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The Wizard of Oz
The Wizard of Oz is one of the most controversial movies in American history because there is no clear and cut meaning of the film. Everyone has a different interpretation of what the film Wizard of Oz really means. Some people believe that the movie has Christian religious symbolism or atheist symbolism, others believe that the illuminati was behind the making of the Wizard of Oz to brainwash people, others believe that there is a more political based meaning of the Wizard of Oz with a connection to what was going on in the history of the United States. During the 1800’s society faced many issues and although the Wizard of Oz can be interpreted in many different ways it is believed that the most significant meanings of the
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The first major connection in The Wizard of Oz was the Scarecrow. The scarecrow was used to symbolize the farmers and their struggles in America in the 18th century (Foner, Eric 636-640). The scarecrow made of straw was vulnerable with no brain. The scarecrow had little control over the circumstances he was facing just as the farmers did in the 18th century. The western farmers had issues with overproduction and when prices fell farmers suffered ended up losing their farms (Foner, Eric …show more content…
William Jennings Bryan was an American politician from Nebraska that supported the Democratic Party (William Jenning 's Bryan Cross of Gold). William Jennings Bryan supported the free silver movement during the 1800’s (William Jenning 's Bryan Cross of Gold). It was thought to be that William Jennings Bryan was much like the cowardly lion; he was fierce in nature but cowardly in his public power (William Jenning 's Bryan Cross of Gold). William Jennings Bryan spoke a great argument but had little effect to making significant
The narrative begins with Dorothy, who lives on a farm in a black and white setting presuming the absence of vitality and the insufficiency of a place that was in poverty at the time. However, when Dorothy is picked up by a twister and wakes up in the Land of Oz, she finds herself in a completely opposite environment full of life, beauty, and color filled with new found opportunities. On her quest to Emerald City, Dorothy is presented with a few characters who are The Tin Man, The Cowardly Lion, and The Scarecrow who all feel like they need something more to complete them and they all seek out the “all powerful” wizard to obtain the things they want. The items they yearn for were a brain, a heart, and courage. Three things that we learn to utilize with experiences we go through. The characters eventually realize that they have always had what they have been longing for after the many obstacles they came through on their journey. In the end, Dorothy says, “If I ever go looking for my heart's desire again, I won't look any further than my own back yard. Because if it isn't
William Jennings Bryan, despite being a thrice-failed presidential candidate, was a well respected Congressman known for his impassioned speeches. Due to his experiences in the Spanish-American War, he was also staunchly opposed to Imperialism; and he wrote and delivered many speeches dedicated to this philosophy. Leading the charge for American neutrality in foreign affairs, Bryan argued that the U.S. acting as an imperial power over foreign colonies would produce negative outcomes. Holding that his anti-imperialistic views were a direct result of his sense of social justice, Bryan declared that colonial governments were a threat to democracy and represented exploitation.
L. Frank Baum achieved a fairy tale classic in his work of The Wizard of Oz. In the story, colors are used repeatedly to directly or indirectly give feeling and meaning to the setting.Color is a crucial imagery factor in a piece of writing. It lets a reader connect and use their imagination to make the words come alive in their heads. Baum specifically uses the colors; gray, yellow, and green. The novel is filled with many mood changes using these colors.
Frank Baums, The Wizard of Oz is arguably one of the most popular films made. Even though it was released in 1939, nearly three-quarters of a century ago, the film continues to entertain audiences and speak to them in a personal way. The question that comes to the mind when analyzing this film is: What is it about this film that gives it such timelessness? When reflecting on the film’s timeless qualities, it seems clear the plot is one of the things that enable it to maintain its relevance. Primarily, the plot of The Wizard of Oz is timeless because it is such an excellent example of the heroic journey, both in literally and cinematically. This journey of self-awareness is a metaphor for growth, which is something we all search to discover at some time in our lives.
Dorothy Gale, the protagonist of the story is a young, optimistic girl who lives on a farm in Kansas, which is a place in Midwest America that lacks colour and mainly consists of flat country land and has minimal trees. The films overall theme is illustrated by Dorothy’s famous line that ultimately
In 1964 Henry Littlefield a teacher published an article in the journal American Quarterly (Taylor). In the article Littlefield contended that “The Wizard of Oz” was an allegory for Populism, which was a political reform movement that had existed in the latter part of the 19th century. The Populists were primarily concerned with monetary reforms and creating equitable wealth and economic growth. The populists were popular with the disenfranchised, such as farmers, small business owners and other groups of people with limited power who suffered because of the economies failings. Littlefield saw connections between characters from the book and political figures, as well as themes that related to life and politics in Gilded Age America (Taylor).
The Wonderful Wizard of Oz is more than just a mediated artifact it is breakthrough, said to be one of the most famous films ever made. The film was not a box office success, it only received 3,017,000 on a 2,777,000 dollars budget but it still receive a large amount of positive reviews and remakes (). This is important in terms of the audience it reaches because it was not just a children’s movie, or an adult movie, or a movie for teens, it was a movie for the entire family that targeted no specific audience. The Wizard of Oz has won critical acclaim by being nominated for multiple academy awards such as best picture, best original song and is often ranked one of the top ten movies of all time (). The creator Frank L. Baum is very much significant because this was not his first ball game. He was originally an author of children’s books but wrote many novels, sequels and made many attempts to bring his work to stage and screen (). He had a vision like no other and saw things in a different pe...
