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The making of reggae music
Social concerns about reggae music
Evolution of reggae music
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Recommended: The making of reggae music
1. Origins of reggae music:
Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that evolved out of the earlier genres like Ska and Rocksteady. “Reggae” comes from the term “rege-rege” which means “rags” or “ragged clothes”, and this gives you your first clue into the story behind reggae music. Reggae is a music genre first developed in Jamaica in the late 1960s. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that evolved out of the earlier genres like Ska and Rocksteady.
Reggae music was considered a rag-tag, hodge-podge of other musical styles, namely Jamaican Mento and contemporary Jamaican Ska music, along with American jazz and rhythm & blues, something like what was coming out of New Orleans at the time. Most listeners didn’t even distinguish reggae from Jamaican dancehall music or the slowed down version of ska music known as Rocksteady, until possibly when the band Toots and the Maytals came along. Their
The earliest reggae lyrics spoke mostly of love, specifically romantic love between a man and a woman. But as the music and the musicians making it made their way into the 1970s, reggae started taking on a heavy Rastafarian influence. The lyrics about love weren’t just about romantic love, but cosmic, spiritual love, the love of one’s fellow man and of God/“Jah” (Used by Bob Marley and other Jamaican reggae singers). When reggae singers weren’t singing about love, they were singing about rebellion and revolution against the forces contradicting that love, like the extreme violence, poverty, racism, and government oppression they were witnessing or experiencing on a regular
The instruments used for this song is of a standard rock band; lead vocalist, electric guitar, bass guitar and drum kit. The genre for this song is determined by the steady and yet simplistic instruments used in this version. An interesting note is that the chorus is in the genre of rock but the verses combine the genres tango and reggae. This could be because merging these three different styles of music attracted the attention of youth more with rock being rebellious at that time and tango and reggae having a heavy beat for that time period. ...
Upon seeing various Jamaican films and listening to various reggae artists, a constant question running through my mind was,"Where are all the womyn?"In all of the films it seemed as though there were virtually no womyn in Jamaica, and those that were there were only on the periphery, not playing a main role in everyday life. Those films that depicted the Rastafarian way of life seemed to show no womyn in them either. I was somewhat confused about the seeming absence of womyn, and it forced me to question their role in Jamaican and Rastafarian society. My questions regarding this issue were pushed further when a friend of mine returned home from Jamaica and expressed the same kinds of concerns. She said that during the few weeks she spent there she had seen maybe a dozen or two dozen Jamaican womyn altogether.
The rumba is a dance and music genre that originated in Cuba in the mid 1800s. It has often been compared with North American blues, as it was a vehicle of protest and expression among the working class poor of places of Cuban and African decent. The rumba is a combination of percussion and vocal ensemble, and was often a community event where many were encouraged to participate.
The genre that has been chosen to focus on and examine is much less known than Reggae. It can be assured that a number of people asked on the subject will have no knowledge of the genre and perhaps not even recognition to the name. This particular genre is that of Zydeco music. Zydeco music is Louisiana based and most notably linked to Cajun music. Its roots are deep in the South and although it tends to not venture far from home, those around it have found music to fall in love with.
Rock and Roll is a genre of popular music that originated in the United States of America during the late 1940s and early 1950s. It is derived from African American roots in musical styles such as gospel, boogie woogie, jazz, jump, and rhythm & blues but also has strong roots from hillbilly music which would later be known as country. Rock and Roll has really been in existence since the
Perry Henzel's The Harder They Come is credited with a significant and unique role in introducing American audiences to reggae. Whereas earlier cinematic crossmarketed films like A Hard Days Night or Help! were adjunct to and dependent on a group's previous commercial musical success, Henzel's film was for many an introduction to reggae and both precursor and impetus for its international impact and commercial popularity. The film's status as a cult classic and phenomenon, to the extent a phenomenon can be explained, perhaps rests on its lack of commercial pretentions or promotional glitz, and thus its authenticity. The rhetoric of this film -- its images, words, and music in complementary array -- is rhetoric in the best sense because it uses the power of language to reveal, not to disguise, the unconscionable constraints on the lives of poor Jamaicans. Principally it's a film by a Jamaican artist about some musically and culturally significant events happening in Jamaica at the time, and though it is formulaic as films tend to be, it also encompasses all of the majors themes and conflicts that define and swirl around reggae music: spirituality, sensuality, commercialism, social justice, the messiah, and even Armageddon, though its tenor is decidedly secular
I am not going to waste your time by writing exhaustively about how and where Reggae began for three reasons: 1) you definitely know; 2) you have read at least 25 papers before mine with explicit and redundant descriptions of the birth of Reggae; and 3) I don’t think that much else matters for the purpose of this paper besides the reason behind the formation of Reggae culture. Karl Marx once said, “Jamaican history is characteristic of the beastliness of the true Englishman,” which alone designates causation for a raging revolution. Jamaica was stolen, pillaged, exploited, cultivated, massacred, raped, and defecated on by the British empire. With its social darwinistic institutionalized racism ...
