Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
How gender and roles of women are socially constructed
Media portrayal of gender roles
How gender and roles of women are socially constructed
Don’t take our word for it - see why 10 million students trust us with their essay needs.
In every society there are certain gender roles that men and women meet either because they are forced or because it is tradition. Mulan and Brave both show two very different teenage girls who are being forced into gender roles. Mulan seems to want to comply with her gender role within the Chinese society; however, Merida makes her point clear about not wanting to accept her gender role within the medieval Scottish society. Mulan is story about a young Chinese girl, Mulan, who runs off to join the army in place of her father and then brings honor to her family without following the traditional gender role she was almost forced into. Similarly, Brave is the story of a Scottish girl, Merida, who is forced into her traditional gender role. Even though both of these girls had gender roles that they would have to take on, both took different attempts to avoid them. Mulan did not know she would change the role of women in her society when she went to war, but Merida knew she would change the roles of women in her society. These girls both knew about the challenges that were ahead but they did not anticpate the impact the the challenges would have on them. Although both these movies show two very strong girls who surpass many obstacles to change destiny, they also send a negative message about women to the audience.
Mulan is set in ancient China a time when women did not have a voice in the government or in their home. Women during this time were expected to clean, cook, and only do things their husbands approved of. The most important day in a woman’s life would be the day she had to see the matchmaker and impress her. In China it was tradition that a woman go to matchmaker for marriage. In the movie it shows that this has become...
... middle of paper ...
... saw women, even though Mulan did it unintentionally.
Next, Mulan and Brave in the end both send negative messages about women because they tell their parents lies, break laws, run away from there home and disrespect their parents. The people that surrounded both girls facilitated the negative messages to be sent. The women who stood along side these girls thought that women should be perfect and they wanted their daughter to be perfect to live up their expectation of women. Mulan thought that women should not have to get married or go through a matchmaker to do so similarly Merida thought that women should be able to pick their own husbands and thought that women should decide when to get married. In the end both girls changed their destinies but that does not change how much perfection was pushed until they showed their parents how accepting people could be.
Gender relationships are a very explored issue within these texts. In a majority, anyone no matter if they are male or female who do not fit in or do not conform to stereotypes to an extent, can be cast out by that group. Whether it is, their looks, their behaviour, the way they dress, or the way they think and feel, they are judged as different. This ‘outcast’ idea is portrayed in both the films. In the two feature films, the most obvious ‘outcasts’ would be the two ‘hero figures’ the intruders into the created microcosm.
Every fairytale seems to have the usual prince saving the poor girl from harm or servitude or whatever horrid situation she may be in, and then companies like Disney add their movie magic and make it into a franchise. Others may add a twist or two, such as the film Ever After, directed by Andy Tennant. Yet no matter how the story goes, there is the same feminine ideas imposed upon the female lead. She has to compete with others for the attention of her “prince,” gender roles are a must, and morals are taught in some way or another through some kind of stereotype. These tend to cause some feminist outrage and even maybe a small outrage among parents who must deal with the children that watch these movies and read the stories because of the behavioral
Mulan is a young girl in China, who is trying to honor her family and ancestors by finding a husband. She was expects to be delicate, quiet, obedient, graceful, polite, and poised, none of which Mulan displayed. She showed up late to the meeting with the woman, “The Match Maker”, who picked whom Mulan would one day marry. Although they expect women in China to have a tiny waist, too small of a waist, which Mulan had, was no good. She would not be great at baring children. Mulan could not pour the tea right for the woman either. She missed the cup, spilling the tea on the table. She was not very graceful and upset “The Match Maker”, who believed Mulan would never honor her family. Mulan did not display the characteristics that the Chinese society expected a woman to have and was looked at as dishonorable to outsiders.
William Shakespeare once said, “[My] honor is my life; both grow in one; take honor from me, and my life is done.” The idea is touched upon in both the book Woman Warrior by Maxine Hong Kingston as well as Disney’s Mulan were family honor is more important than anything else. Mulan was directed by Tony Bancroft and Barry Cook, and produced by Walt Disney Pictures. The film Mulan retold the story of a woman warrior who took her father’s place in battle and became a savior of China.The movie uses many elements from the original story told in the chapter “White Tigers,” but adds many modern twists in order to make the story more appealing for a newer generation. In both stories of Fa Mu Lan the elements of sacrifice, silence and voice, cultural practices of ancestor worship and filial piety, and Chinese stereotypes are present.
Due to traditional stereotypes of women, literature around the world is heavily male-dominant, with few female characters outside of cliché tropes. Whenever a female character is introduced, however, the assumption is that she will be a strong lead that challenges the patriarchal values. The authors of The Thousand and One Nights and Medea use their female centered stories to prove their contrasting beliefs on the role of women not only in literature, but also in society. A story with a female main character can be seen as empowering, but this is not always the case, as seen when comparing and contrasting Medea and The Thousand and One Nights.
