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Integrity in leadership Essay
Integrity in leadership Essay
Honour in shakespeare's romeo and juliet
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Honor is very prominent throughout Shakespeare, but not everyone is trustworthy and honorable. There are some that keep their word and there are others that can’t be trusted at all. Prince Harry is a prime example of a honorable young prince because he has to make difficult personal choices that an aspiring king needs to make in order to rule a nation. Then there is Falstaff and King Henry IV who weren’t as honorable. They are all on different notions of honor with Prince Harry being at the top of the three. Falstaff has no chance at being the most honorable because he is lazy, selfish, dishonest, and manipulative. These characteristics are not in any way shape or form honorable and he wouldn’t be trustworthy enough to be noble and honorable. Falstaff thinks that he is honorable but he is nowhere near honorable. Then King Henry IV lacks the moral legitimacy that he needs to truly be a leader and honorable. He is very capable of arranging things and he is very energetic so that makes him able to obtain the throne and be qualified as “honorable.” Prince Harry is an honorable man but he has to win back his honor from King Henry IV. Harry shows his honor through his “noble behavior” by sneakly giving up his own honor to fool the people of the town to achieve their trust and Campbell 2 friendship, so when he does take the throne the people will like him better. He is a very complicated character in this play and he wastes a lot of his time with Falstaff earning the pleasure of both his father and England. He comes out of no where and surprises England by declaring that his dissolute lifestyle is all an act, and that he is just trying to lower the people around him expectations so that he can unfold his true heroic knowledge and t... ... middle of paper ... ...the whole play. The characters all have their own different values and goals and this is why Falstaff can be lazy and dishonest, but he can still be considered honorable in his own way. This also goes along with King Henry IV and also his son Prince Harry. King Henry arranges a murder for Richard II just so that he can seize the throne for himself, yet he still is considered honorable and people view him as a great leader and look up to him. Then there is Prince Harry, he has to earn back his honor from the King and through out the whole play he shows how he is transforming himself form a low-life bum, that he pretends to be to become a honorable and noble leader. Each character shows their honor in different ways in the paly. Shakespeare does this purposely to get the reader to further engage with the characters in his story and understand them all a little better.
As soon as the king leaves, Falstaff immediately proclaims his unashamed cowardice, asking Hal to protect him in battle. The prince retorts with an insult to Falstaff’s enormous size, and abruptly bids him farewell. Gone are the jests that would accompany a conversation between these two at the beginning of the play, and Hal’s reactions to Falstaff now represent his moving away from the tavern world, and that he now belongs to the court world. Falstaff is extremely honest about his feelings towards the whole affair, bluntly stating that he wishes it all were over, exposing his strong reluctance to fight and interest in self-preservation. Again the prince offers only a rude retort before his ...
...cing his role as the Prince and defeating Hotspur when no one in the kingdom believed he had the gumption or the courage to do so. Hal's plea to the King to "salve the long-grown wounds of my intemperance" and subsequent promise to "die a hundred thousand deaths ere break the smallest parcel of this vow" are the final turning points in the story that lead to Prince Hal being educated as to what it means to be an ideal and true King (3.2.155-159). However, there is still time for Hal's perspectives and values to be shaped and re-shaped by his father, the ghost of Hotspur, and the excesses of Falstaff, as well as by characters who have not yet been introduced, and in order to fully understand the transformation of Prince Hal, the reader must continue to King Henry IV, Part II and King Henry V to learn if Hal truly becomes an effective and charismatic ruler of England.
