes the garden “Now there’s to me no fairer garden known.” January possesses the only key to this garden. One day, May imprints the key into wax, which allows Damian to make a key and have access to the garden. Then, in June, January enters the garden with May. Damian enters the garden before January and May. He then continues to climb up a pear tree, as instructed by May.
The tale then cuts to the Gods, Pluto and Proserpina, who are watching January and May. The two are arguing about the advantages and disadvantages of marriage between January and May. Pluto wants to restore the vision of January to show him that May is not to be trusted. However, Proserpina is against this idea saying that men have done evil and that she will give May an excuse to tell January if Pluto restores his
sight. While January and May are walking in the garden, they approach the tree that holds Damian. May continues to tell January that she longs for a pear. January then lets May climb up his back to get higher in the tree with Damian. May and Damian begin to make love in the tree while January waits, unknowingly, at the bottom of the tree. When Pluto sees this, he returns January’s sight. This allows January to look up and see what is happening in the tree above him. January begins to yell after seeing what is happening in the tree. He then accuses May of being with Damian in the tree. May calmly says that she is struggling with Damian to help him regain his sight. When January denies this, May responds as seen in lines 2380-82, "My medicine's a failure, then," she said. /"For certainly if you could really see, /Such words as those you wouldn't say to me.” January then becomes happy and embraces May as she comes down. The two then return to January’s home. The Host responds to the Merchants tale by praying to keep such a woman as May away from him. He then speaks of his own wife who is poor and a “blabbing shrew” in line 2428. The Host quickly stops speaking ill of his wife for he worries that she might learn what he has said.
The starting of the story kept me in suspense: the starting sentence, “No one can accuse Philippa and me of having married in haste” (Fox 1). This clearly brought up the theme of love and marriage. The selection of words by the narrator told that the speaker did not regret his marriage. The defensive tone of the narrator made me to think that perhaps people had criticized his marriage.
The Merchant's Prologue and Tale presents the darkest side of Chaucer's discussion on marriage. Playing off both the satire of the moral philosopher, the Clerk, and the marital stage set by the Wyf of Bathe, the Merchant comes forth with his angry disgust about his own marital fate. Disillusioned and depraved, the Merchant crafts a tale with a main character who parallels his own prevarication and blind reductionism while he simultaneously tries to validate his own wanton life by selling his belief to the other pilgrims. As both pervert reality through pecuniary evaluations on different levels, however, both are exposed to be blind fools, subject to the very forces that they exert on others. As this reversal happens and the Merchant satirizes Januarie blindness, Chaucer reveals the Merchant's blindness, giving him the very significance that he had spent his whole tale trying to deny.
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The journals expose two different attitudes because these two authors have different personalities. Knight is intolerant with others. When she is questioned; she makes jokes pretending not to be bother, but she does. Basically, Knight is a bright woman who likes to observe others and for that, she makes use of sarcasm to criticize, especially women’s” bad tongues,” as Julia Stern describes on “To relish and spew disgust as cultural critique in The Journal of Madam Knight” another thing, she certainly dislikes interrogation, mainly because she is from Boston and well educated, so she has a refined background, and has trouble dealing with rural people. She believes that Bostonians are better and for that, she perceives herself, as superior in class
Though Chaucer showed multiple tales of various characters in The Canterbury Tales, the Miller’s and Wife of Bath’s tale surpassed them all on their concept of marriage and love. Both allow the reader to understand where they are coming from and their perception. While one does not seem to believe too much in love, the other does. However, both clearly believe that women control the game of love in their own respective ways.
In the opening lines of the tale there is a compulsion, representing internal conflict, indicated on the part of both the protagonist and his wife Faith:
Chaucer’s The Canterbury Tales, demonstrate many different attitudes and perceptions towards marriage. Some of these ideas are very traditional, such as that illustrated in the Franklin’s Tale. On the other hand, other tales present a liberal view, such as the marriages portrayed in the Miller’s and The Wife of Bath’s tales. While several of these tales are rather comical, they do indeed depict the attitudes towards marriage at that time in history. D.W. Robertson, Jr. calls marriage "the solution to the problem of love, the force which directs the will which is in turn the source of moral action" (Robertson, 88). "Marriage in Chaucer’s time meant a union between spirit and flesh and was thus part of the marriage between Christ and the Church" (Bennett, 113). The Canterbury Tales show many abuses of this sacred bond, as will be discussed below.
Courtly love is extremely evident throughout “The Wife of Bath’s Tale” and allows the development of each character within the plot. Courtly love was believed to be originated in France during the 12th century and eventually spreading to other countries in Europe, influencing authors, such as Geoffrey Chaucer, throughout. English courts, which handled marriages, practiced the art of courtly love from the 12th century to the 14th century, during which marriages were pre-arranged and had little to do with love. A marriage was not based on love, rather on what each participant brought to his or her spouse and families. As love and romance was not a portion of marriage, it became an acceptable practice to seek another romancer outside of the marriage, as long as the spouse adhered to the strict rules of chastity and fidelity (http://www.middle-ages.org.uk/courtly-love.htm). Furthermore, courtly love was only practiced between a man and woman of some sort of noble status, typically between...
In the novel Rebecca by Daphne Du Maurier tells the uncommon, suspenseful love story using a small range of characters with many different personality traits. The reader begins to feel as though they truly know these characters only to discover the unseen truth as their masks fall off. As these personalities develop throughout the novel one can discover that the narrator, Mrs. de Winter, strives to please people and feels very insecure in her identity. She tries to stick up for herself, but her words have no effect on her cruel, manipulative, controlling husband, Mr. de Winter. Mr. de Winter appears as a gentleman in the very early chapters of the book; however, the reader soon discovers that Mr. de Winter seems not to care about other people’s feelings, and that he contains controlling characteristics. Besides being controlling, he also verbally abuses his wife. In simple and plain terms, Mr. de Winter is a jerk. Later in the book, another malevolent and controlling character becomes introduced, Mrs. Danvers. Mr. de Winter’s controlling, abusive ways and Mrs. Danvers malevolent tendencies collide together as the new Mrs. de Winter strives to please them.
Janie’s revelation under the pear tree foreshadows the journey that is about to begin. Janie’s first significant romantic experience occurred on spring, at the age of sixteen, when she observed bees pollinating a pear tree. She saw the dust-bearing bee sink into the sanctum of a bloom; the thousand sister-calyxes arch to the meet the love embrace and the ecstatic shiver of the tree from root to tiniest branch creaming in every blossom and frothing with delight. So this was marriage. She had been summoned to beh...