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Marble sculpture analysis
Marble sculpture analysis
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Frieze Fragment, early 16th century, marble, sculptural architectural. A decorative, rectangular marble sculpture, this piece uses elements like form, composition, space, lines, texture, proportion, and scale in order to create a piece that shows balance and movement. Frieze Fragment, is divided into thirds and can be examined like an unfolding story. From left to right it uses a rectangular base as a way to read and observe the three dimensional figures, who appear to be coming to life in the marble sculpture. Although the composition of this piece is horizontal and has ninety degree angles, it helps maintain spacing because it is a crowded piece. The lines in this sculpture are very crisp and sharp. Beginning from the left we begin to see an ideal flow of nature. A small column is on the top left corner and we see a vine beginning to spiral towards the bottom left corner. Other vines flow from the bottom left corner and they surround a horse. The horse also appears to be three dimensional. Around the horse’s torso, there are petal like structures as if the horse is leaping out of a flower or portal. More vines around the horse and a flower is attached to the bottom left vine. Attached the bottom left vine as well, appears to be an angel with a distressed expression on his face. A snake is wrapped around his left arm and he is holding the head …show more content…
From the bottom of the angel’s right leg is a vine that curves in. Next to it is another vine curving in creating symmetry for the figure between them. Above and between the vines is a head of an elderly man. The elderly man has facial hair that resembles leaves and the expression of his face is lively and vibrant. On top of his head seems to be a basket filled with bread and a vine of grapes on each side of the
which cover his waist and some of his torso. He is holding a very tall, slender cross in his left hand, while looking with a diffused look to the right. Also, to the left of him (to the right from the viewer’s perspective) there is a sheep lying upon a rock.
If the above mentioned paintings do not sound intriguing, the Frick’s remarkable holdings also include works by David, Goya, Renoir, Bruegel, and Velasquez. However, its collection is not limited to paintings only as significant sculptures like Bernini’s “Head of an Angel” from 1655 and Clodion’s ”Zephyrus and Flora” from 1799 can be found there as well. Along with these sculptures, an extensive collection of Italian bronzes and eighteenth century furniture combine to create a museum which although is small in size compared to the Metropolitan Museum of Art, makes up for it with an extensive collection of carefully selected pieces from some of the world’s most renowned artists.
I’ve always liked the picture Prevalence of Ritual: Tidings by: Romare Bearden (pg.5). Honestly this particular art work I picked has somewhat of a love story. It has a hidden message in it. You have to look very closely to understand why he created something so special. This picture is based
This work is typical for this era because the architectural style Gothic is known for its height being tall and made from stone and tall flying buttress...
Many might have been working on Good Friday, but many others were enjoying The Frist Museum of Visual Arts. A museum visitor visited this exhibit on April 14, 2017 early in the morning. The time that was spent at the art museum was approximately two hours and a half. The first impression that one received was that this place was a place of peace and also a place to expand the viewer’s imagination to understand what artists were expressing to the viewers. The viewer was very interested in all the art that was seen ,but there is so much one can absorb. The lighting in the museum was very low and some of the lighting was by direction LED lights. The artwork was spaciously
This piece is acrylic, oilstick, and spray paint on wood panel that is 186.1 centimeters in height and 125.1 centimeters in width. This piece features a human-like figure in the center that is mostly half red and half black. This figure has a gray head with one yellow eye and one light gray eye and above its head is a black halo. The background consists of patches of various colors such as light blue, black, dark red, light green, beige, turquoise, pink, and yellow. On the bottle left corner there is a figure drawn that looks like a fish and has a strip of mustard yellow painted through it. Also towards the bottom right of the artwork, there is some drawn on letters that almost look like words but are messily painted over with a desert sand color. This piece is my favorite because I find it aesthetically pleasing. There is a lot going on in this piece that makes looking at it genuinely interesting. The colors that Basquiat choses for the background go very well together and overall compliment the figure in the center. I like how incredibly expressive this piece is and it makes me want to buy a canvas and start painting that I desire. I also like how the human-like figure is drawn. One could see what looks like an outlined ribcage on the figure, which makes me believe that the head is actually a skull. Upon further research I learned that Basquiat was
The first artwork I chose for the formal analysis project is The Tiger by Ito Jakuchù originally painted in 1755. This painting is of a tiger licking its paw in the grass underneath a tree branch. There seems to be two diagonal planes as the tiger is leaning forward and sitting erect. There is a horizontal plane from what appear to be branches above the tiger. The painting has asymmetrical balance as the elements are equally distributed to balance the top and the bottom of the space. The artwork demonstrates several types of line. There are curved lines used in the tiger’s stripes. There are also diagonal, vertical and horizontal lines used in the background for the grass and the overhanging tree branch. The curved and wavy lines used in the tiger’s body, for example in the shoulder muscles, imply movement in addition to the curve in the tiger’s tail. The color scheme used in this painting seems to be complementary to one another as the artist used orange and brown tones with blue and red-orange accents for the tiger’s eyes and tongue. Black is used throughout the p...
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
When they first find the old man, the villagers claim that “he’s an angel” (Marquez 1). There is no denying the man’s divinity but he seems to represents much more than your average angel. In fact, the old man doesn’t resemble the typical image of an angel at all. Rather than being a young and pure angel, he is “much too human” with his “unbearable smell”. His angelic wings are even “strewn with parasites” with mistreated feathers (2). This contrasting imagery, however, doesn’t completely undermine the old man’s divinity; rather it draws attention to his lackluster appearance. The disappointments we feel towards the old man along with his particular characteristics make him remarkably similar to the one of bible’s tragic heroes; he is th...
The author develops the sculptors having a positive attitude towards the creation of art, as shown in the passages that the sculptors are presented.
The setting of the story takes place in Pelayo and Elisenda's house. The weather in the setting is gloomy and wet as their house fills up with crabs that get washed up from the sea. The author mentions the presence of a newborn child who is awfully ill, displaying a very high fever. Out of nowhere, an old man with enormous wings flies into the setting. Pelayo and Elisenda are very skeptical when the angel makes its appearance. The first thing they noticed was that the angel was very old and that he had angel-like wings. When the angel falls into the mud, the...
Although both sculptures, LOVE and The Kiss, are about love, they touch upon different aspects of love. The LOVE structure illustrates love in general, as a whole. The word love can be interpreted into the love a parent has for their child or even the love of an object. On the other hand, The Kiss can be interpreted as ecstasy or even lust. Although The Kiss seems to be viewed as the more romantic of the two, LOVE demonstrates love better because the...
This function is evident in the sculpture’s perfect, uniform, geometric lines, which are created by the linear arrangement of the inorganic shaped tank. This structural and repetitive use of lining is apparent in the scientific, clean dimensions of the tank and the white frame surrounding it. In contrast, however, the lining of the pig itself is very natural, and is emphasized by the j...
The visual qualities can be immediately perceived by all its forms. My eyes are first naturally drawn to the right which is the major mass part of the sculpture. It appears to be a log with a branch flowing out of it. The lines of the sculpture develop a shape that resembles a pipe. The texture feels hard yet smooth like grasping any branch, tree, ect… The forms of the pip tells several different contents of the art work. This work of art is defined by all its forms. The work of art has a natural color with no oil or paint media added to it.
create sculptures that explore the tensions between functionalism and formalism. However, quoting other sources is not simply about "shifting an item from one context to another; in her hands it became a form of translation with all the distortions and misunderstandings that this implies."' These works are not readymades: even when she maintains the scale of the original, she alters its material, bringing new connotations to the form. As she once declared: "Materials are not just