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Temple of hatshepsut architecture
Pharaohs of the 18th dynasty
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Pharaohs in the new kingdom, that untied Egypt all had a statement that they wanted to preserve for centuries- that they had expelled Egypt’s foreign invaders from their land and Unified a divided land .The pharaohs believed that they could not have achieved this without the help of the god Amun-Re, this was their ideology (the relationship between the god Amun and the pharaoh).The pharaohs of the 18th dynasty preserved this statement in building programs. Once a new pharaoh came into power, they commenced a program that defined all building activity during the pharaoh’s reign. Building projects were mainly implemented for Political and religious reasons (except for housing). Political and religious reasons for Building programs include: Ideology of Kingship, dedication of the Amun cult, honouring the cults of Egyptian gods, funerary monuments, and self-promotion of the pharaoh and protection of borders. Building programs remind present pharaohs and Egyptian people of past pharaohs triumphs and victories. Pharaohs used building programs to show loyalty and respect to the gods and goddess of Egypt. A few pharaohs in the 18th dynasty that greatly contributed to the building programs are Hatshepsut, Thutmose III and Thutmose IV.
Hatshepsut
During Hatshepsut’s reign she erected A Mortuary temple at Deir el- Bahri, at the head of the valley beneath the peak of the mountain. The temple was built into the rock face so that the building would look like it was growing from the rock. After the death of Hatshepsut the monument was purposely deconstructed by Thutmosis III and Akhenaten as a directed attack to Hatshepsut. Today the monument is semi-ruined state as a result from weathering. The temple has features such as entrance pylon, First ...
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...performing rituals before the god Amun.This building program was significant to the development to the cult of Amun through additions to the temple of Amun at Karnak. The temple was not the only contribution that Thutmose IV made to the cult of Amun; he also built a shrine for the barque of Amun and added a golden porch in front of the 4th pylon.
Thutmose IV other building projects include finishing the preexisting eastern obelisk that was dedicated to the cult of Amun, built at the temple of Karnak, by his grandfather Thutmose III. The unique obelisk is tallest obelisk ever built in Egypt, reaching 32 meters tall.
Thutmose used building programs to expand the cult of Amun through additions to Amun temple at Karnak. The king believed that, by recording his association with the god Amun on monuments that he was depicted as a god, rightfully ruling the lands of Egypt.
The work I chose to analyze was from a wall fragment from the tomb of Ameneemhet and wife Hemet called Mummy Case of Paankhenamun, found in the Art Institute of Chicago. The case of the Mummy Paankhenamun is one of the most exquisite pieces of art produced by the Egyptian people during the time before Christ. This coffin belonged to a man named Paankhenamun, which translates to “He Lives for Amun” (Hornblower & Spawforth 74). Paankhenamun was the doorkeeper of the temple of the god Amun, a position he inherited from his father.
The success of the king’s rule became based on the approval or rejection of the god Amun-Re. Thus, Amun was used as a platform for political propaganda, with pharaohs such as Hatshepsut and Thutmose III using the God to legitimise their claims to the throne, as evidenced for Thutmose III on the Temple of Tiraqa: ‘I have achieved this according to that which was ordained for me by my father, Amun-Re’. Concepts of the divine oracles and the divine birth of the king became a theme for pharaohs of the 19th dynasty, and afforded them heightened legitimacy. Hatshepsut’s divine birth scenes on her mortuary temple in Deir el Bahri depicts her claim to be the daughter of Amun, manipulating the public to believe in her divine birth. Additionally, Thutmose IV’s ‘dream stela” erected between the paws of the sphinx, which claimed that he had been granted the kingship because he had freed the monument according to instruction from gods. Some historians have dismissed these building projects, which consolidated the importance and authority of the state cult of Amun-Re as mere political propaganda. However, it is more the point that they reflect a significant change in the Egyptian political landscape, as it became dependent on and connected to the sustained pre-eminence of the cult of Amun-Re and the religious unity that eventuated. Therefore, the amun
Egypt has had many rulers among the eras, men were the only ones to rule. Not until the great Hatshepsut came into power, shortly after the passing of her father the throne was given to her young brother, he was too young to rule so Hatshepsut married her half brother and proclaimed herself as pharaoh. She was a pharaoh for two decades, and during her reign she ordered multiple buildings of projects and art work of herself.
...n - (or ANU in the Babaylonian belief).He was the king of the Gods. Ishtar is Anu's second child, daughter of Anu and Antum. She is the goddess of love, procreation, and war. She is armed with a quiver and bow, and her sacred animal is the lion. Her temples have special prostitutes of both genders. The Eanna in Uruk is dedicated both to her and Anu. Even though Anu was a major god and Ishtar a minor goddess, they both were important were believed in heavily in order to build ziggurats for them.