he wishes he could be more honorable. It shows King Henry's lack of trust and
Humans are addicted to judging others on their first impression. Humans will never read into the book, they just look at the cover. Many people, both fictional and nonfictional can not be judged until you study them. Someone who first appears to be only comic relief, could end up to be a very important character. Sir John Falstaff is but one of these people. Falstaff's righteousness hides under his vocalization. John Falstaff's character is hard to understand without analyzing his words. He loves to play games with his speech. Falstaff tricks his audience with complex words and phrases. Often John would win over his opponent by tricking them into saying things that they did not mean or getting them to think that he is not that bad. Falstaff said this in Part I act II scene IV. "... A question not to be asked. Shall the son of England prove a thief and take purses? A question to be asked. There is a thing, Harry, which thou hast often heard of, and it is known to many in our land by the name of pitch. This pitch, as ancient writers do report, doth defile; so doth the company thou keepest. For, Harry, now I do not speak to thee in drink, but in tears; not in pleasure, but in passion; not in words only, but in woes also; and yet there is a virtuous man whom I have often noted in thy company, but I know not his name." In this passage, the Prince and Fastaff trade places in speech and try to make the other look dumb. Fastaff later goes on to say that this wonderful person that the King is talking about. The way Falstaff does this proves him to be very keen. He proves that even though he may look dumb, he will still put up a good fight. Falstaff is very bold about his thoughts and opinions. He stands out because he is not afraid to think his own way. While most people agree, because of the other people around them, Falstaff chooses to make his own decisions and think for himself. This is proven when Falstaff and the prince switch places in a verbal fight. Every one else in the book thinks of the Prince as a perfect young man because he is the prince, however Falstaff is too smart for this, he points out that the prince is a thief.
What is honor? Honor coins an individual’s nature. A principle that exists on the purpose of perception, a martyr willing to conform and accomplish. In the case of Shakespeare's play, The Tragedy of Julius Caesar, Brutus was the most honorable of men. A brother to Caesar, but a father to Rome, he persist and perish for the future of his child. The idea of ignorance, and the belief of a false faith, turns this noble man toward a vulgar grave, with virtuous notions.
Honor can be defined by how one holds them in the public eye. Others may say that honor is how you live your life when none can see your actions. However defined honor can play major roles in how a person will act in a given situation. The Crucible by Arthur Miller has excellent examples of how honor can manipulate people’s decisions in times of importance. John proctor holds his moral standpoint and does not falter into the temptations of selfishness, while Elizabeth would describe honor as how a person lives their lives. Some can even describe honor as what is most important in life; family. Giles believed that his life was the ultimate object he could sacrifice to maintain his family’s happiness. However honor can be defined, one thing is certain; Everyone has some degree of honor in their lives.
He is accepted for his faults and further appreciated for his humor. Once receptive to Falstaff’s follies, an underlying wisdom can be found. Shakespeare offers Falstaff as a guide to living beyond the confines of convention, out of all the order. Disguised in banter, Falstaff calls into question values of morality and nobility. His manner is harmless in both words and actions. Of all the loyalty and disloyalty that incites political turbulence in the play, Falstaff remains inert. He does not enact any cruel aggression in effort to achieve power. Nevertheless, Falstaff commits slight though significant transgressions against Prince Hal and aristocratic values. These transgressions begin in conversation and eventually result in Falstaff’s action on the
Falstaff who seems to be Hal’s role model while in the Tavern, is putting forth a great deal of effort to have Hal conform into the lowlife that he himself has made himself out to be. Falstaff teaches Hal how to lie, cheat, and steal, but Hal seems to have a mind of his own. He tells his father that at any given moment he can change his character and be what his father wants him to be. Henry declines to believe these statements.
In Shakespeare's play Julius Caesar, Brutus and Cassius are both considered honorable men by the public. But, like all traits, honor is in the eye of the beholder. Honor is defined as evidence or symbols of distinction. Those who are placed in power are often chosen because of their traits, which include being honorable. If those in power have any faults, it could diminish their position in the eyes of the public.
The relationship between a father and his son is an important theme in Shakespeare's Henry IV, Part One, as it relates to the two main characters of the play, Prince Hal and Hotspur. These two characters, considered as youths and future rulers to the reader, are exposed to father-figures whose actions will influence their actions in later years. Both characters have two such father-figures; Henry IV and Falstaff for Prince Hal, and the Earl of Northumberland and the Earl of Worcester for Hotspur. Both father-figures for Hal and Hotspur have obvious good and bad connotations in their influence on the character. For example, Falstaff, in his drinking and reveling, is clearly a poor influence for a future ruler such as Prince Hal, and Worcester, who shares Hotspur's temper, encourages Hotspur to make rash decisions. The entire plot of the play is based on which father-figure these characters choose to follow: had they chosen the other, the outcome would have been wholly different.
