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Flashcard on foreshadowing
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How is being a tall ugly weed better than being a beautiful flower? Ever thought about that? Well in the poem “Identity” , who is written by Julio Noboa Polanco was a uses a lot of foreshadowing and tone to show how being a tall ugly weed is better than being a beautiful flower. Foreshadowing is shown by the quote “where they’re praised, handled, plucked, by greedy, human hands. The quote is saying the prettier or more beautiful you look, the higher chance of you getting picked. Foreshadowing shows the theme by telling how bad it is being a beautiful flower. Tone is shown by another quote which reads “i’d rather be a tall, ugly weed”. That quote talking about how he would rather be something that isn’t worth nothing and doesn’t matter, than
In a story of identity and empowerment, Juan Felipe Herrera’s poem “Borderbus” revolves around two Honduran women grappling with their fate regarding a detention center in the United States after crawling up the spine of Mexico from Honduras. While one grapples with their survival, fixated on the notion that their identities are the ultimate determinant for their future, the other remains fixated on maintaining their humanity by insisting instead of coming from nothingness they are everything. Herrera’s poem consists entirely of the dialogue between the two women, utilizing diction and imagery to emphasize one’s sense of isolation and empowerment in the face of adversity and what it takes to survive in America.
The exact idea on the American identity differs from each person. In Okita's poem, "Response to Order 9066," and in Cisneros's short story, "Mericans," they both touch on their own ideas on what makes an American. The poem tells of a young Japanese girl's experience as an American before and after Order 9066. It describes how the girl and her friend's relationship broke due to the negative views on Japanese-Americans soon after the order. In the short story, a young Mexican girl doe not enjoy or embrace her own culture and would rather do activities other Americans do for fun. Later in the the story, the girl and her siblings surprise an American photographer that they could speak English soon declaring that they are "Merican." Both Okita's poem and Cisneros's short story show that cultural heritage and physical appearances do not determine what it means to be an American.
aloud because she is not the only one who is facing this problem aslo there is many people who
Sonia Sanchez is an African-American writer regularly connected with the Black Arts Movement. She has composed over twelve books of poems, and in addition short stories, essays, plays, and kids' books. She was a beneficiary of 1993 Pew Fellowships in the Arts. In 2001, Sanchez was the recipient of the Robert Frost Medal for her poem and has been compelling to other African-American female artists, including Krista Franklin. Sanchez was born in Birmingham, Alabama, on September 9, 1934. Her mom died when Sanchez was just two years old, so she stayed with different family members for a while. One of those was her grandma, who passed when Sanchez was six. In 1943, she moved to Harlem to live with her dad, her sister, and her stepmother, who was
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
Martin Espada’s poem is a tragic view of what people living in poverty were subjected to. Several lines of this poem, paint a horrific picture of their lives. As the poem progresses the tone changes to what his hopes and dreams were for the future of these people. The author wrote this to help other people be aware of the tragedies that have and could happen again.
word “art” which may imply something about the materialistic world that she tries to be a part of. Interestingly, and perhaps most symbolic, is the fact that the lily is the “flower of death”, an outcome that her whirlwind, uptight, unrealistic life inevitably led her to.
I would like to investigate the many struggles of women, whether it be race that differentiates them or an event that any woman could experience that brings them together. Beauty is not easily defined, and women everywhere struggle with not only pleasing the people around them, but themselves. Wanting to describes themselves and feel beautiful is one of the many struggles women experience throughout their lives. “Las Rubias” by Diana García from Fire and Ink represents a common example of what women of color experience while comparing themselves to the “beauty” of white women. The poem is divided into eight numbered sections, each containing their own experience or thought. This is effective because by the end of the poem, the reader has almost
The poem, Two Guitars, by Victor Hernandez Cruz means that there comes a point where everybody’s glory days end.
Symbols are one of those most important things to a story. They share the meaning of themselves, as well as the meaning for something else. Symbols usually make the important ideas stick out as well as make the reader have different ideas of what is actually being said. One of the many symbols in “Paul’s Case” is flower’s. From violets to carnations, the flowers Paul talks about are ones of many meanings. The flowers represent a continual motif, expressing Paul’s character.
