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Central message in shakespeare's othello
Racial Stereotypes and their Effects
Impact of stereotypes on our society
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Recommended: Central message in shakespeare's othello
One reason we sympathize with Othello is because of the harsh racism that he experiences. The increase of trade and slavery in the Elizabethan era brought a clash of cultures, leading to discrimination. Othello, a moor in Shakespeare’s play Othello, is often victimized by these standards because of his appearance, bringing forth his insecurities. His love for his wife Desdemona, a white woman, is looked down upon far too often. Brabantio, Desdemona’s father, is especially unsupportive of their relationship, claiming that his “daughter is not for [Othello]” (1.1.109). He believes that his pure white daughter should not be involved with a “black ram” such as Othello, claiming that it would be morally wrong (1.1.97). On account of constantly being surrounded by this criticism, Othello begins giving into it. He believes that because he is black, he does not “have [the] soft parts of conversation”, …show more content…
After killing his beloved wife Desdemona out of jealousy and misunderstanding, Othello realizes what he has done and cries out “o fool! fool! fool!” in pain and agony (5.2.382). Othello begins to feel guilt and shame for his appalling actions. After realizing that he cannot undo his actions, he experiences sorrow. After coming to terms with his actions and realizing what damages he has caused, he declares that he is “not valiant neither” (5.2.291). He attempts at visualizing his life without his beloved Desdemona and understands that it is not complete and recognizes that he wouldn’t be able to live freely with this horrible deed shadowing his every move. As he thinks more and more about his future life, he realizes that it would cause him too much pain and that his sadness would be insurmountable. He decides to end his life to be with Desdemona once again. This is the point at which the audience regains their love for Othello once again because he realizes all of his wrong
Othello, from the onset, is shown to us a play of love and jealousy. There is however more to this play than just love and jealousy; there is underlying racism, hate, deception, pride, and even sexism between these pages. Othello is a transcendent play, one that will survive the perils of time simply because it is still relevant. Even today, over 400 years later, there are still issues of racism and sexism. Hate is as natural as love in humans and Othello gets right to the root of that. We witness this from the very first scene, “…you’ll have your daughter covered with a Barbary horse/ you’ll have your nephews neigh to you” (I.i.112-14); to the very last, “Moor she was chaste. She loved thee, cruel Moor” (V.ii.258). Moor however is used as an insult all throughout the play; not so much the word itself but the feel of the word. Between these pages we see many different ways as to how the cultural differences between Othello and the other characters.
From the outset, Othello has been uncomfortable in aristocratic Venetian society. He has deep insecurities about his ability to fulfill his role as Desdemona’s husband, both sexually and socially. Othello is elated when he realizes that beautiful young Desdemona is attracted to him since he perceives himself to be unworthy of her love, primarily due to his old age, physical unattractiveness, and most importantly because he is a black Moor. Thus, his realization of his racial identity figures prominently in his mindset. Sexually, he fears being unable to satisfy his wife’s desires; for it would be only natural for her to, having sealed the vows of marriage, seek a companion more like her. For he is “rude […] in speech, / And little blessed with the soft phrase of peace” (1.3:81-2), most unfit to wed the daughter of the noble senator Brabanzio[1]. Thus, he makes it clear that he prefers the military atmosphere to the aristocratic civilian one.
During the tragic conclusion of the play, in Act 5 scene 2, Othello suffocates his adored Desdemona in the erroneous belief of her infidelity. She nevertheless departs with dignity. She does not wail but instead she merely states: “O, falsely, falsely murdered!” (130). One is left to wonder if she is referring to herself or to Cassio; regardless, these words are simply matter-of-fact and are not the emotion-driven cries one would normally expect from a person facing her own execution. Through her dying breath, Desdemona states clearly, “A guiltless death I die” (136). Her mistress Emilia, obviously overcome with emotion, pleads to Desdemona to name the killer, crying, “Help! Help, ho! Help! O lady, speak again!” (134) and “O, who hath done this deed?” (137).
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
The director uses specific language and tone to stress the issue of race in Othello. The controversy of racial relationships is expressed through Brabantio's negative attitudes and words. He refers Othello to a 'foul thief, implying that his daughter could never love a man of a different colour, and that therefore Othello has stolen her from him. Brabantio compares Othello to someone that no one would want and he is disgusted that Desdemona would "run from her guardage to the sooty bosom". Thus implying that Othello is dirty and undesirable. The choice of language from the director highlights the other characters pessimistic and disrespectful attitudes towards Othello due to his skin colour.
Othello then finally learns the truth about Desdemona’s innocence. He accepts full responsibility for the crime, but the cost is too high. He then takes his own life. Pride is a deadly thing.
Othello, the main character in Othello, thinks his wife is unfaithful becuse Iago, his friend, tells Othello that Desdemona, Othello's wife, has not been faithful. This is where everything goes crazy. He believes Iago, who is not telling the truth, but he believes him anyway. He kills Desdemona after going crazy and Iago kills Cassio, the character Desdemona is not unfaithful with but Othello thinks she is. In the end, they don't live except for Cassio. Othello kills himself, representing the way he ends his own life. As Othello says in the end, " . . . I die . . ." (5.2.64).
