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Plato's perspective on democracy
Platos meaning of democracy in platos republic
Plato's perspective on democracy
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1. Common people in the Cave- In this story, Plato’s takes our everyday life and create the metaphor of people sitting in a cave. There are people at the bottom of a valley in the cave who are chained in and can’t move. All that these people see are the shadows that are put on the wall in front of them which are produced by puppeteers who are behind them by a light source producing the shadows. The people who are chained in also only hear echoes and believe this to be the shadows are talking. The only thing that these people have ever seen or know about are the shadows and echoes, causing them to believe that this is the truth. The issue is that the truth that they believe is being manipulated by someone else, the puppeteers. Plato equated these people in the cave to a common person in the city. They are not always very educated and rely on people to lead over them and tell them what to do. 2. People who have been freed- At one point in the metaphor story, one person was released from the chains that were holding them down to their specific spot in the cave forcing them to look at the shadows. When they were released they started to look around and they saw the light. In this story light is equated to the real truth. At first the newly freed Education- The entire point of this story was to show how education works. In the book it says “education isn’t what some people declare it to be, namely, putting knowledge into souls that lack it, like putting sight into blind eyes.” Essentially this means that you cannot teach anything to someone who is not willing to learn. Equating this back to the allegory of the cave that was presented before this, the people who are chained to the cave and won’t listen to the people who have seen the light don’t want to learn. They think they already know the truth and whatever else is told to them cannot be true. Much like teaching someone who is blind to see, it is impossible without a complete reconstruction of the systems in
Plato’s cave had chained prisoners and that was the only life they ever knew. They couldn’t move their heads, and the only objects they could see from the outside world were the casted shadows created by the fire. They saw the truth from the shadows, but they were distorted. What they were seeing was only one side of the truth, not the whole thing. When one of the prisoners was free to go, he was forced to be dragged out of the cave. It
...lieved in their shadow of reality. However, once released prisoner Miss Moore arrives into Sylvia’s neighborhood, everything changes. Coupled with Miss Moore’s education and power is the “light” and “truth” Bambara wants to display. Miss Moore articulates the “light” to all the chained prisoners, but like in “The Allegory of the Cave,” many are afraid and bewildered by the “light,” so they reject being enlightened. However the “light” reaches Sylvia, which causes a soul-shattering experience, but ultimately releases her from her chains. Once freed from the dark cave and its wall of illusions, Sylvia is able to communicate the “light” to the other chained prisoners in her society as well. This allows her to express Bambara’s “truth,” which is educating youth on the unequal distribution of wealth, so they can learn to change their society’s shadow of truth.
In Plato’s “Allegory of the Cave”, Plato described a group of people that have lived their lives confined to a cave, tied to a pole making them face a wall. On this wall you could only see shadows of what was going on behind you, and from that they misperceived shadows from reality. One day, one of the inhabitants broke free and was able to leave the cave, only to be shocked by what “true reality” was outside of the cave and what was different from the shadows he saw on the cave wall. He was so excited that he wanted to go back into the cave and basically enlightened the other prisoners about what he saw,
Plato's Allegory of a Cave is a story about prisoners that are chained underground, who can not see anything except for shadows caste on a wall by a fire. The only thing that these prisoners can see is the shadows of people. Eventually, one of the prisoners breaks free of the chain and ventures out into the real world. In the real world the freed prisoner discovers that the shadows in the cave are created from light diverge off people. He recognizes there is a whole new world filled with light. The freed prisoner is very confused and blinded by the light so he decides to return to the cave. When the prisoner returns to the cave, he shares what he saw in the real world with the other prisoners. The remaining prisoners treat the freed prisoner like he is crazy and they tell the freed prisoner that the real world does not exist. The prisoners in the cave do not believe in the real world because the cave is all that they know exists.