Music is an art form and source of power. Many forms of music reflect culture and society, as well as, containing political content and social message. Music as social change has been highlighted throughout the 20th century. In the 1960s the United States saw political and socially oriented folk music discussing the Vietnam War and other social issues. In Jamaica during the 1970s and 1980s reggae developed out of the Ghetto’s of Trench town and expressed the social unrest of the poor and the need to over-through the oppressors. The 1980’s brought the newest development in social and political music, the emergence of hip-hop and rap. This urban musical art form that was developed in New York City has now taken over the mainstream, but originated as an empowering art form for urban youth and emerging working class.
Hip hop culture has been around since the 1970s. Multiple sources all come down to the South Bronx in New York City, as the origin of hip hop culture. The culture began to take its shape within the African American, Afro-Caribbean, and Latino communities. The father of the start of this culture was a Jamaican-born DJ named Clive Campbell but also known as DJ Kool Herc. He brought forth a new sound system and the Jamaican style of “toasting.” Toasting was when Jamaicans would talk or rap over the music they played. This whole new style soon brought what is now known as DJs, B-Boys, MC’s, and graffiti artists (Kaminski).
Music is “The art of arranging sounds in time so as to produce a continuous, unified, and evocative composition, as through melody, harmony, rhythm, and timbre” ( Farlex, Inc 2013). Caribbean music has its own unique history, is very diverse with each island having its own unique genre of music. With so many different types of music out there and different performing artists these artists are looking for ways to make money by becoming popular.
...ds, ‘Boleros’, Dominican merengue and more recently, modern genres favored by youth, such as Rap and Reggaeton. This last one, originated in Puerto Rico and rapidly became popular worldwide. Puerto Rican music has had and still has a projection with internationally renowned artists, while still developing through educational institutions and programs that promote it.
There are several possible explanations for the rapid growth of Rastafari. One major factor in its expansion was the emergence in the late 1960s of reggae music, a derivative of American rhythm and blues and Jamaican ska. Reggae helped spread the philosophy of Rastafari to the wider Jamaican audience and the world. During that period of time, Bob Marley and the Wailers were the principal popularizers of reggae.
Rhythm and Blues mostly abbreviated to (R&B) and RnB refers to a popular music genre which originated in mid 1940s (Erlewine, 1997). The genre combines jazz, gospel, and blues influences. Rhythm and blues originally described recordings which were marketed to urban African Americans by record companies. Robert Palmer an American writer and producer defined rhythm and blues as music produced by the Americas and for Americans (Cahoon, 2013). According to another writer Lawrence Cohn, rhythm and blues consists of all music except the classical and religious music. Rhythm and blues can therefore be defined as a style of music which combines blues and jazz, it is characterized by a strong backbeat and repeated variations on syncopated instrumental phases. It was developed by African Americans. (Guralnick, 1999) .
Marley was born into Jamaica’s poverty and it is where he developed a strong love of reggae and became a Rastafari. Reggae, evolved from another musical style called Ska in the late 1960’s, is considered the voice of the ‘oppressed’ peoples. Many reggae lyrics are politicalised and centre on themes of freedom and fighting for it. (Cooper, 2014)
King, Stephen; Jensen, Richard,(1995) Bob Marley's "Redemption Song": The rhetoric of reggae and Rastafari Journal of Popular Culture 29.3