Point Of View In Danny Santiago's Famous All Over Town

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The purpose of the present paper is to discuss Danny Santiago’s short story “Famous all over town”. The main focus will be upon the perspective of the author and the used point of view. In order to have a better support for the analysis, we will be using the following quote as a point of departure: “What is Wollenberg doing, assigning a novel, a work of fiction, in a history class? Doesn 't he know that history is a matter of face, not fiction?” The author presents the life in an East Los Angeles poor neighborhood inhabited by Mexicans. It is worth mentioning right from the very beginning the fact that there is a strong discrepancy between the living standards of the Mexicans from the “barrio” and those of the Americans living in the same town.
Chato is always analyzing what is happening to him and he pays a lot of importance to these evaluations he makes. He thinks that his understating of the world will have a decisive impact upon his life and the one of his parents “I didn 't care to leave the house. My friends would see the story in my face if they didn 't know already. . . He was already at work when I woke up Monday and I went to school with my message still rumbling around inside me” (126). Morality on the one hand is the focus of the author, the pressure that society applies is
While fiction deals with things, people and situations which have never existed, it may very well be inspired by real factual data. A history professor might recommend his students to use a fictional novel in order to get better insight regarding a situation. History records facts, not feelings. Fiction might present feelings and therefore allow the history student to understand the impact of happenings and to grasp the humanity which lies behind the factual data. Chatos story might be fictional, yet it is safe to assume that many Chatos have really existed and still exist. Statistic data and factual recordings may be insightful, that being said we might state that fiction serves history as an emotional

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