Throughout history, readers and critics of Hamlet have continuously pondered about the possible climaxes throughout act V. Throughout the play Hamlet has an inner struggle from the moment the ghost of his father tells him that his brother Claudius murdered him. From that moment, he vows to avenge his father’s death. However, his inner struggles and soliloquies throughout the play about whether or not to kill Claudius create a sense of doubt and confusion in the audience. It seems as if there could be a possible climax at several points in the play. The first is in the internal play that Hamlet stages to see whether or not Claudius is guilty, then when Hamlet hesitates to kill Claudius right after the play, and when Hamlet mistakenly murders Polonius while speaking to Gertrude.
The first possible climax is when Hamlet stages a play to see if Claudius is guilty or not. Much of this uncertainty is caused by the visit of the ghost in act I. After Hamlet vows to take revenge of his father’s murderer, he starts to doubt if this ghost is actually his father or a foul demon later in the play. “The spirit that I have seen / May be the devil: and the devil hath power” (2.2 626-7). Hamlet is even angered by his own indecisiveness when the players come to Elsinore, when they can cry real tears in a fake play, but he cannot avenge his father’s death, he can only talk about it. But he knows that it is within the play that will entertain the Courts that “Wherein I’ll catch the conscience of the king” (2.2 634). In a conversation between Ophelia and Hamlet, during the play The Mousetrap, they observe that the king has risen right after the player brother pours poison into the player king’s ear, thus confirming Claudius’ guilt. He cannot bear sit...
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... Hamlet hears a noise behind the arras and assumes it is Claudius spying on him. It is actually Polonius, and at that point, Hamlet says, “How now, a rat? Dead for a ducat, dead!” (3.4 29) and at that moment, Hamlet slays Polonius. This is a possible climax because it is the first time that Hamlet acts without over thinking. He does not linger on his decision he just kills Polonius. This is also a possible climax because after this, Laertes and Ophelia come back to the play and their roles are significant. After Polonius is killed, Laertes returns from France and like Hamlet at the beginning of the play wants to avenge his father’s murder. Ophelia goes mad and kills herself, which impacts Hamlet because he truly loved her. Many as the true climax see this because without it, falling action would be far less significant than it was with all the tragedies in act V.
This play takes place mostly in Elsinore, Denmark between the fourteenth and fifteen century following the death of the late King Hamlet, who has been dead for two months prior to the beginning of the play (Shmoop Editorial Team). Act One commences in the middle of a routine nightly shift where Horatio, Hamlet’s friend, and two other guards witness the coming of a spirit that bears an uncanny resemblance to the recently deceased king. Meanwhile at Elsinore Claudius is crowned King with Hamlet’s mother as his queen. This chain of events causes discontent within Prince Hamlet as he delays his mourning time out of spite for the coronation. Afterwards, Horatio and the guards come to the consensus and tell Hamlet of their encounter so that the Prince may meet with the Ghost. The Ghost reveals to Hamlet that he was a victim of a well-planned murder at the hands of Claudius.
From the beginning of the movie, until the end Hamlet is furious by the hasty marriage of Gertrude (Hamlets mother) to Claudius (hamlets uncle), especially since his father died only two months ago. Hamlet is quite literally mad, he even thinks about committing suicide and this is known because of the famous soliloquy “to be or not to be, that is the question”. However, hamlet is visited by ghost and is told that he was murdered by his Uncle by having poison poured into his ear and the king’s ghost asks hamlet to avenge the king’s death. Hamlet demonstrates his cleverness when he sets up a play which is very similar to what take place on the day that the king was murdered. Hamlet tells Horatio to observe Claudius’ reaction to the play, and if Claudius seems to be troubled by the play, that will confirm the ghosts accusation. Within all of this chaos, hamlet mistakenly kills Polonius and leaves for France. This causes Ophelia to ...
Polonius death is some what a butterfly affect. Once Hamlet kills Polonius is when the whole play shifts and Hamlet truly does seem mad. After Polonius death Ophelia goes mad herself expect she’s is not acting but is truly mad. Her madness eventually leads to her death by suicide in the river. Rosencrantz and Guildenstern are sent by the king to England with Hamlet to have Hamlet killed because he has killed Polonius. While sleeping Hamlets changes the letters so that Rosencrantz and Guildenstern hand England their own death warrants. Hamlet then returns to Denmark to find out about Ophelia’s death and to see that Laertes is back home and knows the truth of his fathers murder and wants to duel with Hamlet.. Laertes and the king have plans to poison the tip of his sword so that with any single cut Hamlet would be dead. Laertes cannot cut him during the dual So the king tries to offer Hamlet a drink of poisoned wine but Hamlet refuses. Laertes finally gets frustrated and walks up and just cuts Hamlet but just before this Gertrude accidently drinks from the wine glass meant for Hamlet and hints to Hamlet that the king did it. Hamlet with rage runs a sword into the kings chest and forces him to drink the same wine that killed his mother. Moments later Hamlet himself falls over and passes
Hamlet is a suspenseful play that introduces the topic of tragedy. Throughout the play, Hamlet displays anger, uncertainty, and obsession with death. Although Hamlet is unaware of it, these emotions cause the mishaps that occur throughout the play. These emotions combined with his unawareness are the leading basis for the tragic hero’s flaws. These flaws lead Hamlet not to be a bad man, but a regular form of imperfection that comes along with being human.
