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Different political ideologies essay
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Arguably, this play brings into account how complete political power can produce fascism. The play can be seen as a satire that uses the theme of dictatorship which is seen in the killings of innocent citizens by their own leaders. Similarly, in Chaplin’s The Great Dictator, we can see the issues regarding tyranny and also antisemitism, shown in his character that satirizes Adolph Hitler. During WWI, a jewish barber (Chaplin’s character) was a soldier of Tomania, a fictional country. During battle, the barber found the wounded Commander Schultz, the high officer of the Tomanian army, and helped escape with him in a plane that eventually crashes. They are separated and the barber is taken to a hospital where he remains for the next 20 years. …show more content…
The barber suffered from memory loss due to the crash, consequently, does not realize he has been recovering for this long. Throughout those 20 years spent in a hospital, he is unaware of the changes that have taken place around him.
The merciless dictator of the country of Tomania, Adenoid Hynkel, has risen to power. Hynkel aspires for a pure Aryan state and the elimination of the Jews. The barber eventually escapes from the hospital, and returned to his house/barbershop in the Jewish ghetto. After returning, the new oppressed life of the Jews is presented to him. The barber is later harassed by Stormtroopers in Hynkel’s army. This is how he meets the washerwoman, Hannah, whom he later shares a close relationship with. The barber is eventually pardoned by a commanding officer who turns out to be Commander Schultz from the WWI battle. With a policy shift by Hynkel himself, the Jews in Tomania were then on provided protection, but only as a distraction. Commander Schultz and the barber are later arrested and sent to a concentration camp. Adenoid Hynkel, who just so happens to be the barber’s doppelganger, develops big plans for world domination and beginning the invasion of Osterlich, which was also threatened by Benzino Napaloni, the dictator of the fictional Bacteria. Meanwhile, Schultz and the barber run into Stormtroopers who mistake the barber for Hynkel. However, Hynkel, was also mistook for the escaped barber, was arrested.
The barber now gets the chance to give a speech, which ultimately reversed Hynkel’s anti-Semitic policies and declaring that Tomania and Osterlich will now be free from “hate and intolerance” and live on as free nations and democracies.
The ethical concepts of 1940’s era ‘good and evil’ are well portrayed in Casablanca. Evil is not only portrayed by the actors who played the Nazi soldiers but it can also be felt in the mind of the viewer. One must consider the wartime mindset of the American people when the movie was made and the implications that filled the set. During the 1940’s, the United States was still a fairly Christian nation with moral character that was based solely on religious beliefs. Graphic and seductive scenes that would be included in the making of Casablanca were omitted so as not to offend the viewers or their moral standards. In order to abide to the Divine Command Theory, scenes that involved the actual act of killin...
This play addresses many social issues. It ties in family, truth, righteousness, community, and politics. It really demonstrates how one issue can have many “truths” to it and how different people, even within ones own family, can see the same thing in total different perspectives; and in doing that act out against one another in an attempt to prove that one’s own perspective is the “right” or only one. In human nature, we are not one to compromise. We see so many things as one way or another, right or wrong; rarely do we seek to find the common ground between the two. In this play, common ground is never found, and in the end leaves a family broken up and a society left to wonder.
These plays are presented as slightly distorted mirrors of reality, so by having audiences invest themselves so deeply in the understanding of the literature, they are likely to gain a greater understanding of themselves and the worlds they live in. By pushing the imaginative burden onto the audience, Shakespeare is able to make commentary on human nature and human history without being held responsible for its implications. Because the audience is encouraged to fully embrace their role in the production, any commentary and critique is aimed towards themselves and their inability to effectively understand, resulting in an increased appreciation for Shakespeare himself, and the complexity of literature as an art
The play is a brutally honest reflection of our own lives and the world in which we appear—dumbfounded and gullible, and bombarded by “truths” (best guesses, opinions, and whatever scientific data has been amassed so far) on which to form our basic understanding. We are reminded that everyone, to varying degrees, must deal with an environment that is impossible to truly understand. Babies may be fed with no knowledge of farms, as senior citizens may wander the halls of nursing homes, slowly forgetting the family that left them there. Every path and decision we laboriously choose, our environment and all that it contains, our entire existence itself, is due to circumstances far beyond our control or comprehension, forged from elements whose origins we have no power to reveal. Perhaps most importantly, we are reminded that regardless of our efforts, in the end, we will die. Like the bumbling tools of royalty Rosencrantz and Guildenstern, all of our questions, thoughts, and lamentations will disappear with our bodies as we reach our fated ends.
