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DBQ about the Reconstruction Era
Racial inequality america 1960s
Post civil war reconstruction
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Even if Dressed in Battered Clothes
If a person dressed in battered clothes collapses on a busy sidewalk, many pedestrians would ignore him. However, if that same person wore a business suit instead, they would rush over to check on his condition. Just like how these bystanders treated the man differently due to the way he dressed, white Americans treated African Americans differently due to their skin color. The end of the Reconstruction Era in 1877 may have freed the slaves and granted African Americans the right to vote, but the following period of time introduced a new set of challenges that caused disputes over racial equality. August Wilson, an American playwright, reveals the effects of Post-Reconstruction in his play, The Piano Lesson. With the characters Lymon and Wining Boy, Wilson depicts an African American
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While the 13th and 15th Amendments depict a step towards racial equality, additional laws were passed that ultimately prevented African Americans from achieving the opportunities and acknowledgement the deserved. From the convict leasing system, to the exclusively white government, white Americans were able to maintain their superiority, restraining African Americans from progressing. August Wilson’s Piano Lesson symbolizes the de facto aspect of an African American life by illustrating the discrimination African American faced due to racism. To achieve true racial equality America needs to see more development from those with less power. In order for this to happen, it is imperative for the people of America to rid of all their prior stereotypical judgements, and overcome their habit of treating people based on their appearance. By then, all pedestrians in any sidewalk would rush over to anyone, even if they were all dressed in battered
The Piano Lesson written by August Wilson is a work that struggles to suggest how best African Americans can handle their heritage and how they can best put their history to use. This problem is important to the development of theme throughout the work and is fueled by the two key players of the drama: Berniece and Boy Willie. These siblings, who begin with opposing views on what to do with a precious family heirloom, although both protagonists in the drama, serve akin to foils of one another. Their similarities and differences help the audience to understand each individual more fully and to comprehend the theme that one must find balance between deserting and preserving the past in order to pursue the future, that both too greatly honoring or too greatly guarding the past can ruin opportunities in the present and the future.
The Harlem Renaissance, in the 1920’s, sparked a cultural movement known as the “New Negro”. Along with this movement, an anthology was published by Alain Locke named The New Negro. Within this anthology, the playwright Willis Richardson left his mark in the movement through his play Compromise. Compromise depicted what Alain Locke meant by the New Negro movement. Many plays that were published established ideas similar to Compromise. In the single issue magazine Fire, the play Color Struck had similar agendas but from a different point of view, culturally. Willis Richardson, through his work, Compromise, tries to establish the idea of how culture influences the political sphere in society.
Although, Wilson uses many symbols to convey his message there is one particular message that he wants the audience to understand. There is an underlying theme that explains that the society African Americans are living in is unjust. Due to this, African Americans feel as though they must be delivered into a new realm; whether it be death or a new start.
However, his desire conflicts with the racial situation during the time of the play. The play is set during a time when blacks were primarily slaves and considered property. They also didn't own any property. His belief that he is of equal standing with a white man could probably be traced to his lineage with the piano. The piano had symbolized his ancestors since the piano has been around during his grandfather's ...
In this story it clearly shows us what the courts really mean by freedom, equality, liberty, property and equal protection of the laws. The story traces the legal challenges that affected African Americans freedom. To justify slavery as the “the way things were” still begs to define what lied beneath slave owner’s abilities to look past the wounded eyes and beating hearts of the African Americans that were so brutally possessed.
Alan Nadel argues that the object of the fence in August Wilson’s play, “Fences” symbolizes a great struggle between the literal and figurative definitions of humanity and blackness. The author summarizes the play and uses the character Troy to explain the characterization of black abilities, such as Troy’s baseball talents, as “metaphoric,” which does not enable Troy to play in the white leagues as the period is set during segregation (Nadel 92). The author is trying to use the characters from the play as examples of black people during the segregation years to show how people of that time considered black people not as literal entities and more like figurative caricatures. Stating that these individuals were considered to be in a kind of limbo between human and object. Nadel’s thesis is easy to spot, and is actually pointed out directly on page 88 of the text. It reads that August Wilson’s play actually investigates the position of black persons as the metaphorical “fence” between humanity and property, arguing that the effects of this situation interacts within the “context of white [America]” so that a wider range of people are able to view the internal struggles of the black community.
“It doesn’t matter anymore. Just do the best you can. But it won’t matter.” (Antoine, 66) Grant’s former teacher, Matthew Antoine, has been bittered up by the whites and has no hope for African Americans. He has opened his eyes to the obvious and believes African Americans are stuck below the whites and have been born to work like mules and live like dogs. Antoine says, “Forget it. Just go on and be the nigger you were born to be, but forget about life.” (65) He was a realist, and a noncomformist; the world needed someone like Grant, someone who would stand up for his or her race, fight for equality, and break Antoine’s belief of the colored men’s doom. Which is what Grant did. He stood up for his class and became a teacher to make a difference in any possible way.