Set in the Northern Wei dynasty of China, the gender roles of China were simple as depicted through song in Mulan. “We all must serve our Emperor… a man by bearing arms, a girl by bearing sons.” Mulan’s one and only role in life is to marry a man, who she is deemed fit for and to bear many sons and tend to the home. She is to live a life of homely domesticity. This is perhaps one of the most obvious motifs that don’t shine a nice pretty light on Mulan. Mulan has to go to a beauty salon in order to meet the matchmaker and “bring honor” to her family. At the salon, Mulan is mercilessly soaked in a freezing bath, has her hair tied up neatly, her waist laced up, and is overloaded with excessive make-up and jewels. The potential brides, Mulan included, are thus made to look like “cultured pearls, each a perfect porcelain doll.” According to the beauty specialists, “A girl can bring her family great honor in one way, by striking a good match.” They preach that “Men want girls with good taste, calm, obedient, who work fast-paced, with good breeding and a tiny waist.” This demonstrates heg...
Disney promotes sexisim by forcing young girls to live in a patriarchal world. Cinderella, Sleeping Beauty, The little mermaid, Aladdin, and Snow White are all examples of popular Disney movies that encourage young viewers that they need a man to save the day. Yes, it’s true that there are recent movies such as Moana and Frozen that prove otherwise, but how long will it take to completely get over the fact that women are mainly viewed as secondary citizens compared to the men? There are countless examples of how Disney movies influence this theme, and how much the female characters’ actions, ideas and thoughts are not included in a Disney movie.
Despite the tremendous steps that have been taken towards reaching gender equality, mainstream media contradicts these accomplishments with stereotypes of women present in Walt Disney movies. These unrealistic stereotypes may be detrimental to children because they grow up with a distorted view of how men and women interact. Disney animated films assign gender roles to characters, and young children should not be exposed to inequality between genders because its effect on their view of what is right and wrong in society is harmful to their future. According to Disney films, it is important for women to achieve the stereotypical characteristics of a woman, such as maintaining their beauty to capture a man, and being weak and less educated than male characters. The women in Disney movies are always beautiful, which helps them to find a man.
In multiple instances throughout the film, female characters violate gender norms by acting as both warriors and leaders because they are adapting typically masculine traits. In the film, women are the majority of the labor force in Iron Town. Men are merely there to do the labor that needs the most physical power. “Americans oversimplify Japanese women as demure, submissive, and oppressed” (Kyu Hyun, 2002, 38). This quote shows that the stereotype of women in Japanese culture was just like the western perspective where they were below men.
...n by naming the title of the movie after the main female protagonists. Just look at the Little Mermaid, Snow White, Sleeping Beauty and even Beauty and the Beast. All are movies about the females being damsels in distress and having a male come to their rescue. Charles Perrault’s original version portrays the perfect version that children all around the world should be watching. Children are already very impressionable and what they watch when they are younger is how they eventually will act. How they grow up rests on the children movies and books of that generation. Those movies and books are what form the future leaders of our countries and for one very impressionable company, such as Disney, to be favoring one gender more than the other can result in chaos. Overall, Charles Perrault’s feminist lens in his story can lead girls to an empowering high self-esteem.
Disney movies have a very narrow view of what women should be like. Since the arrival of the first Disney movie, Snow White and the Seven Dwarfs in 1937, the idea of it has expanded, but rather marginally. There is a clear distinction of what a young women should be and what she shouldn’t be. Those who do not fit the mold of Disney’s expectations are cast aside to become villains, but those who do, end up becoming the damsel in distress. Ultimately, these stereotypes are what influences young girls who watch these films, and can have devastating effects on their self worth and change their idea of what it means to be a women. Films like Sleeping Beauty, The Little Mermaid, Cinderella, and Snow White and the Seven Dwarfs,
The biological differences that set apart the male and female gender throughout any culture remain eminent. Men are perceived as the stronger and dominant gender; women play the role of the weaker. In each culture the expectation of the manner in which men and women behave are influenced by the ideals and customs of that culture. In most predominant cultures, the man undertakes the role as a leader, and the woman devotes her life to the husband. Throughout history, traditions and literature provide a template to the identities of various cultures. Sleeping Beauty’s classic tale of a beautiful princess takes a central precept that previous patriarchal archetypes dominated during the 17th Century. The archetypal perceptions of women resulted from conscious and unconscious literature influenced by male-dominated perspectives and social standards.
Disney films have always been a huge part of the pop culture. They featured instantly recognizable characters among every age group. These characters, especially the princesses, have been very influential, more precisely on young girls, from Belle to Frozen. However, the majority of these films revolve around the same plot with minor differences: it is always a tale about finding romantic love, a prince charming who saves the princess from a danger and they live happily ever after. However, in 2012, Disney and Pixar produced Brave, a movie that challenged the types of Disney movies we were used to. It favors feminism and gives girls a nontraditional princess model. Brave stars a strong female protagonist, Merida, and an influential plot that
The classic Disney movie, Mulan, is often praised as a film involving feminist empowerment, but upon closer look just the opposite appears to be true. The classic storyline includes Mulan, a young Chinese woman, taking over her fragile father’s place in the Chinese army, disguised as a man named Ping. She trains among the other soldiers, becoming one of the very best with her accompanying guardian dragon, Mushu and a cricket her grandmother gave her for luck for the matchmakers by her side. She ends up saving all of China by revealing that the Huns are back and invading the country, and is honored as a hero. This movie breaks away from the typical damsel in distress princess story by having a single woman save all of China. However, on Mulan’s journey she faced extreme female shaming, and experienced stereotypes attempting to belittle her; all
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...