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Similarities between impressionism and post impressionism in art history
Impressionism vs post impressionism
Similarities between impressionism and post impressionism in art history
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Pierre Bonnard
Post Impressionist painter, and printmaker Pierre Bonnard was born on October 3, 1867 in Fontenay-aux-Roses- France, he is described as " the most idiosyncratic of all the great twentieth century painters" Pierre Bonnard after his death, is noted for his unique use of color and imagery; he is also noted as one of the founding members of a Post Impressionist group of avant-garde painters Les Nabis. Pierre finished his last painting " The Almond Tree in Blossom" a week before his death during his eightieth year on January 23, 1947 in Le Camet, France. Overall Pierre Bonnard can be described as an "intimist" because he was fascinated with the special moments of daily life around him.
Pierre had a happy carefree childhood.
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As you can derive from this quote Pierre had a method in which he painted. He didn't paint from life. He'd either sketch his subjects, or take a photograph of them and make notes on the colors that he foresaw in the potential painting to be. Jotting down these color ideas was Bonnard's way of capturing "the spirit of the moment."
In most of Bonnard's paintings you will notice a majority of the subjects are naked or immersed in, or emerging from the bath. Well lets just say there is a method, and woman behind his madness! Pierre Bonnard married his inspiration and muse Marthe de Meligny in which he later found out wasn't her actual name.. He didn't know her actual name until they were finally married in 1925. I guess he truly made an honest woman out of her.
Her real name come to find out is (Maria Boursin.) Pierre painted Marthe (Maria) over 384 times in his career. The reason she is depicted naked so much in the paintings is because she had to take frequent baths as apart of her treatment for a Tubercular Condition. Note his painting 1925 Nude in Bath. He also took photographs of his spouse quite frequently for
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He was successful not only as a well respected artist; but he also illustrated books, created stage sets, made puppets, designed furniture, and painted screens! Primarily he was know for and very successful with his paintings and illustrations. I feel as though Pierre Bonnard is often overlooked in comparison to Picasso, Van Gough, or any of the other well known names. Yet I feel his art is equally as touching. Pierre Bonnard personally intrigued me as an artist, with his painting style etc. His painting Standing Nude 1920 is one of my favorites along with his other work Red Garters. His artwork speaks to
Vincent Van Gogh is one of the world’s greatest and most well-known artists, but when he was alive he considered himself to be a complete failure. It was not until after he died that Van Gogh’s paintings received the recognition they deserved. Today he is thought to be the second best Dutch artist, after Rembrandt. Born in 1853, he was one of the biggest artistic influences of the 19th century. Vincent Van Gogh created a new era of art, he learned to use art to escape his mental illness, and he still continues to inspire artists over 100 years later.
The painting named Portrait of Mrs. Chinnery is an artwork by Elisabeth-Louise Vigee LeBrun produced in the year 1803. It is oil on canvas rectangular painting measuring 36 by 28 inches (91.5 by 71 cent meters). Its subject is Mrs. Chinnery, wife to William. Details on her life are scarce although her maiden name is reported. She was a widely known pianist and a popular hostess in one of the buildings that many of the British rich and noble people liked to frequent. She had three children: George, Caroline and Walter. In this painting, the lady is presented sitting in a relaxed manner while reading a book which is claimed to be about the French fashion of which she was an enthusiast. The subject’s body is facing to the right of the painting, the direction in which she holds the book. She, however, is facing directly in front, in reference to the portrait, with her gaze slightly to the right. Her left arm is hidden below the book, away from view in the painting, while her right arm rests between the pages of the book, probably near the middle of the book, as if to prevent it from closing. She is wearing a red dress, with short sleeves and a V shape in the chest area. She has two necklaces hanging from her neck. She has a red bund round her head, probably to hold her hair off her face. She has gold colored hair hanging freely down her neck and back. In the forehead, the hair is parted in such a way as to form an inverted V. She can be inferred to be wearing a red lipstick, with her face tilted slightly to the left. She does not seem to be smiling; her left eye is open wider than the left eye as if she is winking with the lips closed tightly together. Part of the thigh region can be seen but the legs are hidden off the painting. She ...