In the poem “Identity”, by Julio Noboa Polanco, the author is talking about different people and the way that they feel and in the next poem “The Road Not Taken”, by Robert Frost, it is talking about two different roads and that you have to choose which road to take. The author is putting the people in the form of flowers. The flowers are put into pots and held to where they can not be free so the author states in the poem “I’d rather be a tall, ugly weed, hanging on cliffs, like an eagle wind-waving above high, jagged rocks”, this is because he wants to free rather than held captive in a pot. Then, the author is talking about that he has broke through the stone, this is talking about him being free. In the next stanza the author talks about
The signs of oppression in humanity are not always evident, but they always have an immense impact on one’s life. Oppression by Jimmy Santiago Bacca shows just how oppression can have a massive toll on one’s demise, making you feel as if you are lower than someone, getting hurt until you shed tears and losing hope in your life but you keep fighting and never give up. Oppression occurs for different reasons such as culture, race, and religion, but the effects of oppression are always similar. Consequently, the effects of oppression always cause one to feel lower than another person with a different culture, race, and religion. These pessimistic effects can also be seen in Bacca’s poem, which states that oppression causes you to feel as if you
Leer la poesía de Julia de Burgos es abrirse paso a un mundo de emociones, luchas y temas múltiples. En sus tres poemarios, la poeta inaugura un estilo y unas temáticas que en ocasiones coinciden y en otras se apartan de los poetas entre los que convivió (López Jiménez, "Julia de Burgos” 141). Julia buscó abrirse paso hacia nuevas formas de escritura y trazar rutas alternas a los cánones establecidos, tanto por sus contemporáneos como por la tradición literaria. Poema en veinte surcos, su primer libro publicado en 1938, representa ese anhelo de trazar múltiples rutas mediante las cuales pueda realizar una búsqueda de nuevas voces, perspectivas y temáticas. Precisamente, en la poesía de Julia, sobre todo la de su primer poemario, se advierte un deseo de definirse y afirmar sus principios poéticos y políticos. Según Ivette López Jiménez, muchos poemas de su primer libro se destacan porque “se alejan de las fórmulas de la poesía criollista” y porque en ellos “la voz se afirma como una ‘rama desprendida’ o como ‘brote de todos los suelos de la tierra... de todos los hombres y de todas las épocas” (“Julia de Burgos” 143). Hay pues, un intento por alejarse de los discursos autorizados, lo que la lleva a identificarse con los espacios y los sujetos marginados. Desde esta perspectiva, Julia de Burgos pasa a ocupar el rol de “poeta cívico” y su discurso a ser uno de denuncia y protesta. Por ello, propone una reconsideración de los espacios marginales, del “otro” con el objetivo de traerlos a primer plano. Con esto, establece una “actitud a la avanzada del pensamiento y de las costumbres, sobre todo lo relacionado con los cambios necesarios en la sociedad”, en palabras de Manuel de la Puebla (16).
Not only the government in Persia, but the Islamic religion also influenced his writing. He thinks that people merely go through the motions of life and do not truly live in the moment they are in. When people live this way, they are viewing life merely as a stepping stone to God. It causes individuals to go through the motions of preying and worshipping just so they can go to heaven one day. Poem 103 stresses that one should not be concerned about the future. It states,
A flowering garden in the spring crafts conceptions of fertility, beauty, and bliss. Certain people are similar to plants: some are functional, others radiate beauty, while the worst are those that kill. Not all plants are welcome such as the purple flowers from the Judas tree that should be kept at bay from the hearts of the tender because of their morbid connotation. The symbolic flowers represent death or betray in literature, as is the example of the character Engino in “Flowering Judas”. Laura in “Flowering Judas” by Anne Kathrine Porter is the seemingly sweet character, but on a deeper analysis, the true intentions of this dynamic character are exposed. Porter conceived the ideas in “Flowering Judas” from her time in Mexico during the