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Widowhood discrimination within Indian culture
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In India, the practice of Sati has been continuously performed over the years, nonetheless of the consequences that are discovered of the practice. Sati is the representation of the woman herself, who is the Goddess of marital bliss and longevity. Sati is also a Hindu practice of a widow burning herself on the funeral pyre of her husband. The practice of Sati looks at wives being loyal, pure, and chaste to her late husband, however, the practice of Sati is a downfall in a woman’s life. Sati negatively impacts women in India by linking it to a mythology which glorifies the death of women, posing as a legitimate alternative for widows and by celebrating modern cases such as Roop Kanwar.
An issue of Sati is the misunderstanding of how the link
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Those who interfered with Godavari were soon cursed by her. A witness of the ritual examines Godavari “overflowing with sat, goodness (Hawley 231)”. After Godavari became a sati she expressed that anyone who sleeps the pyre she was burned on for seven nights will be permitted blessings. This mythology of Godavari gives widows hope that although her husband and she are deceased, blessings can be fulfilled to those who she loves. The name for the practice is derived from the meaning of Sati which means “a good woman”, which signifies being a “chaste woman and virtuous wife (Hawley 50)”, as Sati did prove she was such for standing against her father’s opinions on Shiva. This meaning of Sati glorifies how the practice of Sati is perceived with practices today. The dominant point of the mythology of Sati is about the union of marriage between deities so that creations can continue and prosper. To keep a woman’s status of being a “chaste woman and virtuous wife”, it is determined by your choice of when you become a widow, as being a loyal wife will have to continue on even after her husband has died. Women in India are devoted to being a servant to their husband, which is considered a …show more content…
Western values are different as women fight for equality, stand up for themselves and are independent. Compared to lives in India, values are different as women are expected to be a pativrata as explained earlier in the essay. Woman are not independent as their lives revolve around men; either their father, husband or sons. In marriage, women are responsible for the lives of their husband. The wives are to make sure their husband has everything they need such as food cooked, his clothes clean and the kids are taken care of before the wife gets what she needs. As women in marriage are responsible for their husbands’ lives, it is frowned upon if their husband dies before the wife dies. This experience is seen as though the wife did not take good enough care of their husbands. Women who experience their husbands dying are called widows, and widows in the Western world and widows in India are perceived differently. Widows in India are treated poorly, they are disowned by their families, humiliated and mistreated. Widows are common to abuse, verbal and physical, from in-laws and the denial to her dead husband’s property and assets. As a Sati, these acts upon the widow is not allowed. A soon to be Sati is granted the power to curse anyone who dares to stop the ritual from occurring, after the Sati has made the vow to become a Sati. Widows in India lose
Her body goes through a process of closing and cooling. This changes also mend that women now were able to move more freely and give up most countermeasures (Lamb 2000, p.198). Menopause added an important aspect of aging, as this resembles the closing of the body, it increased purity. This transaction made women in some ways “like man” (Lamb 2000, p.200). Widowhood was considerate to be a very difficult time for a woman, as it would change her economic condition. She might be forced to grow old childless as most women won’t remarry (Lamb 2000, p.213). If the woman were from a Brahman cast she would be obligated to wear white and change her diet. This was mostly done to make the women unattractive in the eyes of other men. Because even after death a wife continues to be devoted to her husband (Lamb 2000, p.223). Due to the believe that when a woman gets married, the connection shared with her husband remains and she will be always defined in terms of her relationship status as his “half body” (Lamb 2000, p.229). Therefore a woman whose husband has died is considerate to be half dead, which puts her into a permanent state of impurity (Lamb 2000, p.229). This is the reason widows are considerate to be extremely inauspicious and are peripheralized within the family (Lamb
Gender roles have been a predominant factor in our world since the early emergence of human societies whether they are positive or negative. They are based on expectations that societies have over the people in them. The Epic of Sunjata, shows us how men and women are treated almost equally in different forms. Women are praised for their ability to birth leaders, which is similar to the early Greek Society. In most societies, women are treated less equal than men. This was prevalent in the early Indian society. No matter the gender role, it has been shown that any society cannot survive without both men and women.
