In the short story, “Popular Mechanics” by Raymond Carver, Carver provides the details needed to determine that the baby will one way or the other, wind up dead due to the parent’s actions. Because of the parent’s actions toward the baby while arguing over who gets it, the story says that, “The baby was red-faced and screaming… he held onto the baby and pushed with all his weight.”(2). Because of how they’re treating the baby, and how it reacts, shows that they don’t have much respect for each other, for they are taking it out on the baby. The mother thinks that the father is mistreating the baby and hurting it, causing him to fight back and try to “...grip the screaming baby up under an arm near the shoulder.”(2). Although the baby is hurting
* Duncan, Vinny, and Wayne are all friends working - or wasting time - the summer before senior year in high school. Duncan is the soul, Vinny the brains, and Wayne the muscle. At the end of the previous summer, Duncan tried to save a drowning girl and failed. Not being a hero has really affected his life, particularly his relationship with his girlfriend Kim. Also, he is now terrified of swimming, especially when the nightmares come back. Duncan's summer job is with the public transit lost and found. While trying to make the hours go faster, Duncan looks through the items, especially the books and golf clubs. One day he discovers an unmarked journal with no name, which depicts sadistic animal torture experiments, boasts of arson fires, and the planning for the serial killings of three women. Duncan decides to make amends for his failure last summer by tracking down the owner of the journal by using clues left hidden in the diary. After talking with his friend Vinny, Duncan decides to turn the journal over to the police, but they do not take him seriously, so he decides to get help from Vinny, do some research at the local library, and find out where the killer works and lives so they can prove to the police the diary is for real. But in the process when Duncan finds the house of the serial killer, he decides to take a look in it but unfortunately at that very time the serial killer appears and chases Duncan to the subway station. They get into fight there and they both fell on the subway tracks in the station where they get hit by the train. Duncan luckily survives but the serial killer dies.
Although knowing that the baby could get hurt by the knife or the fire, she does not put away the sharp object, nor does she keep the baby away from the fire. Lee considers that “for Navaho mothers, personal autonomy means that her child has the freedom to make his own mistakes, to suffer pain or grief or joy and learn from the experience” (Lee, 1959, p. 13). The mother takes the chance to leave her baby to explore on his or her own, knowing that it could harm the child; she does not look at it, which shows her trust towards her child.... ... middle of paper ...
...could then cause anger and resentment towards the parents. Fear is also invoked in this article; the fear of the child losing that little patch of innocence.
That thing in the Dumpster--and he refused to call it human, let alone a baby--was nobody's business but his and China's. That's what he'd told his attorney, Mrs. Teagues, and his mother and her boyfriend,and he'd told them over and over again: I didn't do anything wrong. Even if it was alive, and it was, he knew in his heart that it was, even before the state prosecutor represented evidence of blunt-force trauma and death by asphyxiation and exposure, it didn't matter, or shouldn't have mattered. There was no baby. There was nothing but a mistake, a mistake clothed in blood and mucus. When he really thought about it, thought it through on its merits and dissected all his mother's pathetic arguments about where he'd be today if she'd felt as he did when she was pregnant herself, he hardened like a rock, like sand turning to stone under all the pressure the planet can bring to bear. Another unwanted child in an overpopulated world? They should have given him a medal. (623)
Baby narrates her story through her naïve, innocent child voice. She serves as a filter for all the events happening in her life, what the narrator does not know or does not comprehend cannot be explained to the readers. However, readers have reason not to trust what she is telling them because of her unreliability. Throughout the beginning of the novel we see Baby’s harsh exposure to drugs and hurt. Jules raised her in an unstable environment because of his constant drug abuse. However, the narrator uses flowery language to downplay the cruel reality of her Montreal street life. “… for a kid, I knew a lot of things about what it felt like to use heroin” (10). We immediately see as we continue reading that Baby thinks the way she has been living her life is completely normal, however, we as readers understand that her life is in fact worse then she narrates. Baby knows about the impermanent nature of her domestic security, however, she repeatedly attempts to create a sense of home each time her and Jules move to another apartm...
Monsters under the bed, drowning, and property damage are topics many people have nightmares about; nightmares about a dystopian future, on the other hand, are less common. Despite this, Ray Bradbury’s Fahrenheit 451 and George Orwell’s 1984 display a nightmarish vision about a dystopian society in the near future. Fahrenheit 451 tells of Guy Montag’s experience in a society where books have become illegal and the population has become addicted to television. Meanwhile, 1984 deals with Winston Smith’s affairs in Oceania, a state controlled by the totalitarian regime known as the Party. This regime is supposedly headed by a man named Big Brother. By examining the dehumanized settings, as well as the themes of individuality and manipulation, it becomes clear that novels successfully warn of a nightmarish future.
In Lee Ann Fisher Baron’s “Junk Science,” she claims that the “food industry with the help of federal regulators” sometimes use “[a science that] bypasses [the] system of peer review. Presented directly to the public by…‘experts’ or ‘activists,’ often with little or no supporting evidence, this ‘junk science’ undermines the ability…[for] everyday consumers to make rational decisions” (921). Yet Americans still have a lot of faith in the U.S. Food and Drug Administration (FDA). According to a 2013 Pew Research study, 65% of Americans are “very favorable” or “mostly favorable” of the FDA. When it comes to what people put in their bodies, the FDA has a moral obligation to be truthful and transparent. The bottom line of the FDA’s myriad of responsibilities is to help protect the health of Americans. Deciding what to eat is a critical part of living healthily, and consumers must be able to trust that this massive government agency is informing them properly of the contents of food. While the FDA does an excellent job in many areas, it has flaws in other areas. One of its flaws is allowing the food industry to print food labels that are deceptive, unclear, or simply not true (known as misbranding). This is quite the hot topic because a Google search for “Should I trust food labels” returns well over 20 million results, many of which are blog posts from online writers begging their readers not to trust food labels. HowStuffWorks, a division of Discovery Communications, published an online article whose author claims that “[the food industry] will put what they want on labels. They know the game….” While the food industry is partially at blame for misbranding, the FDA is allowing it to happen. If a mother tells her children that it is oka...