Working at her father’s clothing shop, she became very knowledgeable about expensive textiles and embellishments, which were captured in her works later in career. She was able to capture the beauty and lavishness of fabrics in portraits of aristocratic women.
Georges-Pierre Seurat was a French Post-Impressionist painter, as well as a fine draftsman. He was born and raised in a wealthy family in Paris on December 2, 1859. He lived a short life of thirty-one year of age, and in his time, Seurat not only invented his style of pointillism, but he also became the first Neo-Impressionist. In pointillism, Seurat used miniscule dots of various colors on a base color to produce the local color. This creates an optical mixture from afar for the viewer and makes the image livelier. As the first Neo-Impressionist, he systematically painted his works instead of the rough brushworks of the earlier Impressionists (Chu 410-411, Gage 452, Georges). Since Seurat first started to dig deep into the arts when he was merely sixteen, he really changed the modern art world within 15 years; barely half of his life! Seurat truly worked hard to get the reputation he has today and his works are unquestionably phenomenal through his techniques he used.
It differs greatly, in its portrayal of mothers, from Le Brun’s Self-portrait with her Daughter and Cassatt’s artworks. Behind Marie Antoinette, you see a jewelry cabinet, off to the right of the canvas. This illustrates that, although she is with her children, she finds treasure within her own materialistic objects. Furthermore, her expression lacks emotion as she holds the child loosely within her arms. The child looks off, barely acknowledging its mother, who is holding him. Next, the child, on the far right of the canvas, reveals an empty cradle, alluding to a child who has died. Again, Marie seems unfazed or simply chooses not to acknowledge the boy’s actions. Furthermore, the young girl, on the right of the canvas, clings on to her mother as she lovingly looks up to her mother. Marie holds a wry smile, appearing somewhat annoyed or displeased. The color scheme is dark, but Le Brun utilizes contrast to emphasize the royal family. However, it only works to further expose the detached relationship between a Marie and her children. According to the lecture, “To counter people’s hatred of the queen and their criticisms of her as a bad (even a degenerate) mother, Vigée Le Brun was commissioned to paint this portrait of Marie Antoinette and her children” (Gartrell). Sadly, the painting was
Credited as one of the most important French painters during the late eighteenth century Fragonard began his career with painter Jean Simeon Chardin, but most of his talent and techniques were developed as a student of Francois Boucher. He soon started to paint using the same techniques as Boucher, featured on some of his earlier paintings. This method included painting with decorative pastorals and scenes of gallantry. Fragonard was known as a secretive man that lacked self-confidence, he was very mysterious and he was incapable of completing his projects. Researchers...
It wasn’t until 1886 when he moved to Paris that he got acquainted with impressionism, which is why he went through a quick adaptation to the style. His progression is quite rapid, thus subsequently making it difficult to relate his paintings together and compare them with other artists’. However he did start using a lighter palette in 1886 compared to his earlier works, and in 1887 he changed to a pointillist technique, and then continued developing his own style.
Henri Matisse’s Bonheur de Vivre (Joy of Life) is remembered as one of his greatest and daring Fauve Paintings that incorporates many different references from other painters. From Cezanne’s painting, The Large Bathers, Matisse uses Cezanne’s technique of painting trees to resemble a stage and shapes the leaves to flow like the curtain. Matisse also paints his women as mirrors to the trees’ outline, making them extremely curvy, just like Cezanne. From Ingres, Matisse took the sexuality and idea of how a woman should be, and from Titan Matisse incorporated the sense of pleasure and freedom. Matisse not only uses vivid colors that capture the senses of the beholder, but he also uses the idea of perception and painted his masterpiece in such a
The iconography of the picture could represent art in the view of the fauvists. Fauvists wanted to be free from tradition and natural colors. They wanted to be free to explore their world of colors as they saw fit. Fauvists and expressionists did not like to be held to strict rules when it came to painting. It could be that Le Bonheur de Vivre was a state in which they where trying to reach, but in reality could get never get there. On the other hand, could it be a place where they could only reach in their dreams? Critics have struggled with the interpretation of Matisse’s painting since the first display. That may have been Matisse’s meaning after all.