The question of why Hamlet delays in taking revenge on Claudius for so long has puzzled readers and audience members alike. Immediately following Hamlet's conversation with the Ghost, he seems determined to fulfill the Ghost's wishes and swears his companions to secrecy about what has occurred. The next appearance of Hamlet in the play reveals that he has not yet revenged his father's murder. In Scene two, act two, Hamlet gives a possible reason for his hesitation. "The spirit that I have seen / May be a devil, and the devil hath power / T' assume a pleasing shape" (2.2.627-629). With this doubt clouding his mind, Hamlet seems completely unable to act. This indecision is somewhat resolved in the form of the play. Hamlet comes up with the idea of the play that is similar to the events recounted by the ghost about his murder to prove Claudius guilty or innocent. Due to the king's reaction to the play, Hamlet attains the belief that the Ghost was telling the truth the night of the apparition.
The three main turning points of Hamlet all revolve around Hamlet seeking revenge for his father’s murder. The three scenes depict Hamlet’s growth of character from a hesitant philosopher to a rash man of action. In the players’ scene, Hamlet takes extra care in confirming the authenticity of the ghost’s story, while deeply debating the morality of killing Claudius. In the prayer scene, Hamlet remains indefinite in the decision of taking vengeance for his father, as he neglects his best opportunity to end Claudius’ life. Hamlet makes a drastic change of character in the closet scene when he kills who he thinks is Claudius without hesitation. This shows he is now ready to take action for his father. However, it is Polonius behind the curtain, and his death sets off a chain of unexpected events that alters the plot and characters of Hamlet.
In William Shakespeare’s play “Hamlet” there are many different events throughout the play that affect and shape the main character Hamlet. The biggest event being when Hamlet meets the ghost of his father, the king, who then proceeds to tell him that his uncle murdered him. This event will lead Hamlet to madness with sanity while plotting his revenge on his uncle which will ultimately end in his, his uncle and several other’s deaths at the end of the play.
Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his decision. After all, once his mother is dead and her feelings out of the picture, Hamlet is quick and aggressive in forcing poison into Claudius ' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and his empire falling that he can finally
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
With his thinking mind Hamlet does not become a typical vengeful character. Unlike most erratic behavior of individuals seeking revenge out of rage, Hamlet considers the consequences of his actions. What would the people think of their prince if he were to murder the king? What kind of effect would it have on his beloved mother? Hamlet considers questions of this type which in effect hasten his descision. After all, once his mother is dead and her feelings out of the picture , Hamlet is quick and aggressive in forcing poison into Claudius' mouth. Once Hamlet is certain that Claudius is the killer it is only after he himself is and and his empire falling that he can finally act.
In the play Hamlet by William Shakespeare, Hamlet the king of Denmark is murdered by his brother, Claudius, and as a ghost tells his son, Hamlet the prince of Denmark, to avenge him by killing his brother. The price Hamlet does agree to his late father’s wishes, and undertakes the responsibility of killing his uncle, Claudius. However even after swearing to his late father, and former king that he would avenge him; Hamlet for the bulk of the play takes almost no action against Claudius. Prince Hamlet in nature is a man of thought throughout the entirety of the play; even while playing mad that is obvious, and although this does seem to keep him alive, it is that same trait that also keeps him from fulfilling his father’s wish for vengeance
One main theme that arises in the Hamlet is the power struggle between Hamlet and Claudius. The main problem is between Hamlet and Claudius; they are in an ongoing battle throughout the play to see who will rise with the power of the throne. Claudius is the antagonist in the story and has multiple people under him that follow his every rule (Innes). He is a manipulative character who seeks revenge on Hamlet through other people he knows. On the other hand, Hamlet is the protagonist of the story, he is very unhappy after finding out the news of how his father had been killed (Innes). He is overtaken though by the ghost of his father, Old Hamlet, and is seen to become mad as a consequence. Although Hamlet seeks revenge against his new stepfather he procrastinates killing him. Hamlet has also considered killing himself beforehand because of the struggle of power between his stepfather and himself. In the last scene of the play the power struggle that had been between Hamlet and Claudius comes to a conclusion as Gertrude, Laertes, Claudius and Hamlet die. Throughout the play Laertes, Horatio and Gertrude choose a side to be on, either between Hamlet’s and Claudius’s who both are trying to obtain the utmost power.
Hamlet is distressed due to the fact of his fathers ghost telling him of the horrid death that he suffered and wanting him to make things right. Hamlet questions the ghost and wonders if all this information could be true. He wonders if the ghost is just really an evil ghost that is lying to him. Rising action is all the events that lead the play to the climax. In acts two and three the events are helping the readers anticipate what will happen. Claudius has chosen two of Hamlet’s school friends to spy on him to see why he is acting so strange. Meanwhile Hamlet plots with the players to re enact the death for Claudius. Because of the reaction of the king the story of the ghost was confirmed.
As often associated with a tragedy, a conflict usually ensues between a protagonist and another force in the play. A tragedy is ‘a serious drama typically describing a conflict between the protagonist and a superior force and having a sorrowful or disastrous conclusion that elicits pity or terror’ (Webster's dictionary). Given its structure and depth in characterization, this play will or can be analyzed and interpreted from various perspectives and beliefs. However, my analysis of the play is conducted on the basis of various components which are: Hamlet as a tragic hero, the ironic message conveyed in the play, the roles of its characters, the role and personification of madness, the role of paranormality, the role of friends and family, the role of inaction, the role of sex and violence, and the role of death as portrayed in the play. Based on literary definitions and portrayal of his character, there is popular belief that Hamlet as the protagonist acted to satisfy his own conscience but could his actions be attributed purely to his desire or was he being influenced by other factors?
In writing Hamlet, William Shakespeare plumbed the depths of the mind of the protagonist, Prince Hamlet, to such an extent that this play can rightfully be considered a psychological drama.