In addition to the chained people, there are other people in the cave. Plato refers to them as the puppet-handlers and they are the ones holding those in the cave captive. (It is important to realize that the prisoners do not realize this--in fact, the prisoners do not even realize that they are being held captive since this existence is all they have ever known.) Walking behind the prisoners, the puppet-handlers hold up various objects found in the real world. Due to a fire that is burning the mouth of the cave, the prisoners are able to see the objects and each other only as distorted, flickering shadows on the cavern wall in front of them.
Portraying the prisoners inside the cave for a lifetime further describes his beliefs on how closed minded society is in his opinion. The “light outside the cave” explains how he feels knowledge is the source of light to everyone’s lives. Without knowledge, there is lack of light. Also, since society does not want to gain further knowledge, they will seem to stay stuck in the dark tunnel. Plato also uses personification to give reader insight on how someone may treat the earth and appreciate it. For example, Plato states “Clearly, he said, he would first see the sun and then reason about him.” The reasoning behind this is to explain how a man would reason with the sun as if it were an actual speaking person. The style of Plato’s writing gives readers an understanding on why his work is named “Allegory of the Cave”. The use of his rhetorical devices give deeper meanings to the Earth and the nature it
The first similarity between the cave theory and television is the fact that the audience is being controlled. In the essay, Plato describes the prisoners’ condition by stating how they “have their legs and necks chained so that they cannot move, and can only see before them, being prevented by the chains from turning round their heads”(868), and how the prisoners are being controlled by the puppeteers that are “passing along the wall carrying all sorts of vessels, and statues and figures of animals made of wood and stone and various materials, which appear over the wall”(868). These descriptions offer us the vivid perception that the prisoners are being highly restrained by the puppeteers, both physically and intellectually; they couldn’t move, and they thought that the shadow was the reality. Just like the prisoners, w...
In "The Allegory of the Cave," prisoners in a cave are forced to watch shadows as people behind them are forced to accept these shadows as reality -- "To them... the truth would be literally nothing but the shadows of the images. One prisoner, however, is released, and stumbles into the real world, containing more depth and complexity than they had ever known. At first, the prisoner will be pained at the bright, piercing light, but will eventually recover. According to Plato, the freed prisoner is then obligated to return to the shadows of the cave, to inform the shackled prisoners left behind of the real world. The prisoners, however, will not believe the freed prisoner, and may even go as afra s to kill him for such "lies" contrary to their "reality." The pursuit of the truth is, therefor, a painstaking but rewarding process. According to Plato, the physical world is a world of sight, one that lacks meaning if left alone. Only those who manage to break into the sunlight from the cave will ascend to the intellectual world. The prisoners in the shadows only know of the dull physical world, while those who ascend into the sunlight learn of the spiritual world, and are exposed to the first hints of truth. The soul ascends upward into the realm of goodness and of the truth, where "... souls are ever hastening into the upper world where they desire to dwell.." The pursuit of goodness and of the truth, then, improves the soul, as the soul desires to be elevated to a higher state of knowledge and morality. Caring for the self and the soul involves freeing the shackles of the physical world and ascending to the "... world of knowledge... the universal author of all things beautiful and right... and the immediate source of reason and truth in the intellectual..." The soul yearns to dwell in a world of morality and knowledge, and only the pursuit of
They are facing the wall, they are unable to move or see anything besides the shadows of their own bodies, puppets and objects, which are intentionally substituted by other people. The shadows appear on the wall from the fire that burns behind them. Prisoners can also hear the sound of an echo that reflects from the wall. The only reality that they know and are aware of, are the shadows that they see and the echo that they hear. Everything changes when one of them have a chance to leave the cave and finds out what the truth is and how the world looks like. The process of finding out the truth is not easy, it is quite painful and overwhelming. It takes time for a prisoner to adjust and comprehend the new information, considering the fact that knowledge that he had was far from the truth. What is even more challenging, is the posture of the prisoner after discovering the reality, who has to go back where he came from. He does not agree to live in denial for the rest of his life with other prisoners who believe in the shadows. Since he discovered what the truth is, he does not want to be fed up with lies anymore. (Plato
To begin, Plato’s Allegory of the cave is a dialogue between Socrates and Glaucon and its main purpose, as Plato states is to, “show in a figure how far our nature is enlightened or unenlightened.”(Plato) The dialogue includes a group of prisoners who are captive in a cave and chained down, only with the ability to stare straight at a wall. This wall, with the help of a fire, walkway, and people carrying different artifacts and making sounds, create a shadow and false perception of what is real. This concept here is one of the fundamental issues that Plato brings up in the reading. “To them, I said, the truth would be literally nothing but the shadows of the images.” (Plato). These prisoners, being stuck in this cave their entire life have no other option but to believe what they see on the wall to be true. If they were to experience a real representation of the outside world they would find it implausible and hard to understand. “When any of them is liberated and compelled suddenly to stand up a...