Monet chose to depict exquisite landscapes from his own gardens and elsewhere, particularly in France. He uses small, elegant brush strokes and vibrant colour to match the scenes he paints. In the mid-1870’s, Monet’s influence over Degas lead Degas to lean his colour choices nearer to those of other Impressionists. In addition to this, Degas began employing pastels, which gave his works a more granular affect that more closely resembled those of other Impressionists. For numerous years in his life, after attempting to paint his the first of his famous “Haystacks” ,and, being unable to seize the right shading or colours due to the rising sun, Monet was intrigued by the affect of weather and light on his outdoor projects. On the other hand, Degas, although also concentrated mainly in France, based his works on people, nudes and ballerinas in particular. Monet never painted a nude.
Henri Matisse was famous for his unique movements and styles of art. He was best known as a Fauve painter, and was a large part of the modern art movement. He contributed to modern art, by keeping up with the artistic movements and trends, but also held on to the classical artistic styles of the past. While his work continued some of the stylitsic qualities of Impressionism and Post-Impressionism, he was interested and involved, mostly, in Fauvism. He, like many other artists of this movement, emphasized strong colors over realistic and basic colors, found in Impressionism. One of his most famous pieces, The Dance (1909-1910) had two versions. The first piece, Dance I, resembled that of more classical styles of art, with its
In 1857 Monet met the famous landscape painter Eugene Boudin, who was in the LeHavre area. Boudin noticed Monet's talent when he saw his caricatures. Boudin took Monet to the countryside and showed him what it was to paint something of art. Monet was quoted as saying, "it was as if a veil was torn from my eyes and I understood what painting should be (Stuckey 186)."
Claude Monet is often considered one of greatest most dedicated of the Impressionist painters. His aim was to catch the light and atmosphere, something that was scarcely done before. He enjoyed painting outdoors and developed a free and spontaneous painting technique. His brushwork is remarkably flexible and varied. He often changed his technique, sometimes broad and sweeping other times dappled and sparkling.
His approach was an organized, discipline, and theoretical painting base of knowing stories, and the style was line rather than color. The reason I picked the painting is because it does capture my attention of how messed up it is that these men would capture women and rape them. But in today society you see in the news every day in America they’re capture of women getting kidnap, rape and it captures my mind of how messed up this is. Nicolas is showing us these events that happen and you see this stuff in movies. The painting sends a message a powerful message by the emotion, color and theoretical. This painting is so historic they made a movie based on the painting in 1962 and 2006. Next is regarded as France finest artist is a women named Louise Mollin (1610-1696). Her painting “Still Life with Cherries, Strawberries, and Gooseberries” a famous painting that created a perfect balanced, simple composition and focusing the attention on the objects. The sizes, shapes and texture of the fruit and container form international contrasts. Her painting turns out to be simple but yet elegant and change the way of art. The colors of the fruit and bold and focuses just on the fruit other than having a painting doing something with war, death, and story behind it. This has change art and you can see in today painting something simple can grasp anyone
Impressionism happened during the nineteenth century particularly in France although there is also impressionist movement in other places although the number of artists involved does not match the number of artists involved in impressionism in France. The characteristics of impressionism include the use of short brush strokes (Perry, 1995) and the lack of effort to veil or hide or keep these brushstrokes from being noticeable as the audience looks at the painting. There is also a renewed attention and focus on the effect of light, particularly the natural ambient light which is why many Impressionist painters work outside the studio, the paintings featuring a subject that is often found outside or outdoors, from Claude Monet’s Woman with a Parasol to Alfred Sisley’s Bridge at Villeneuve-la-Garenne. There is ...