Power of the Oppressed Exposed in Shooting an Elephant
In Burma, the Indian Imperial Police consisted of British officers who, in theory, supported the extension of power and dominion of a nation, which is the basis of imperialism. George Orwell decided to follow family tradition when he went to Burma to work for the Indian Imperial Police, yet "when he realized how much against their will the Burmese were ruled by the British, he felt increasingly ashamed of his role as an alien police officer" (Britannica). In his narrative, "Shooting An Elephant", George Orwell realizes that throughout his entire rule in Burma he is actually the victim of the Burmese, and it is their expectations of what he should do with his power that force him to do what they want.
Looking back upon his experience as an officer of the imperialistic regime, Orwell recalls a crucial morning when he is asked to deal with an elephant that has escaped from its "mahout" or caretaker, and "has gone must" (310). On this day Orwell realizes that he is unable to make choices according to his own beliefs but must act according to the demands of the "natives" who have been deprived of their own country. Orwell acknowledges that "imperialism [is] an evil thing and the sooner [he] chucked up [his] job and got out of it the better" (310). He is constantly reminded of the abuse inflicted upon the native people as he observes at first hand the "wretched prisoners huddling in the stinking cages of the lock-ups, the gray, cowed faces of the long-term convicts, and the scarred buttocks of the men who had been flogged with bamboos" (310). Very prevalent is the anti-European sentiment among the "natives" of Burma; this prejudice nearly makes his job impossible. T...
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..."natives" feel obliged to test the imperialists’ authority (or lack thereof) as a means of keeping some control over their country. The imperialists believe that they are keeping control by acting resolutely, but as Orwell shows in "Shooting An Elephant", they put on this act to satisfy and appease the wishes of the "natives." In imperialism, the oppressed indirectly hold the actual power and control over those that falsely believe to be the oppressors.
Works Cited
Orwell, George. Shooting an Elephant and Other Essays. New York: Harcourt, Brace & Company, 1946. Rpt. The McGraw-Hill Reader: Issues across the Disciplines. 7th ed. Ed. Gilbert H. Muller. New York: McGraw-Hill, 2000.
Smyer, Richard I. Primal Dream and Primal Crime : Orwell's Development as a Psychological Novelist, University of MissouriPress, Colombia 1979.
http://www.britannica.com/
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
In 1922, Orwell began working as the assistant superintendent of police in Myaungmya, Burma, and this is where his hatred toward imperialism and its tyrannical rule over the underdogs in society developed. He felt guilty torturing and flogging unwilling subjects. The community had taken too much power over the individual, and the imperialist society commanded Orwell to enforce this injustice: “I was stuck between my hatred of the empire I served and my rage against the evil-spirited little beasts who tried to make my job impossible. With one part of my mind I thought of the British Raj as an unbreakable tyranny…with another part I thought the greatest joy in the world would be to drive a bayonet into a Buddhist priest’s guts. Feelings like these are normal by-products of imperialism” (qtd. in Lewis 41). Obviously, imperialism had affected Orwell to the point where he developed animosity towards the Burmese. As a policeman doing “the dirty work of the Empire” (qtd. in Lewis 41), Orwell acquired a hatred for imperialism, a belief that is focused on dominion over other individuals.
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just want you to know…how very much I have always loved you.” (pg. 102, Grimwood)
In the essay ?Shooting an Elephant? by George Orwell, the author uses metaphors to represent his feelings on imperialism, the internal conflict between his personal morals, and his duty to his country. Orwell demonstrates his perspectives and feelings about imperialism.and its effects on his duty to the white man?s reputation. He seemingly blends his opinions and subjects into one, making the style of this essay generally very simple but also keeps it strong enough to merit numerous interpretations. Orwell expresses his conflicting views regarding imperialism throughout the essay by using three examples of oppression and by deliberatly using his introspection on imperialism.
During Orwell's time in India he is exposed to several unethical situations. As an imperial officer, Orwell is often harassed, "I was an obvious target and was baited whenever it seemed safe"(Orwell 521). Therefore, Orwell's initial feelings are fear and rage toward the Burmese. He displays his hate in wanting " to drive a bayonet into the Buddhist priest's guts"(522). However, thou...
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In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
I often wondered whether any of the others grasped that I had done it solely to avoid looking a fool." So ends George Orwell's poignant reminiscence of an incident representing the imperialist British in Burma. Unlike Soyinka, who wrote about colonialism from the African's point of view, Orwell, like Joseph Conrad in Heart of Darkness, presents the moral dilemmas of the imperialist. Orwell served with the Imperialist Police in Burma while it was still part of the British Commonwealth and Empire. His service from 1922 to 1927 burdened himwith a sense of guilt about British colonialism as well a need to make some personal expiation for it (Norton 2259). "Shooting an Elephant" chronicles an incident in which Orwell confronts a moral dilemma and abandons his morals to escape the mockery of the native Burmans. He repeatedly shoots and kills an elephant which had ravaged a bazaar and scared many Burmans even though "As soon as I saw the elephant I knew with perfect certainty that I ought not to shoot him" (6).
The character, himself, is part of the British rule and is supposed to have all of the power. The Burmese, though, dangle the power in front of him. He is weak and unsure of himself, stating that he “wears a mask, and his face grows to fit it” (60). The character is not able to stand up for what he believes in -- that is, not shooting the elephant. There is a back and forth struggle in his mind about whether or not the elephant needs to be killed. Orwell’s character is fully aware that it is wrong and immoral to shoot an innocent creature, but eventually secedes to the demands of the Burmese, attempting to prove his cooperation and loyalty to those watching. In a way, the Burmese represent the pressures of society. Because of this, the audience can sympathize with the main character. There are always times when we, the readers, are unsure of ourselves, but we eventually make a decision. Whether we make the decision for ourselves or are assisted by others, in the end, we must take responsibility for our own actions. In a broader sense, Orwell’s character represents the internal conflict that everyone faces: should we conform to society or should we be our own
The state of power established through the imperialistic backdrop show that Orwell should have control over the Burmese. Orwell is a British colonial officer in Burma, which is under the control of the British, and because of this he should have authority and control over the Burmans. The presence of the empire is established when Orwell explains that, “with one part of my mind I thought of the British Raj as an unbreakable tyranny...upon the will of the prostrate people; with another part I thought that the greatest joy in the world would be to drive a bayonet into a Buddhist priest’s gut.” (144) This ideal imperialistic circumstance, where ...
Every writer has that one special quirk that keeps readers coming back for more. Whether it is the humor or the characters, most authors carry their quirks from story to story. In “Shooting an Elephant,” George Orwell describes his experience of shooting an elephant. In “A Hanging,” he describes the emotions that run through him as he watches the hanging of a prisoner. Both essays have similar key ideas that identify Orwell as a writer. The results of pride and power contribute to the themes that connect his essays and identify Orwell as a descriptive writer.
What type of furniture existed in such a household? The furniture was generally well made and often beautifully crafted. Nobles’ furniture was often inlaid with semi-precious stones and ivory and the villages often copied ...
"Shooting an Elephant" is perhaps one of the most anthologized essays in the English language. It is a splendid essay and a terrific model for a theme of narration. The point of the story happens very much in our normal life, in fact everyday. People do crazy and sometimes illegal moves to get a certain group or person to finally give them respect. George Orwell describes an internal conflict between his personal morals and his duty to his country to the white man's reputation. The author's purpose is to explain the audience (who is both English and Burmese) about the kind of life he is living in Burma, about the conditions, circumstances he is facing and to tell the British Empire what he think about their imperialism and his growing displeasure for the imperial domination of British Empire.