When Sripathi and his family receive the news of Maya’s and her husband’s fatal road accident, they experience a dramatic up heaval. For Sripathi, this event functioned as the distressed that inaugurated his cultural and personal process of transformation and was played out on different levels. First, his daughter’s death required him to travel to Canada to arrange for his granddaughter’s reverse journey to India, a move that marked her as doubly diasporic sensibility. Sripathi called his “foreign trip” to Vancouver turned out to be an experience of deep psychic and cultural dislocation, for it completely “unmoors him from the earth after fifty-seven years of being tied to it” (140). Sripathi’s own emerging diasporic sensibility condition. Not only must he faced his own fear of a world that is no longer knowable to him, but, more importantly, he must face his granddaughter. Nandana has been literally silenced by the pain of her parent’s death, and her relocation from Canada to Tamil Nadu initially irritated her psychological condition. To Sripathi, however, Nandana’s presence actsed as a constant reminder of his regret of not having “known his daughter’s inner life” (147) as well as her life in Canada. He now recognizeed that in the past he denied his daughter his love in order to support his
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
Sripathi’s intolerance of spending money on anything but himself leads to the disgust of his wife. During the planning of Maya’s engagement, he worries about “how much that [would] cost” (102) and even calls his wife a “foolish woman” (102). This is significant because it shows that Sripathi cannot bear the thought of splurging on his daughter’s engagement. This shows that he does not care about pleasing other people who are invited to ceremony; rather, he cares about his own financial future. Through the exchange between him and his wife, Sripathi is portrayed as a selfish person who only cares about his own opinions. He even belittles his wife for not accepting his opinion as the best idea. However, after Maya’s death, Sripathi copes by becoming more empathetic. He recalls what he has done to Maya and wonders how he will be able to face his grandchild with the knowledge that he is responsible for her mother’s death (245). This is significant because Sripathi begins to reflect and consider how others feel. Through this personal thought, this reveals how much his character has changed since the death of Maya. He now understands that he will not be able to face his grandchild because of how disowning Maya contributed to her death. Sripathi now tries to atone for what he has done to Maya by attempting to get closer to Nandana. This helps him to
South Asian women engage in patriarchal values and normative structure established more than two thousands years ago, continue to be oppressed by a dominant group of men. These women suffer further oppression through the strict adherence to cultural garb. Still today, media and educational system portray South Asian women as self-sacrificing, faithful to the family, and submissive to men.
[Sati] did not occur in England, but many manifestations of the attitudes and anxieties underlying the practice did. Nineteenth-century respectability in both England and India divided women into exalted and degraded classes, not only on basis of actual or imputed sexual behavior, but also on the basis of whether that behavior was at all times controlled and supervised, pref...
The first difference between American culture and Indian culture is marriage. A wedding is a great social event in our society, which establish a new bond between two individuals and families. Marriage is a joyful occasion with plenty of music, dance, partying and merrymaking. It also brings together a long-lost friends, relatives and acquaintances. In India, the parents choose the mate for their child, which is called an arranged marriage. In most cases, the bri...