The character Sir John Falstaff played a crucial part in Shakespeare's Henry IV. Falstaff portrayed a side of life that was both brutal and harsh. This was important because, as Falstaff was, all the other main characters in the play were Nobles. Unlike Falstaff, the other nobles in the play acted as nobles. Falstaff, on the other hand acted more like the lower class people. In doing this he portrayed the thoughts and feelings of the lower class people. As he portrayed the lower class people, Falstaff brought the reader to think about the difference between a noble and lower class people. This was because Falstaff contrasted well with the nobles and brought out new aspects of the themes that Shakespeare experienced during his life. Some of these views brought out be Falstaff were quite harsh, in comparison to the accepted views of the time. To help balance the harshness of his views, Falstaff was very good natured and invoked laughter in the reader.
In Shakespeare's Henry IV Part One, the characters' many different conceptions of honor govern how they respond to situations. Each character's conception of honor has a great impact on the character's standing after the play. For instance, Falstaff survived because he dishonorably faked his own death, and his untrue claim that he was the one who killed Hotspur may get him a title and land. On the other hand, Hotspur lies dead after losing a duel for honor. Hotspur, who is in many ways the ideal man by the standards of his time, is killed by his lust for honor. In creating Hotspur, Shakespeare has created a variation on the tragic hero of other works: the stubborn tragic hero, who, dying for his fault of honor, does not at last understand his weakness.
Character Study : Harry Hobson Harold Brighouse Although a prolific and popular playwright and novelist during his lifetime, the reputation of Harold Brighouse today rests almost entirely on his play Hobson’s Choice. Born in Eccles near Salford on 26 July 1882, his mother was a teacher and his father was in the cotton business. Despite gaining a scholarship to Manchester Grammar School, Harold was not a keen student; at seventeen he left school to start work in the textile industry.
He is happy being a drunkard and someone who indulges what he wants. But he also realizes that it is not the type of life that a prince, or a king, should associate himself with, which leads him to his pleading—another reason the scene is prophetic. He pleads with Henry about his morality, much like he will do later in the play and in Henry IV: Part II. Though the play extempore is supposed to prepare Henry for his encounter with his father. Falstaff realizes it may be a good time to practice the inevitable encounter that he will have with Hal once he becomes king. This argument can be further developed when one realizes that it was Falstaff that called for the play extempore, not Hal. Falstaff knew he wanted a trial run before Hal’s kingship, so he gave himself one. However, Hal’s only reaction to Falstaff’s final speech is his line, “I do, I will” (2.4. 465). Some may take this as his answer to Falstaff that he will pardon him, and continue to be his friend. But the argument could be made that Hal is saying that line more to himself than to Falstaff. He is saying that he will do what’s necessary to be a good king. That he does have what it takes to leave a life he enjoys for a life of
Genuine people are few and far in between. Honesty is always hidden under the mystery of corruption. Wherever you go, people seem to put on mask and hide who they truly are become hidden from the outside world. Their motives are unknown but they have a deep, dark necessity to act and play a different role when they are in the presence of others. However, this doesn’t pertain to just people in the real world, it also occurs in the world of Shakespeare. The audience quickly finds that just like in their everyday life, fictional characters can also play a different role to achieve what they truly desire. Consequently, these characters develop a sense of dishonesty throughout the story and this dishonesty eventually leads to the destruction of their plans. Just like a weak foundation of a building, a weak personality will eventually crumple in ruin. In order to capture the recurring theme of dishonesty, William Shakespeare uses the death of King Hamlet to force a façade of security and responsibility on the major characters in his play, Hamlet.