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Recommended: An analysis of hamlet
Shakespeare is a master of words, in that he is able to make a reader really think about what he is actually trying to say both as a whole (i.e. the entire play) and in the individual poetic dynamics of the play (i.e. metaphors, diction). He does so brilliantly in one of his most famous plays, Hamlet. The play itself is filled with complex internal dynamics, while at the same time the characters in Hamlet have several complex internal dynamics themselves as well. Throughout the play we are constantly on the edge of our seat, waiting and anticipating what or where Shakespeare is going to take us next. What struck me throughout the play was the relationship between Polonius and his daughter Ophelia. Through Hamlet, and thus through Polonius and Ophelia’s relationship and diction, Shakespeare is able to express to us the flawed ways in which relationship between father and daughter can be and consequently are acted out upon.
We are first introduced to the flawed relationship between Polonius and Ophelia when her brother, Laertes, is departing for Norway in Act 1 Scene 3. Here, Ophelia shows the viewer/reader her subservient behavior and her undeniable love for her family, and how that is taken for granted at the same time. Laertes tries to warn Ophelia and convince her not to get involved with Hamlet, “Fear it, Ophelia. Fear it, my dear sister, / And keep you in the rear of your affection, / Out of the shot and danger of desire.” (I.iii.33-35). Laertes is, to be blunt, telling Ophelia not to have premarital sex with Hamlet, basically scaring her away from doing so. And though she readily agrees, because he is after all her brother, it is Polonius that really uses and takes advantage of Ophelia’s loyalty to her family.
Polonius,...
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... every chance he gets, he belittles her, and basically states that she is nothing more of a possession of his, who will act as he wishes. What kind of a father treats their daughter like that? Or any parent for that matter? A child, young or old, is never a possession, but an extension of who the parents are (or were, whatever the case may be). By keeping Ophelia away from Hamlet, or at least demanding she not have anything to do with him, Polonius is keeping his kingdom at peace … and in the dark. Through keeping his daughter from love, he is killing two birds with one stone. He is keeping his daughter from Hamlet and thus away from him, but he is also keeping Hamlet from being happy as well. Again, what kind of a parent would deny their child love?
Later on in the play we are shown another instance in which Polonius treats Ophelia wrongly through his diction.
Ophelia was an object that male characters, i.e. Hamlet, Polonius, Laertes, etc., used to gain more political power or to get what they want. Polonius was greedy, he told his daughter to hold herself to a higher standard than Hamlet. Because Polonius wanted the marriage of Ophelia and Hamlet to happen, he went to the castle in Elsinore, which lead to his death. A connection through marriage to prince would be a huge power for the family. Ophelia was being used to gain more power. Hamlet only used her for sex and affection, which This show how no one really cared for Ophelia other that to use her.
The bond between father and daughter is something that some consider sacred. Polonious uses this bond with Ophelia to please Claudius and Gertrude in finding our what is wrong with Hamlet. The King and Queen were very upset at Hamlet's seeming insanity. They tell Rosencrantz and Guildenstern that finding out what is wrong with Hamlet would be "the supply and profit of [their] hope (P.34)." They are obviously disenchanted at his behavior, and Polonious knows this, and tries to use his daughter to prove his theory. When Ophelia came and described to him her meeting with Hamlet in Act I, Polonious immediately took her to the King. Polonious, acting on his duty to "both [his] God and to [his] gracious king (P. 34)" took Ophelia to Claudius to see if he could be any help in trying to find out what is wrong with Hamlet. He quickly tells the king that he will ".loose [his] daughter to [Hamlet] (p. 38)" and concocts an elaborate plan t...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In the first scene of Act II, Polonius and Ophelia discuss the meaning of Hamlet's odd behavior. Though the two characters agree his actions arise out of the torment of spurned love, they arrive at that point through very different means. At the beginning of the dialogue, Ophelia says that she has been "affrighted" by Hamlet in her bed chamber. (II,i 75) Her encounter with the Prince left her scared about his real intentions. She says that he looks like he has been,"loosed out of hell/To speak of horrors". (II,i 83-4) The very fact that Hamlet does not speak one word to Ophelia makes him look even more intimidating. By not speaking anything, Hamlet at once strengthens his image as a madman, as well as shrouding his real intentions towards those around him. Just following this passage comes a place in the text where we can see how the character of Ophelia has been manipulated by Polonius. After his "hint" that he might be doing this out of frustrated love, Ophelia says that that is what she truly does fear. (87) Her feelings of pity and concern are shaped by her father in order to fit his case of madness against Hamlet.
