Through history we can have learned many things of past civilization and learn the types of culture they were associated. However, little is known about what really happen during those historical times. Many account usually came from elite people who were mostly people that were highly educated and had riches. We can only assume that most of its true and we can only take much information to draw a conclusion. But when you have someone like Procopious author of The Secret History it changes everything of what we viewed of the Byzantine Empire. From this text historians have a different point of view through someone who able to reveal many secrets that were hidden away. It also creates the question to either take this text as something true …show more content…
In the text Procopious depicts Justinian and Theodora as incapable rulers of the Byzantine Empire. Always describing them as fools rather than giving them respect that the people of the empire such did. In some ways Procopious had many reasons to portray them in such a way due to the inadequate decision that Justinian executed and as well as the reputation that Theodora had. By asserting these remarks Procopious implies that he some sort of bad relationship between, but as he goes he never addresses his hate for them. The reason he that describe the emperor and the empress was due to both of them unable to agree on certain issues always consulting each other before making a decision.(Procopious,14) The most recurring act that he tells is that Justinian always found a way to bend the rules in favor for himself. In some cases stealing the money from the people and as far as bending the rules in marriage in order to be wedded with his wife Theodora. Because of his actions there …show more content…
Procopious specifically in the text signifies the role of women in men’s lives such as an advisor and as well as they were seen. As told before Theodora played role in Justinian rule as being an advisor, but signifies that women had as much power as the emperor even in some cases even more. As a result many decisions were a result of Theodora’s advising which reflected upon on Justinian. However, in some instances, it is shown that women were very manipulated and always getting what they desired. Procopious mention such act when his general Belisarious caught his wife,Antonina, having an intimate relation with Theodosius he didn 't do anything as far punishment. In such a weird way he accepted this because he saw that his wife was happy and didn 't want this news to surface in the public(Procpious,2).Even so he was unwilling to do so because he a strong attachment with Antonina. Which comes to another thing that Procopious touches upon and is the image that elite individuals. Belisarious although keeping this a secret surfacing to the public was still seen negatively from the people around him. This gave Belisarious a reputation of a coward and was even called by the Persian a man who does what a woman asks him to do( Procopious,6). Another thing in the culture of the Byzantine Empire was the acceptance of prostitution. Procpious reveals that most of the elites where involves with
The story of Lucretia begins with men boasting about their wives, trying to determine who is the best of them all. It is clear to them that Lucretia is the winner when she is found “hard at work by lamplight upon her spinning” (Livy, 100). She then moves on to be a gracious host to all of these men, again showing success in her womanly duties. Later that night one of the visitors, Sextus Tarquinis, comes into her room, and forces himself upon her, telling her that if she does not comply he will make it look like she had an affair with on of the servants (Livy, 101). She yields to him because she does not want it to seem as if she had an affair and n...
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
In The Bacchae, I believe that Euripides uses the relationship of male and female to explore the alluring concept of feminine empowerment in a patriarchal society and to demonstrate the cost this empowerment subsequently has on ordered civilization. In this paper, I will argue that Euripides uses the conflictual relation between the genders to criticize the role of women in Greek society while also showing the consequences of a total feminine revolt. Through developing this conflict, Euripides is demonstrating how the path to the most successful civilization is through a balance of masculine rationality and feminine emotional freedom. I will prove this by analyzing the positions of Pentheus, the Bacchants, and Dionysus throughout the play. The character Pentheus
The time is the sixth century, the place is Rome and the person is Lucretia, a woman who contributed to one of the biggest parts of Roman history: the creation of the Roman republic. The rape of the virtuous Lucretia by Sextus Tarquinius, the son of Tarquinius Superbus' (an Etruscan king) was the final straw for the Roman people and pushed them to want to change from a monarchy to a republic. From the accounts of the rape of Lucretia from ancient historians like Livy, Cicero and Dionysius, it is clear that Lucretias rape not only spurred the roman people to want to get rid of the Etruscan King and his family, but also revealed the important role of virtue in women in roman society.
2. Procopius starts this document stating that Theodora is nothing more than a prostitute. He goes on to say that she was not of class or had any dignity, because she would perform on stage almost completely nude. Procopius portrays her as someone who is ruthless and will do whatever she needs to do to accomplish her goals. Justinian would fall in love with her, but was not allowed to marry her because of his social status, because
Justinian was one of the most influential rulers of Byzantium. When he came into power in 527 AD, he inherited a civilization in disarray. Justinian had a positive impact on the Byzantine Empire. Most notably, he introduced an improved set of laws and conquered many surrounding nations, nearly restoring the former glory of the Roman Empire. In addition to these contributions, Justinian also made advances with the Christian Church and Byzantine architecture.