Scene: This scene in the film comes just after the house has been picked up in the twister. Dorothy's house has been lifted up into the sky and suddenly dropped back down to earth in the middle of the Land of Oz. In the scene itself, Dorothy leaves her home to see that she is "Not in Kansas anymore," and finds the new and amazing world of the munchkin city in front of her. She also meets Gwendela the good witch as her journey in Oz begins.
...s. The Scarecrow represents farmers, agricultural workers, ignorant of many city things but honest and able to understand things with a little education. The Tin Man, He represents the industrial worker whose heart has been torn out by the evils of factory work and industrialism. W.J. Bryan embodied the role of the cowardly lion. Bryan was a very loud and booming public speaker but was viewed as a coward because he did not support the Spanish-American war. OZ is the US. The emerald city is Washington D.C. filled with greenbacks and the wizard is the president. Dorothy and her “party” follow the yellow brick way, or gold standard, to find the wizard and fix her problem. When all along they way to fix her problem of how to get back home was to tap her ruby red shoes which were silver thus in the original book thus representing the Populists push for a silver standard.
Lions and tigers and politics oh my? The Wonderful Wizard of OZ written by L. Frank Baum has become an American classic since 1900 with its simple good hearted storyline, but enough parallels have been found within the written text linking it to politics that suggests otherwise. Baum claims to have written the story solely for the pleasure of children and that he could never have imagined the impact it would have on the public. When the text was adapted to film nearly 40 years later, it became an instant block buster and captured the hearts of the movie going public. It remains an American favorite today thanks to its charismatic actors, dazzling colors, and unforgettable music. But The Wizard of Oz is not the simple tale it alludes to, under its façade of charm lies hidden themes and motifs filled with political symbolism referring to the Populist Party.
Looking back on the similarities between the populist movement and Frank Baum's world famous story, there is very little doubt in my mind that Baum did not have at least had some idea of a parable on the populist movement when he wrote it. Allthough the novel is a simple children’s novel, and contains all the qualities that a typical fairy tale should have, Baum clearly had a indirect theory behind it. His family may deny the theory and there is no empirical evidence that Baum wrote the novel as a parable. However, the immense amount and accuracy of the connections still makes me a strong believer that Frank Baum wrote “The Wizard of Oz” as a parable on the populist movement.
The Wizard of Oz is the 1939 film musical released by the studio Metro-Goldwyn-Mayer that became a cultural icon defining family entertainment for decades after its initial release. Though it did not turn a profit until 1956 when it aired on television, it has been considered a wide success, spawning several re-releases and sequels. The Wizard of Oz set the precedent for visual effects, innovations Hollywood still utilizes today in an age of computer generated images. The film has stood the test of time with its special effects, paving the way for the future of movie magic.
In her travels Dorothy meets the green people of Emerald city, the yellow winkies, and the blue munchkins. Each of the three different types of people reacted to Dorothy and her people differently, the munchkins were warm and welcoming, the people of Emerald city were cautious and courteous and the yellow winkies were curious and helpful. The distinction in color was made because each color represented a defining characteristic, the people of Emerald city represented greed as they were not only green, the color of money, but they were also heavily isolated from the rest of the people of Oz; the people of Emerald city lived in the richest city as seen with the jewels that surrounded the houses as such they did not openly welcome strangers nor did they treat them kindly a sign of disdain for outsiders, they represented the higher class in society, or the richest class. The yellow winkies represented hard workers, and the working to lower class as they were not only very skilled at every craft but their enslavement to the much more powerful which represented the constant oppression of the less powerful, or poorer class in society. The blue munchkins represented the middle class, not necessarily know for wealth or for being poor, they are kind and strive to be successful as seen with Boq one of the richest munchkins. Each of the different people of Oz and
In the words of Michael O’Shaughnessy, ‘narratives, or stories, are a basic way of making sense of our experience’ (1999: 266). As a society and a culture, we use stories to comprehend and share our experiences, typically by constructing them with a beginning, middle and an end. In fact, the order that a narrative is structured will directly impact the way it is understood, particularly across cultures. This idea originated through Claude Lévi-Strauss’s concept of structuralism in anthropology which ‘is concerned with uncovering the common structural principles underlying specific and historically variable cultures and myth’ in pre-industrial societies (Strinati 2003: 85). In terms of media studies, structuralism’s inherent objective is to dig beneath the surface of a media text to identify how the structure of a narrative contributes to it’s meaning. Structuralism encompasses a large range of analytical tools, however, this essay will examine Joseph Campbell’s monomyth and Claude Lévi-Strauss’s theory of binary oppositions. Through analysis of Victor Fleming’s film, The Wizard of Oz (1939), it will be shown that although the monomyth and binary oppositions are useful tools with which to unveil how meaning is generated in this text, structuralism can undermine the audience’s ability to engage with their own interpretations of the film.
The Wizard of Oz is a fiction story written by L. Frank Baum. The story has two main settings. The first setting is, Dorothy’s home, the Kansas prairies. The prairies are described as dry and gray. The second setting is the land of Oz. Oz is opposed from Kansas, it is colorful, bright, and full of joy. The Wizard of Oz has a grate theme or message behind the story. The message is that we all have good qualities in us, but it is up to us to use them.