The Republic is considered to be one of Plato’s most storied legacies. Plato recorded many different philosophical ideals in his writings. Addressing a wide variety of topics from justice in book one, to knowledge, enlightenment, and the senses as he does in book seven. In his seventh book, when discussing the concept of knowledge, he is virtually addressing the cliché “seeing is believing”, while attempting to validate the roots of our knowledge. By his use of philosophical themes, Plato is able to further his points on enlightenment, knowledge, and education. In this allegory, the depictions of humans as they are chained, their only knowledge of the world is what is seen inside the cave. Plato considers what would happen to people should they embrace the concepts of philosophy, to become enlightened by it, to see things as they truly are. As we have mentioned in class, Plato’s theory did not only present itself in his allegory, but also in the Wachowski brothers’ hit-film, The Matrix. In the film, the protagonist, Neo, suffers from a similar difficulty of adapting to reality, or the truth, which we will see later on. In order to understand Plato’s Allegory of the Cave, one must consider how Plato’s used of symbols to explain what true knowledge (or enlightenment) really is along the comparisons to the Wachowski brothers’ film, The Matrix.
Plato's Allegory of the Cave is a symbol for the contrasts between ideas and what we perceive as reality. The Allegory of the Cave is that we are chained to a wall. Behind us is another wall with figures walking across it, behind that wall is a pit of fire. The firelight casts shadows upon the wall in front of those chained to the wall. Because we are chained to the wall we believe the figures are what they represent. Plato says there times when one tries to break away from the wall but others encourage him to join back the wall as he experiences what the world truly is. Because we are chained to the wall we are afraid of the unknown. But breaking free could change the perception about the world and feel truly free. Plato also argues that we are the cave slaves. We live in a world of shadows, where we don't see the reality of ideas. However, it is possible to climb out of the cave, to be released from our shackles but it’s difficult. And when we ( s...
Inside the cave the only knowledge that you can experience is the knowledge that is already installed into your head. In the cave viewpoint “The truth would be literally nothing but the shadows of the image.”(Plato 450) M This quote explains that everything that is viewed in the cave is only a shadow of the real thing. But, the outside of the cave is made up of real images that can be hurtful “He will require to grow accustomed to the sight of the upper world” (Plato 451). This quote explains how humans need to adjust to new knowledge. At first, the outside of the cave is defined as unreal, because you are in denial that there is more to the world than just your cave. When one realizes the actual things that are present outside the cave one will want to spread the word and tell the other prisoners. But, one will not spread the word because the other prisoners will not be open to the knowledge. They will see your viewpoint as being insane do to the fact that they have not been exposed to the
Plato begins the dialogue by describing the cave and the people to which he is referring. The cave is underneath the ground where a small fire is the main light source. The prisoners, who are shackled by their arms and legs, are sitting in front of the fire facing a wall. Above them there is a walkway connecting with a low wall, resembling a puppeteer’s stage. On this walkway people are carrying monuments and statues to make
The circumstances that are described by Plato have a metaphorical meaning to them. The allegory attacks individuals who rely solely upon; or in other words are slaves to their senses. The shackles and chains that bind the prisoners are in fact their senses .In Plato’s theory, the cave itself represents the individuals whom believe that knowledge derives from what we can hear and see in the world around us; in other words, empirical knowledge. The cave attempts to show that believers of empirical knowledge are essentially ...