Philosophic Principles of Creativity

Philosophic Principles of Creativity

ABSTRACT: The principle of universal significance of the creative process is promoted in this thesis. The principles of the ecology of creation and of the subject's humanistic orientation of the cognitive and practical activity, will also be investigated.

1. Nowadays the promotion of a new world outlook paradigm of global creativity has a place.

The understanding of the nature of creation in the history of philosophy has always been connected with the explanation of the substance and of the mechanisms of creative activity. If asked - how creation in general is possible, what are its necessary premises and impulses - the answer was given aut of the trinity: God /Plato, G.W.F.Hegel, N.Berdyaev/, Nature /Epicurus, B.Spinoza, H.Bergson/, Human Being /C.A.Helvetius, K.Marx, J.P.Sartre/. Such abilities of the human beeng as intuition, imagination and fantasy have been united in the mechanisms of creation. Some thinkers have been explaining them through perceiving using "the eyes of mind" of evidently clear true ideas /R.Descartes, I.Kant, E.Husserl/, some others - just vice versa - opposed those concepts of mind and logic, finding in them the way to some instant perceiving of the essence of things - a sign of divine revelation and beneficy /St. Augustine, A.Shopenhauer, E.H.Gilson/.

The principal difference in the idea of global creativity consists in the admission of the ontological status of creative processes, of their quality of being primary as some maximum totality. The attention is drawn to the subject's purpose - considering activity considered as a certain stage /link/ in the global teleological processes of the universal. Considering the metaphysical point of view, creation is a fundamental process of spontaneous transcendence of potentials and virtualities, of permanent development in the field of universal posibilities. All of the existing material, semiotic and ideal structures expose themselves as certain products /events/ of creative processes. Their former, actual and future existance finally depends on the different direction and on the forms of realisation of the potentials of creativity.

2. The new world outlook paradigm of global creativity correlates harmoniously with the fundamental principles of modern natural science.

It is worth mentioning that the understanding of physical reality as a set of different assemblies of events and relations, having as a result, the appearance of separated substantial material objects /N.Bohr, K.Hubner/. An important methodological role in modern cosmology is played by the so called antropic principle. According to that principle the significance of the universal physical constants - and that means all the outlook of the Universe known to us - is the only one possible for the appearance and existence of the human being in it /S.