Furthermore, the way that we act out practice and perceive the world is shaped by our particular position in the social structure. Thus, death is an apt topic to review religion as a social function, as funeral rites and expressions of grief reflect a lot on specific societies and are culturally relative. Firstly, funeral rites are indicative of gender relations in wider social life. The roles for men and women when it comes to coping with death are clear cut. As in non-religious life, women are seen as more faint-hearted than man, thus, their job is to simply grieve. Parry notes many instances of women breaking into ‘sing-song wails’ (Parry, 1994, p.153). Men, on the other hand, are seen as more spiritually capable, and so they are able to perform rituals, they also do not openly express grief. Parry concludes then, that the ‘legitimate expression of grief is structured by gender’ (Parry, 1994, p.155). It is important to question whether these displays of emotion, or lack of, are socially constructed. Take, for example, Kamla, the son a recently deceased woman. During her funeral procession Kamla is seen looking very solemn and silent, Parry wonders if perhaps he wants to express his grief, but knows that he can’t due to social traditions. Through all castes in Banaras, the separation of genders in matters of grieving is continuous. Secondly, religion repeats social structure. Those without sons cannot
Sati is defined as “a Hindu practice whereby a widow immolates herself on the pyre of her husband” (Dictonary.com). Sati also means righteous, women throughout the Hindu myths were willing to do anything for the man that they loved. This symbolized the perfect Indian wife to any man. Imagine being a married couple in the Hindu religion, as the wife you have to prove yourself to your husband. According to About.com it goes into brief detail of the idea of marriage in the Hindu religion; “after marriage the Hindu women lead the men by keeping the lustful propensities under control. While married, thought of any other man does not enter the mind of a Hindu lady until she loses her faith in her husband due to his consistent misbehavior and 'don't care' attitude” (Rajhans). Basically in this commitment women must keep the male under control and keep the loving relationship alive and well. Suddenly, during your marriage your husband suddenly dies and you are now left as a widow. How would you feel? Would you mope around and have sorrow for the months to come? Or would you go to the extent of suicide to be with your husband once again. Some say sati is a voluntary act chosen by the newly widowed woman to end her life by being burnt to death at her husband’s pyre. But there are moments in history that Sati was forced upon these women, some ever were dragged to their burning death (Daniel). “The custom of burning the widow on her dead husband's pyre probably did not evolve from religious background but from social background” (Daniels). This paper will explore the horrible act of Sati and how it was practiced throughout history.
Hess, Linda. Rejecting Sita: Indian Responses to the Ideal Man's Cruel Treatment of His Ideal Wife. Vol. 67. New York: Oxford UP, 1999. Print.
“India is the meeting place of the religions and among these Hinduism alone is by itself a vast and complex thing, not so much a religion as a great diversified and yet subtly unified mass of spiritual thought, realization and aspiration”(Sri Aurobindo). Hindus believe in karma, which means that the actions that are made will affect this life or the lives to come (Fisher 120). Reincarnation is a rebirth in a new life (Fisher 120). In Hinduism the roles that the women play in their society is similar to Rukmani’s in Nectar in a Sieve. Hindu women take care of the children and help the husband with farm work or any other work ("Hindu Beliefs"). The three main themes in the book that connect to the Hindu religion are Humans choose their actions which cause happiness or sadness, suffering purifies for the soul, and truth is the most important moral value to have. Every action made by humans is based on a choice the outcome could be happy or sad.
In Sikhism, it is debatable whether religious texts portray women well, or if they portray women often enough in general. What is undisputed, however, is that women continue to hold a lower status in the Sikh tradition. Often, women are ignored in the Sikh religion. Doris Jakobsh states that, “While Sikh apologetics repeatedly insist that women and men are inherently equal in the Sikh world view, in reality, historical writings contain virtually nothing about women, apart from minimal asides referring to the occasional exceptional woman who has been deemed worthy enough to have made the pages of history” (Relocating, 7). This shows that there is a discrepancy between the equality that Sikhs seem to believe that women have in their religion and the restrictions placed on women anyway. While learning about Sikhism, I found it curious that there was a serious lack of female influence acknowledged in the conception of the religion. Considering the fact that there were many women present, upon visiting a Sikh Mandir, it seemed that many members of the female population in Sikhism are unaccounted for. M.K. Gill notes that though Mata Sundri [one of Guru Gobind Sing’s wives] led the panth longer than any of the nine Gurus subsequent to Guru Nanak, the founder of the Sikh tradition, and through one of its more difficult and d...
Garg in ‘Hari Bindi’ discusses the story of a common woman and made it extraordinary by the active force she was experiencing in herself to live her life. The husband of the protagonist symbolises the power and control of patriarchy that had restricted her life in such a way
The opening of the poem the woman is explaining why painting her nails red is sophisticated “Because a bit of colour is a public service”(1). In line two Satyamurti calls attention to the role of women in the society and in the family- that while they are not being paid for work they do everyday of their lives, it should not be neglected. She acknowledges by “Because I am proud of my hands”, she is explaining that women ar...