Racism is everywhere; it is all around us and at most times it resides within us. Racism basically refers to the characterization of people (ethnicity based) with certain distinct traits. It is a tool with which people use to distinguish themselves between each other, where some use it to purposely inflict verbal, physical or mental attacks on others while some use it to simply distinguish or differentiate from one another. It all depends on the context in which it is used. The play Fences by August Wilson, takes place during the late 1950’s through to 1965, a period of time when the fights against segregation are barely blossoming results. The main protagonist, Troy Maxson is an African American who works in the sanitation department; he is also a responsible man whose thwarted dreams make him prone to believing in self-created illusions. Wilson's most apparent intention in the play ‘Fences’, is to show how racial segregation creates social and economic gaps between African Americans and whites. Racism play a very influential role in Troy’s but more importantly it has been the force behind his actions that has seen him make biased and judgmental decisions for himself and his family. Lessons from the play intend to shed light on how racism can affect the mental and physical lives of Troy Maxson and his family.
The Piano Lesson by August Wilson is taking place in Pittsburg because many Blacks travelled North to escape poverty and racial judgment in the South. This rapid mass movement in history is known as The Great migration. The migration meant African Americans are leaving behind what had always been their economic and social base in America, and having to find a new one. The main characters in this play are Berniece and Boy Willie who are siblings fighting over a piano that they value in different ways. Berniece wants to have it for sentimental reasons, while Boy Willie wants it so he can sell it and buy land. The piano teaches many lessons about the effects of separation, migration, and the reunion of
Wilson demonstrates how one should accept and respect the past, move on with their life or slow down to pay respects to their family?s history, by describing the struggle over a symbolic object representing the past like the piano. Often people will sulk in the past and struggle with themselves and the people around them when they cannot come to terms with their personal history or a loss. Others will blatantly ignore their personal history and sell valuable lessons and pieces of it for a quick buck to advance their own lives. Berniece and Boy Willie in The Piano Lesson are great examples of these people. Through these contrasting characters and supernatural occurrences, Wilson tells the tale of overcoming and embracing a rough and unsettling family history.
Chen, Meng-fei. Reconstructing Black Identities in August Wilson's The Piano Lesson. Thesis. National Chengchi University, 2002. NCCU Institutional Repository. Web. 28, Apr. 2014.
394). Once we recognize that something bad as occurred and who is responsible, then the next step is to take action such as an apology. In 1995, a church apologized to African Americans for overlooking and prolonging individual and systematic racism in this lifetime (Pg. 394). In educational systems, we must give an apology to the children and parents who have been victims of the segregation within the schools system. Before 1954, children who were not white were prevented from attending white schools under a policy called “separate but equal” (Pg. 208). During slavery, many African Americans were forbidden to read and write by laws and the slaves who were considered free were not allowed to enroll in public schools (Pg. 208). In this case, the children would get an apology from the United States for not allowing them to read and write and for not allowing the free slaves to have access to an education. This apology leads us to Eric’s next step where we actually make something happen in fixing the
The play The Piano Lesson by August Wilson, describes the life of an African American family in Pittsburgh throughout the 1930s. Two siblings, Bernice and Boy Willie continuously fight about what to do with a piano that has been in their family for a long time. The piano has a connection between Berniece’s family and their ancestors. Despite this spiritual bond, the play also describes an average African American life in the 1930s. It explains simple activities such as occupations to the more serious events like Parchman Farm. Although legacy is a repeated idea in The Piano Lesson, August Wilson’s descriptive details of typical African American life and struggles found both in the northern and southern states during the 1930’s play a pivotal role in this work of literature.
Dorothy Parker’s “Arrangement in Black and White” is set during a dinner party for the host’s friend, Walter Williams, an African American musician. Though the party is celebrated in his name, most of the conversation takes place between the host and the main character, the woman with pink velvet poppies. From the conversation, the audience can deduce that though this woman admires Walter Williams’s musical talent, she is unable to let go of the racist sentiment against his African American heritage. The author adds a flavor of sophisticated cynicism as she makes this point clear by having the main characters ironically make frequent references concerning how “untroubled” she is about the color of his skin. This argument is further emphasized when she greets Walter Williams; her body language and topic choice gives her predicament away. Through this story Parker implies that with the end of slavery did not entail the changing of the heart’s and mind’s of its supporters, no matter how much one can deny it to oneself.
As a child I watched television shows, and movies where African American’s played a role. Though, my first encounter with an African American was when I was 14 years of old and visiting my Aunt Eleanor, where she lived in a Dallas/Fort Worth suburb. She took me to the mall which housed an ice-skating rink where the gentleman who cleaned and distributed the shoes at the shoe counter was a Black man. Therefore, I do not have much experience with African American people. However, the media whether it be on the news, movies, or social media depict African Americans in a different perspective from what was mentioned in chapter 13. Furthermore, the perspective from a professional African American woman is obviously a better version from what has