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The merchant of venice analysis essay
Analysis of the merchant of venice
Critical notes on Shakespeare's Merchant of Venice
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Portia's Three Suitors in William Shakespeare's The Merchant of Venice
What do the words of the three suitors in the casket scenes reveal of their characters, their attitudes and their values? Refer closely to the differences in their speeches when making their choice of casket. Do you think that Bassanio deserved to win Portia's hand in marriage?
The three suitors are distinct in their own way. You find that as you are reading the play that the choice of casket is also judging the person who is choosing. It makes you think what was Portia's add was up to when designing the caskets. He was trying to make sure that Portia marries a person who has good values, a good attitude of life and a good character.
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The silver casket is the one that appeals to him the most because he feels that no one deserving should go unmerited. His arrogance leads him to assume that he is worthy of Portia. Before he opens the casket he says, 'I will assume dessert…' meaning that he will get what he assumes he deserves. His reaction when he finds that he was unsuccessful also highlights his arrogance because he is so incredulous and cannot believe this is happening to him:
'Did I deserve no more than a fool's head?
Is that my prize? Are my desserts no better?'
In this he finds that he is not as great as he thought he was and realises that he was wrong in judgement. He is so deflated that one could feel sympathy for him. But he graciously accepts his fate and makes a dignified exit:
I'll keep my oath,
Patiently to bear my wroth.'
He leaves by keeping to the oath he swore before choosing. His choice indicates that Arragon represents love controlled by intellect because from his point of view choosing the silver casket was the obvious and right choice. He was blind to his own pride. Looking at the scroll
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The problem is that he does not apply this to himself.
Bassanio --------
Bassanio is the last of the three suitors and since he has appeared several times throughout the play before the audience know him quite well before he meets Portia. He is portrayed as neither proud nor arrogant but shows himself to be nervous around Portia indicating he may be inexperienced with women. This contrasts with the attitudes of the other two suitors, as they are full of self-importance. Their purpose amongst others is to make Bassanio appear honourable.
He is significant and by far the most important of the three suitors because Portia actually displays interest for him. He also receives a good report from the messenger at the end of Act II Scene 6 before he enters unlike the other two suitors. He receives better treatment than the other two suitors do. Portia plays music in the background perhaps to calm him and soothe him into the right frame of mind so that he may choose correctly. Also the wording could give Bassanio a hint on what to choose. She also tries to delay him in taking the test,
'…for, in choosing
Shakespeare's The Merchant of Venice exemplifies a principle that is as unfortunately true in our time as it was in his - he who has money also has love, sex, and above all, power. In this case, the use of 'he' is deliberate; 'she,' in the Elizabethan era, rarely had either financial independence or much control over the course of her life. Portia, the deceitful heroine of the play, is a major exception. To put it bluntly, Portia is enormously rich. This unique position allows her to meddle in the affairs of the unsuspecting and somewhat dim male characters, and eventually gives her unprecedented power of self-determination. However, the play is more than a tale of feminine wiles overcoming male dullness of wit. Portia's wealth and intelligence may fuel her successes in marriage and the courtroom, but in each case it is her ability to usurp traditionally masculine roles that guarantees her victory. As Portia exploits the codependence of wealth, masculinity, and public power in her society, she becomes the only woman in the play who consistently controls her own destiny.
Hero and Claudio represent the Elizabethan norm in marriage. Claudio is the shrewd, hardheaded fortune hunter and Hero is the modest maiden of conduct books and marriage manuals, a docile young woman. It is important to note that Claudio is more concerned with advancement in Don Pedro's army than he is with love. Therefore, Shakespeare illustrates to the reader through the near tragedy of mistaken identity that Claudio must learn that marriage is more than a business arrangement and become worthy of Hero's love and affection. Source: Ranald, Margaret Loftus. "As Marriage Binds, and Blood Breaks: English Marriage and Shakespeare". Shakespeare Quarterly. Vol 30, 1979: 68-81.
Shylock in William Shakespeare's The Merchant of Venice An ogre is according to the Collins Dictionary “a monstrous or cruel being” but more significantly as “something or someone who eats human flesh.” Is this how Shylock is portrayed in the play or is he a simple human being, a species capable of showing emotions and feelings such as vulnerability and love. Certainly, Shylock is presented to the audience in so powerful a way that even though he only appears in five scenes, many consider him the central character. Throughout the play Shylock appears to be the butt of all the jokes and many critics see his status in the play as the tragic hero.
‘villain’; he is a complex mix of both. In the first part of the play,
say, “If I can catch once upon the hip I will feed fat the ancient
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
There you have it. Portia is Bassanio's. This may be idle lover's talk; however, it does signify the beginning of a possessive relationship in which Bassanio is the possessor!
what he desires most is the Portia's hand so the gold must be the correct
In the 16th century, women and men were defined as having specific and contrasting roles within society. Men were defined as being powerful and dominant while women were defined as being submissive and meek. These ideals can be seen across cultures and throughout time. With these definitions of gender roles in place, the text suggests that gender is a social construct therefore qualities of femininity and masculinity are subjective. This is shown when Portia cross dresses as the lawyer Balthazar (IV) and when the truths of the rings are discovered by the two women (V). The strong female characters in the play exemplify that women are not confined to their social construct as they manipulate the male characters. During the 16th century only
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.
Love, Hate, and the Influence of Money in “The Merchant of Venice” William Shakespeare’s The Merchant of Venice presents a battle between love and hate, influenced by money. Written during the 16th Century, Shakespeare depicts an anti-Semitic era through the eyes of both Jews and Christians. Each perspective has it’s struggles, but what stays consistent between them is what makes this play so historical. Throughout this play, it becomes clear that a culture affected by love and hatred, under the influence of money, can deliver a powerful message that still speaks to readers today. Among the many different themes presented in The Merchant of Venice, the most prominent is true love.
... only reason why he really wanted the bond was to get an upper hand on
He challenges Portia to compare his blood with the whitest of men to see whose is the reddest.
From the first time Portia is introduced, she is depicted as a very smart woman. In the beginning, she is searching for a husband that has more in his head than money and beauty. Portia and her companion, Nerissa, talk about the flaws of all her suitors and she makes it very clear that she is looking for an honorable man who will love her for who she is and not for her money. She also finds that “If it be proved against an alien that by direct or indirect attempts, he seek the life of any citizen, the party against the which he doth contrive shall seize one-half his goods” (Act IV.
The Merchant of Venice explores the theme of Appearance versus Reality. The theme is supported with many examples in the form of characters, events and objects.