Any examination of women in Livy’s writing demands not only a literal interpretation of their character development and values, but also must account for their symbolic importance—thus creating a much more complex representation. Livy, an ancient historian, authored The Early History of Rome to be an exploration of Rome from its foundation, focusing on historical events and societal organization. In it, he examines the patriarchal society that stabilized Rome throughout its dominance. However, as a result of this explicitly defined hierarchy in Rome, women were seen as secondary figures in society. Most were viewed as submissive and passive, and it was well within the rights of men to assert their dominance—many women even agreed with these values. This can be seen in Livy’s portrayals of such women as the Sabine women, Horatia, and Lucretia. Yet Lucretia provides an interesting complexity to the exempla of women. On a symbolic level, Lucretia is an important catalyst in affecting the political organization of Rome. This representation is furthered with Livy’s descriptions of Lavinia, Rhea Silvia, and Verginia. Despite the work of Livy to create an accurate portrayal of women in ancient Rome, other authors showed women to actively defy this patriarchal society he describes. However, Livy’s effort to create the most accurate explanation of early Rome through a historical representation drives this discrepancy in characterization through genre. Therefore, Livy’s work serves as both an accurate and complex examination of the role of women in ancient Rome. According to Livy, a woman’s role was defined by her sacrifice; culturally, women were to be subordinate to men in the patriarchal structure of society, but also served as important...
Tacitus tells us in the introduction to his Annales that his intent is to “relate a little about Augustus, Tiberius, et cetera” and to in fact do so “sine ira et studio” -- without bitterness or bias.1 Experience, however, tells us that this aim is rarely executed, and that we must be all the more suspicious when it is stated outright. Throughout the Annales, Tacitus rather gives the impression that his lack of bias is evidenced by his evenhanded application of bitterness to all his subjects. But is this really the case? While Tacitus tends to apply his sarcastic wit universally – to barbarian and Roman alike – this is not necessarily evidence of lack of bias. Taking the destruction of Mona and Boudicca's revolt (roughly 14.28-37) as a case study, it is evident that through epic allusion, deliberate diction, and careful choice of episodes related, Tacitus reveals his opinion that the Roman war machine first makes rebels by unjust governance, and then punishes them.
For centuries women have fought to obtain basic civil rights and today, they are still fighting to obtain equal rights. From the right to vote to their right to birth control, women have always been trying to assert their own independence in order to expand their freedom. While much progress has been made, there is still room for improvement. However, the evolution of women’s rights and the role of women is mirrored in literature and can be used to illustrate the progression throughout history. Sophocles’ Oedipus Rex is no different. Through the character Jocasta, Sophocles creates a counterpart to Oedipus and uses her to reveal the oppression of women by contrasting her and Oedipus’ relationships and reactions to the prophecy. Throughout the play Oedipus Rex, Sophocles illustrates Jocasta’s vulnerability and supportive nature in order to women as fragile, doting, and obedient wives and mothers to facilitate the necessity of self-assertion.
Aristophanes stereotypes women as bickering, self-centered, unintelligent people in the beginning. They are sex driven and selfish. Lysistrata is upset that the women are late for the very important meeting "Here I've called a meeting to discuss a very important matter, and they're all still fast asleep" (180). Calonice sums up what women are thought to do all day, and also what they represent to their households; "The women! What could they ever do that was any use? Sitting at home putting flowers in their hair, putting on cosmetics and saffron gowns and Cimberian see-through shifts, with slippers on our feet?" (181). It is in fact these very frivolous ideas that are used to bring peace to the two cities. Throughout the play Aristophanes begins to knock down ...
Walcot, P. “Greek Attitudes towards Women: The Mythological Evidence.” Greece & Rome 2nd ser. 31.1 (Apr., 1984): 37-47. Cambridge University Press on Behalf of The Classical Association Article Stable. Web.
Across cultures, continents, and worlds, the majority of things within the scope of our very own humanity can be boiled down to two things: those who are dominant, and those who get dominated. Within these statuses lie stories of power struggles, rebellion, the rising and falling of those with influence, and the interconnection between a being with power and the people under his ruling. Through the visual works catered to this subject, we will discuss themes such as the power of immortalization, divinity amongst humans, what it really means to be a ruler, and many other details making up the ever-present, multifaceted relationship between rulers and their subject. With the assistance of the Blanton Museum of Art, I will be able to showcase
In the plays female sexuality is not expressed variously through courtship, pregnancy, childbearing, and remarriage, as it is in the period. Instead it is narrowly defined and contained by the conventions of Petrarchan love and cuckoldry. The first idealizes women as a catalyst to male virtue, insisting on their absolute purity. The second fears and mistrusts them for their (usually fantasized) infidelity, an infidelity that requires their actual or temporary elimination from the world of men, which then re-forms [sic] itself around the certainty of men’s shared victimization (Neely 127).
From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two female characters in Julius Caesar, Portia and Calpurnia do not play a pivotal role in the overall plot of the story, their presence is vital in illuminating and developing the characters of their husbands, Brutus and Caesar. What they reveal about their husbands leads the reader to infer that Portia is the more admirable and redeeming character.