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As Jane Austen says, “a lady’s imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment. I knew you would be wishing me joy” (26). Today, for most people, love comes first in the process of matrimony— followed by the actual marriage. Women living in the 1800s have only wealth in mind when deciding who to marry; which is entirely different from individuals today, who consider various aspects of a person other than material objects. In Jane Austen’s Pride and Prejudice, the archetypes of sisters, ritual and the woods/river, the character analysis of Mr. Darcy and the moral lesson that your initial judgments aren’t always right are some of the multifarious that reveal the underlined meaning of the novel.
The bond of the Bennet sisters represents the archetype of trust and stability throughout the events in the story. Elizabeth could no longer wait to tell Jane what had happened between her and Mr. Darcy while she was gone (Austen 212). Whether they were apart or together, Elizabeth and Jane were in constant communication. While they were apart they wrote letters daily to each other about what had happened, when they were together they spoke in privacy every night before they would go to sleep. Jane and Elizabeth depended on each other throughout the whole story for support and for advice.
The sisters also showed the archetype as mentor/initiates. Elizabeth was worried and tried to convince her father that it was a poor choice to let Lydia travel with Mrs. Foster (Austen 219). This was a prime example of how Elizabeth felt that she should somewhat be a protector to her younger sisters. This also shows that no matter what happens, your family will always love you and have your best ...
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Watt, Ian. “Jane Austen and the Traditions of Comic Aggression.” Bloom’s Modern Critical Views: Jane Austen. Ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 2004. Print.
Wilkie, Brian. “Jane Austen: Amor and Amoralism.” Comprehensive Biography and Critical Analysis: Bloom’s BioCritiques. Ed. Harold Bloom. Philadelphia: Chelsea House Publishers, 2002. Print.
Wilson, Jennifer Preston. “One has got all the goodness, and the other all the appearance of it: The development of Darcy in Pride and Prejudice.” Jane Austen Society of North America. Winter 2004. Web. 10 Feb. 2010.
...iece, with lengthy, persuasive essay-like chapters throughout the text. Austen compresses her commentary and the narrator does not dominate the discussion. As it concisely conveys its message, Austen's work represents a development from Fielding's inflated treatise on the subject. The issue of the novel as respectable or as art was clearly an important issue of debate; the greatest speakers for both novelists were the "authors" of their respective texts.
Southam, B.C., (ed.), Jane Austen: The Critical Heritage. Landon, NY: Routledge & Kegan Paul - Barres & Nobel Inc., 1968.
...line of thinking makes perfect sense when we consider Jane Austen's tendency, particularly in Sense and Sensibility, to use her writing as a vehicle for not only entertainment but also instruction. We may view the varying representations of mothers then, not only as examples for Elinor to learn from, but for us as readers as well.
After this research, I found that Jane Austen, while always remaining a strongly opinionated writer, diluted her harsh portrayal of emotional sensibility in her earlier work “Love and Freindship”[sic] into a more moderate depiction in Sense and Sensibility. The underlying thought in both works remains essentially the same; that is, a general disapproval of overtly emotional sensibility, although Austen does later concede that sensibility should be used in tandem with logic rather than discarded altogether. However, ther...
Southam, Brian. "Jane Austen." British Writers. Vol. IV. Ed. Ian Scott-Kilvert. New York: Scribners, 1981.
In Vile Bodies, Waugh addresses the frivolous falsehoods in gossip columns, which captivate the public and distract them from more serious societal problems. During the 1920’s, as well as today, it would seem that people show more interest in comforting, trivial topics instead of distressing important ones. For this reason, gossip columns can be a useful tool to wield. This tool gives authorities the ability to controls citizens, by controlling their access to information, and by using the populations ignorance to influence their world view.
It is not unusual for an individual to disagree with social customs or expectations. Some people are only happy when they can rebel against society. Most mature adults eventually realize that compromise is necessary to achieve happiness. This is the case in the early nineteenth century England setting of Pride and Prejudice, by Jane Austen. In the novel, Miss Elizabeth Bennet is a lively, independent woman, whose family's financial situation and whose strong mindedness suggest that she may never marry. Mr. Darcy, is a rigid and proper man, who falls in love with Elizabeth, despite their differences. By the end of the novel, Elizabeth and Darcy learn to compromise, and, in doing so, become truly happy. In marrying, they not only fulfill themselves as individuals, but also affirm the principle values of society. The marriage at the end of the novel shows Jane Austen's ideal view of marriage as a social institution.
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Southam, B.C., (ed.), Jane Austen: The Critical Heritage. Landon, NY: Routledge & Kegan Paul - Barres & Nobel Inc., 1968.
In Pride and Prejudice, Elizabeth Bennet and Mr. Darcy both go through dramatic changes in their attitude towards each other. Darcy is devoted to Elizabeth, but denies it because of her family and her lower status. Elizabeth believes Darcy to be arrogant and interfering. Through conversations these characters have, their true regard for each other is discovered. Austen effectively uses dialogue to develop the change in the principal characters’ moral temperament, and also to advance significant concerns in the novel such as marriage and wealth-based status.
“Biography of Jane Austen.” Critical insight: Pride and Prejudice (2011): 18-31. Literary Reference Center. Web. 24 Nov 2013.
Austen's view of true love is clearly evident in the relationship between Darcy and Elizabeth. Elizabeth Bennet is an unfailingly attractive character, but what everybody notices about her is her spirited wit and good sense. She has a keen, critical mind when expressing her opinions and is unwilling to believe only the best of everyone. It is this intelligence that brings Mr. Darcy's admiration of her and her sense that she can rely on both mind and heart. Darcy carries the persona of a snobbish, arrogant, and self-assured man who assumes that he can get everything he wants. He explains his attitude by stating, " I was spoiled by my parents, who though good themselves … allowed, encouraged, almost taught me to be selfish and overbearing." However, his arrogance is challenged when he is faced to deal with the fact that ...
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