372). Dramatizing the atrocity that was Holocaust doesn’t come without issues arising in representing the Jewish culture and brutal events respectfully and tastefully which has implicated multiple decisions in staging and performing this piece. Falling between that of stereotypical clichés and proper representation when given the direction to overact holds difficult choices in how to perform my character, and having historical events as the basis of the play leaves us creating theatrical decisions such as symbolic movements from the selection scene to emphasize rather than
The essence of Macbeth lies not only in the fact that it is written by the universal talent William Shakespeare; the royal-conspiracy, the political unethical activity, the killin...
of the play. I will also explore the role the common man plays in the
Poisoning also becomes a distinctive recurring pattern in the play's imagery. The individual occurrence in the palace garden is expanded into a symbol for the central problem of the...
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
“Dictatorship naturally arises out of democracy, and the most aggravated form of tyranny and slavery out of the most extreme liberty.” Plato wrote this in 360 B.C.E. in his book titled The Republic, despite it being centuries old, it still speaks the truth. This can be seen in the years before World War 2, when the world saw three major dictators rise to power. Dictators such as Adolf Hitler of Germany, Hideki Tojo of Japan, Benito Mussolini of Italy and Joseph Stalin of Russia were the main dictators who came to power during this time period. The outbreak of these dictators were one of the many direct causes of WWII, and while Stalin was on the side of the Allies, he was still a brutal dictator of his country. But why do these dictators rise to power and what is to say they won’t rise again? An in depth look at the situations that Germany, Italy and Japan were forced to endure along with a look at trends in history can answer these questions.
In both Accidental Death of an Anarchist and One for the Road, Dario Fo and Harold Pinter respectively orient their stories around violent actions which are never truly witnessed on stage. Pinter has described One for the Road as bordering upon agitprop, and indeed, the play’s brutal yet vague examination of an interrogation is a hauntingly accurate portrayal of government-sanctioned torture. Given the violent nature of the story that Pinter creates, the script could very easily call for gratuitous amounts of unsettling and gory on stage interactions between Nicolas and the family he is interrogating. However, Pinter manages to distance his play from becoming a spectacle-laced social commentary by allowing violence and brutality, the driving forces behind the plot, to only exist on stage through implication. Pinter, whose performances often focus upon overtly political commentary about matters such as government oppression or violation of human rights, understands that creating a performance with liberal usages of on stage violence has the potential to obscure the overall meaning of his work.
to the theatre a passionate and convulsive conception of life and it is in this sense of violent rigour and extreme condensation of scenic elements that the cruelty on which it is based must be understood.”45 This placing of the two contrary worlds of violence and tenderness against each other becomes the pivot of the play. The tragedy comprises the truth of the Darwinian Naturalism “struggle for existence and survival of the fittest” as stated in his Origin of the Species, and further shows that the weaklings are ruthlessly crushed by the strong and the mighty in the fiercely competitive society. Physical, moral, and spiritual powers are needed for the safeguarding good and for the annihilation of evil or else, the world would be the most
In this essay it will discuss the extent to which the principate is a history of military dictatorships. Meaning to what extent did the military hold authoritarian control. In fact, the principate was not a history of military dictatorships, but an Oligarchy, where the Emperor, the Senate and the Army all came together to rule the Empire. Although, some had more power than others. The essay will divide into two main parts one explaining how it was not a military dictatorship but showing examples of how the army helped and were important to the emperor, in the way that the Army can make you Emperor and also resign you of that Title by planning an attack. I will give examples of a select few of Emperors, it will not cover them all. To which they did prove of massive importance to the Emperor. If someone wanted to become Emperor and stay in power, then he needed the help of the Army. However, there is an exception when it comes to Judea. On the other hand, it will discuss the importance of others and give examples as to why it was not a history of military dictatorships as it is clear the army was never solely in control. For instance the senate’s input and the rule of the mob, for example in AD 32 at the games where Tiberius was absent, the people were demonstrating aggressive behaviour (Tac. A6.13.). There was always someone else with power and is clearly evidenced by the Emperor himself
Dictatorship is one of the most prominent political systems throughout history. Dictators have risen and fallen, regularly influencing the way the world sees their country. The ideology of dictatorship will be thoroughly discussed. Later on, it will be mentioned whether dictatorship was and still is the best way to advancement. It will also be recognized how dictators came to power in a democracy. Hereafter mentioned how Hitler gained dictatorship. Finally, it will be mentioned what made Sheikh Hasina a bad dictator. Many consider the system unethical, and should not be used as a reliable governmental system, therefore It will be proven that Dictatorships globally are, universally perceived as a restructure governmental system.
Capitalism had an effect on every aspect of the 1940s’ American society. McCarthy witch hunts were rife and creating a fear of communism, many American artists and authors felt disenchanted by society as their individualism was under threat. The play was written and performed post WWII, in a period where everyone was anxious and worried on a daily basis. The audience knew they were living in a capitalist country where everyone was out for themselves however Miller was one of the first dramatists to confront and display a working-class family struggling in the face of cruel and heartless business society. Such criticism of American society was rare during this period however Miller still presents us with a scathing criticism of modern American values.