As the play opened, Hamlet and Ophelia appeared as lovers experiencing a time of turbulence. Hamlet had just returned home from his schooling in Saxony to find that his mother had quickly remarried her dead husband's brother, and this gravely upset him. Hamlet was sincerely devoted to the idea of bloodline loyalty and sought revenge upon learning that Claudius had killed his father. Ophelia, though it seems her relationship with Hamlet is in either the developmental stage or the finalizing stage, became the prime choice as a lure for Hamlet. Laertes inadvertently opened Ophelia up to this role when he spoke with Ophelia about Hamlet before leaving for France. He allowed Polonius to find out about Hamlet's courtship of Ophelia, which led to Polonius' misguided attempts at taking care of Ophelia and obeying the king's command to find the root of Hamlet's problems. Ophelia, placed in the middle against her wishes, obeyed her father and brother's commands with little disagreement. The only time she argued was when Laertes advised her against making decisions incompatible with the expectations of Elizabethan women. Ophelia tells him, in her boldest lines of the play:
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
The obedient Ophelia has followed her father's injunctions and repelled Hamlets letters and denied him access to her. Polonius is certain that these rebuffs have driven Hamlet mad. His only action is to inform the king and queen, and to let them decide what the next move will be. In Polonius lengthy discussion with the king and queen he explain the situation:
Polonius treats Ophelia with care as he asked his daughter to stop seeing Hamlet because he believed he was causing harm to Ophelia. I think Polonius is a good father because if he did not care about Ophelia, he would not have stopped Ophelia from conversing or seeing Hamlet as often. I think Hamlet insults Ophelia because of his anger towards his mother. His temper against his mother is taken out on Ophelia as he believes all women are capable of doing the same.
In Elizabethan times, Ophelia is restricted as a woman. She is obedient to the commands of the men in her life although she often attempts to do the right thing. Polonius, Laertes, and Hamlet all have a grasp on Ophelia and who she is. She does not have the freedom to change her fate as Hamlet does. Shawna Maki states, “Ophelia’s life is determined by the whims of men who control her” (1). Polonius takes advantage of his relationship with Ophelia by using her to achieve a better relationship with Claudius. Polonius and Laertes teach Ophelia how to behave, therefore, abusing their power in allowing Ophelia to become who she wants to be (Brown 2).
Polonius takes away Ophelia’s ability to think about who she wants to be as a person by making
The way that Polonius acts as a good father towards Ophelia is mostly how he doesn’t want her to get hurt by Hamlet. Ophelia tells Polonius all about what Hamlet has said and given her. She tells her father that Hamlet gives her presents and tells her nice things out of affection.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
He is essentially telling Ophelia how she should be behaving and reacting to her own situations. This is portraying her as a woman who cannot think for herself and is dependant on Polonius. In addition, Polonius’ death is the trigger to Ophelia’s insanity, because she depended upon him a great deal. When Ophelia is told by Polonius to never contact Hamlet again, she obeys Polonius, but Hamlet acts crazy in reaction to her denial. Ophelia says, “No, my good lord; but, as you did command, / I did repel his letters and denied / His actions to me.” (2.1.109-111) By doing everything Polonius tell her to do, she makes matters for herself worse. Ophelia cannot stand up for her...
Shakespeare’s Hamlet is a tale of betrayal and revenge, attrition and tragedy. One sees this theme throughout the interactions between each character. While the play’s main tragedy is the death of King Hamlet at the hand of his brother Claudius, the accidental death of Polonius truly initiates the demise of the others. In a tragedy, audiences often seek someone to hold responsible. Polonius is a trusted advisor, Lord Chamberlain, for the king and queen. He has one son and one daughter. His son, Laertes, is a classmate and friend of Prince Hamlet. His daughter, Ophelia, holds the prince’s heart and loves his as well. An old, foolish man whose trite and meddlesome personality cost him his life, Polonius is easily the most loathsome character