...race, beauty and status put her on a pedestal like a goddess allowing him to idolize her and therefore never truly deserve her. Beneath his noble persona on display for all to see, the idealistic view of his wife, leads him to believe that she will never be able to fully reciprocate the love he has for her. Iago’s exploitative tactics used for revenge trigger Othello’s fatal insecurities to surface for the ultimately climactic ending in which he smothers Desdemona with a pillow before discovering “honest” Iago had been deceiving him, as well as the majority of the other characters, the entire time. Outraged, Othello attempts to stab Iago as revenge for being manipulated into killing his beloved wife, however when his hasty murder attempt fails, the heartbroken and worn-out man stabs himself next to the already dead Desdemona, whom he never believed he was worthy of.
As Othello is known in the play as the Moor, he often faces discrimination that his peers did not face. When Brabantio finds out that Othello married his daughter, he claims that Othello must have “enchanted her” (1.2.64) and that his daughter “…t’incur[ed] a general mock,” (1.2.70) by “run[ning] from her guardage to the sooty bosom.” (1.2.71) In other words, Brabantio is saying that he is in disbelief as to why Desdemona would marry a Moor when her socioeconomic status was so much higher. As a result of being treated as an inferior due to skin colour, Othello puts more weight on honour and reputation. Since his high ranking position in the army set him apart from other Moors, he uses it as compensation towards many aspects of his life such as marriage. For example, Othello associates the “…services which [he] has done the seignniory” (1.2.17) to Brabantio’s criticisms about him. Othello knows that his position holds power, and he is able to confidently articulate why he is suitable candidate to marry Desdemona. Unfortunately, Othello’s confidence does not last later in the play when his honour is suddenly threatened by presumptions that Desdemona is engaged in unfaithful acts. Soon thereafter, he loses his
...or Desdemona and attest to her innocence” (Gruber 100). It is, “Desdemona’s disobedient insistence on her innocence [that] maddened the priestly Othello and hastened her death” (Calderwood 363). Ironically, Othello finds out the truth only after he has smothered the life out of Desdemona and silenced her permanently and many others have suffered unjust deaths as well. Once Othello learns the truth, he can no longer live with the guilt of having killed his innocent wife. He is definitely not the man that he wanted to be. He feels as if the only way to escape the coming judgment is to take his own life.
The tragedy of Othello, written by William Shakespeare, presents the main character Othello, as a respectable, honorable, and dignified man, but because of his insecurities and good nature, he is easily taken advantage of and manipulated by his peers and alleged friends. The dynamic of Othello’s character significantly changes throughout the play. The contrast is most pronounced from the beginning of the play to its conclusion, switching from being calm and peaceful to acts of uncontrolled venomous rage. Othello’s motivation in the play appears to be his love and concern for his wife Desdemona, which ironically, ends up being his downfall in the end.
It is in the great tragedy, Othello by William Shakespeare, that Shakespeare has managed to create a character so pitiable, yet so powerful. Throughout the play, the audience witnesses Othello’s self-destruction and loss of power through his rage filled speeches and situations of false accusation. Witnessing his relationships with Iago and Desdemona is like watching one being driven mad with their own self-hate: any rational being would tell Othello to be realistic and trust his wife, yet the same individual would realise that Othello is mentally ill and not much can be done to help the situation. Therefore, the audience feels powerless in this situation thus he or she feels pity for the struggle the character is experiencing.
Have you ever thought about how much Othello’s race and the racism around him affected his life? Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “old black ram,” “Barbary horse,” and “thick lips” (Shakespeare 1.1.40; 1.1.88; 1.1.111; 1.1.66).The term “racism” has been around for several years; it started in the twentieth century (Bartels 433). By the way the Elizabethan era viewed black people was similar to how racism is today with all of the racial comments, and stereotypes. Being a black person in a mostly white ethnicity area at that time had to be challenging based on Othello’s experience. Othello was the black sheep crowded around a herd of white sheep, he was an outcast. Racist comments were made by many of the characters like Iago, Brabantio, Roderigo, and Emilia. If there was an award for most used racial comment towards Othello, Iago would win. Racism in Othello had a tremendous impact on Othello. He was judged by the color of his skin and not his personality. Othello’s race and the racism around him affected his life by ruining his marriage with Desdemona, alienating him from everybody in Venice, and by making him an easy target to be manipulated by Iago.
From its 1604 publishing date until the modern era, Shakespeare’s Othello has continued to be an essential sociological tool in its historical evocation of discussions of prejudice. The modern chronology of Othello’s worldwide criticism is consistently laden with race issues and exhibits the development of human thought in its gradual drift away from the archaic structural notions of human difference toward a more humanist and sensible perspective. This timeline of documented literary reactions validate the importance of discussing race in Othello.
When news travels that Desdemona is dead Othello discovers that Iago had set everything up and that Desdemona was innocent all along. He then does the most honourable thing that he thinks he can do and that is to kill himself. In his final words he believes that ’there is no way but this, Killing myself, to die upon a kiss.’