Conflicts within the heart can be seen again with Baby, additional to her loss of innocence. She is in an environment hungry for fatherly and motherly figures; Baby is lacking the stability and support that is crucial in a healthy development. Jules is never physically there for Baby, allowing her to go through several foster homes. She admits that Jules is always “gone longer that he said he would be… when a parent splits on you once, they are guaranteed to do it again” (58). Jules is blindly removing himself from Baby’s life and Baby cannot take it anymore. She notices that after Jules went to rehab he “got the unfortunate idea that I could handle myself without him” (52). She is deprived from the closest form of love she can receive and even that is impossible to obtain. Because Jules is hardly ever around, Baby has to learn how to survive into society on her own, using the morals she knows by watching Jules, like Jules’ remedy to life, separating from feeling. Jules and Baby’s mother had Baby at fifteen, and soon after, Baby’s mother passed away. Here again, the most important love, a motherly love, is impossible for Baby to get. It appears that every time she meets an older woman, who shows her some sort of affection, she describes that she feels comforted. After Jules had ripped apart Baby’s only beloved doll (the doll Baby’s mother gave to her), Baby goes for a walk. She passes by her friend Theo’s house and sees his mother in the doorway, wanting to see “if she would try and hurt me that way she had hurt Theo. I’d take her punches just like Theo had” (120). But when Theo’s mother calls Baby over, she appears to be very loving and interested in Baby’s relationship with Theo. She even tells Baby, “Come here, I want to give you a hug. You don’t get enough hugs. I can see that. I’ll give you one of my special teddy bear hugs” (121). Following that, Baby
“I swear – by my life and my love of it – that I will never live for the sake of another man, nor ask another man to live for mine” (Rand 979). The last lines of John Galt’s speech in Atlas Shrugged declare the fundamental principle of Ayn Rand’s philosophy of Objectivism. Her ideology plays an integral role in her literary pieces, functioning as the motor driving the actions, goals, and beliefs of the protagonists. From the first strains of Objectivism established during her childhood in Russia, Ayn Rand would develop and cultivate her ideas further in each novel, culminating in her magnum opus, Atlas Shrugged. We the Living, The Fountainhead, and Anthem share the theme of Atlas Shrugged, and The Fountainhead and Anthem would join the masterpiece as staples of the Objectivist and Libertarian ideologies (Smith 384). Nothing could pose a greater contrast when presented in juxtaposition with Rand’s doctrine than the Communism of her childhood. Ayn Rand’s experiences living in the Union of Soviet Socialist Republic led her to create Objectivism; through her fictional works, she showcases her philosophy which is centered on the struggle of the individual versus the collective by emphasizing different aspects in each of her novels.
Recently in the news paper in the York area an old distance friend of mine Travis Laughman is accused of beating his girlfriends baby Kellen Koller 2. Kellen Koller died at Hershey Medical Center. My first reaction was “I can’t believe this.” “It can’t be him!” I couldn’t come to terms to hear that an old friend of mine was a murder. Many young parents have a hard time with a crying baby. Not be able to get them to stop so frustration sets in. There are many cases where young parents are so overwhelmed and are exhausted and they just click and start to take there anger out of there babies.
The book, Brave New World written by Aldous Huxley, is a radical story that is interpreted as a potential caution to us, society, if we keep making poor life choices. In the novel, Huxley depicts a culture where people are programmed to live forever and forced to think that sex and drugs are. For them, the idea of having a family with a mother and a father is absolutely repulsive to think about. Even though some of Huxley’s thoughts are unrealistic, the meaning behind them can be seen today. Nowadays, the three ideas that are bringing us closer to the Brave New World true are the advancements in technology, an obsession to remain young, and the increasing rate of drug use.
Raymond Carver, in his short story Cathedral uses a first-person narrator, whose point of view is very much limited and flawed. The narrator in Cathedral has full use of all his senses, unlike the blind man, Robert, who is introduced very early in the story. When comparing the two again, however, Robert is the character that is open to new ideas and willing to experience the joys of life, while the narrator limits himself due to his close-minded thinking. It brings up the question, who is truly blind in the story? Is it a physical ailment or a mental block? The narrator is never given a name in the story, making him the most impersonal character in the story. This also adds to the fact that the narrator is highly ignorant about his surroundings and has a one-sided, self-absorbed view of the world. The perception of the narrator leaves much to be inferred in many points in the story, and at first, it seems pointless to have such a closed off character and the one telling his point of view. I would like to hear the story from the wife’s point of view or Robert’s. Ultimately, however, the limited point of view of the narrator shows where the true ignorance in the world lies.
Crowley certainly helped put the boot in against monotheism but the process was already well
In a “Small, Good Thing” written by Raymond Carver, a family is faced with a horrific tragedy. The secondary character, the baker, is also faced with loneliness. Both the Weiss family and the baker feel that they are in helpless situations. We see in today’s society many people are facing the same feeling of helplessness. However, when dealing with life changing ordeals, ae we helpless or powerless?
The objective of this work was to review a short story called “The Bath” written by Raymond Carver. The story is about a Family experiencing a tough time because “Scotty” the son who got hit by a car on his 8th birthday ended up in the hospital. Both his mother “Ann Weiss” and his father undergo an emotional roller coaster. (Carver, 1989). Additionally, the other participants in this narrative did not appear to help the situation by their cold acting, lack of empathy and at times poor communication skills.