The film The Prince of Egypt is in the most part very accurate with the exception of some minor details. The movie was released in 1998 produced and animated by Dreamworks which was about the story of Moses. The first topic that will be discussed is that the the plot was overall the worst section done. Another accuracy of the film that will be reviewed is the settings element is the best and most accurate part of the film. Finally, the diversity in the characters will be reviewed and are mostly accurate in the whole. Therefore, there are many similarities and differences between the Bible and the movie, ‘ The Prince of Egypt’.
...he caption reads: “Chiefs of Lebanon felling cedars and assuring an Egyptian officer of Seti I of their submission; at Karnak” (plate #89). Plate # 89 appears in an era recognized as the “Twilight of the Egyptian Empire” (1293-1150 B.C.E.), and describes one of Seti I campaigns in Lebanon. Seti I is the successor of his father Ramesses I. According to the legends, it was Seti I who founded the nineteenth dynasty of Egypt. Seti I had his plans for gaining power once again in Egypt and reclaiming the Egyptian territory, as a result of this he established several campaigns in Syria and Lebanon. Among many other things, his era is specially remembered for his construction efforts, which is reflected in the work he put in for the temple of Amun at Karnak, where plate # 89 exists, the tomb at the valley of the Kings, and lastly, the Osiris temple at Abydos (Stiebing 218).
Ancient Egypt was a single tightly organized state for much of its history (Centanni, n.d.). In all its phases, the Egyptian government was led by the pharaoh. The pharaoh was held to be descended from gods, with the power to assure success and control the rituals that assured the flow of the Nile and the fertility derived from irrigation. Wanting gods to favor Egypt, the entire population of people did not hesitate to carry out laws that the pharaoh placed upon them. Egypt’s pharaohs claimed additional power and authority as actual incarnations of the gods
After his ascent to the throne, the kingdom prospered and the young Pharaoh poured his energies and national treasures into building temples and monuments honoring his father, Egypt's gods and himself. In Nubia he constructed six temples, two of which were carved out of a Cliffside at Abu Simbel, with their four colossal statues of the king, are the most magnificent and the best known. Engineers designed the temple so every year on February 22 and October 22 the earliest sunrays shine on the back wall of the innermost chamber and lights up the pharaoh's statue, and fitting, he sits with the three gods of the sun. In all of his monuments he had his name cartouche and texts engraved so deep that no successor would be able to remove it.
Monumental architecture in Pharaonic Egypt is represented primarily by the funerary complexes of the pharaohs. The principal function of these elaborate complexes was to ensure that the pharaohs, who were exalted as living gods, would attain the afterlife they desired. This required that two basic conditions be fulfilled: the body had to be preserved from disturbance or destruction; and the material needs of the body and the ka had to be met (Edwards 20). Pharaonic burial complexes were also centers of worship for the god-king interred there and were designed to exalt his memory and deeds.
The remaining years of his rule were distinguished by the construction of such monuments as the rock-hewn temple of Abû Simbel, the great hypostyle hall in the Temple of Amon at Al Karnak, and the mortuary temple at Thebes, known as Ramesseum.
It is clear that tombs and burial rituals were a key element in the Egyptian society and their way of life as it ties into almost all things they did on a daily basis. Whatever a person’s status was when they were alive followed them into the afterlife. Food and luxury goods were buried with a person so that they could have it in the afterlife. The tombs became a person’s new house after they died. Therefore, making it as nice as possible was really important. Art work and clay models were added to a person’s tomb as material goods needed for the afterlife. They were also seen as decorations that kept the tombs looking nice. Throughout the years, Egyptian artworks on the inner parts of the tombs and on the coffins show a development in the Egyptian customs. Each new development was created to better preserve the bodies and comfort of the dead.
W. Raymond Johnson, The Journal of Egyptian Archaeology, (1996), pp. 65-82, Date viewed 19th may, http://www.jstor.org/stable/pdfplus/3822115.pdf?&acceptTC=true&jpdConfirm=true
The pharaoh was the supreme ruler of Egypt. The people believed the pharaoh was a god among men. He had a divine contract among the god to which he would build monuments to them, and in return the gods would protect Egypt and regulate the flooding of the Nile River (“Egypt, Ancient: Social Organization”, 2004). The contract of the gods came as a great responsibility to the pharaohs. They must keep order of their subjects and the records. Pharaohs proclaimed laws and duties to citizens. Egyptian Social Structure says that the laws were enacted at the discretion of the the pharaoh (2013). Also, pharaohs must control the surplus of food and the Nile River in order to remain the supreme ruler. The pharaohs would proclaim taxes to benefit the entire the kingdom. The surplus of food was maintained by the lower classes, such as the farmers paying grain for their taxes (“Egyptian Social Structure”, 2013). This would help the compensate food for the kingdom in c...
Comparing the United States and Egypt, the most contrasting dimension was individualism with a mark of 25 versus the U.S at 91 equaling a 66 point margin. They were however closet in the realm of masculinity at 45 with the U.S. scoring higher at 62 giving a 17 point difference.
...re that was most unique to the Early Dynastic period was the oval enclosure with a centralized platform to lend stability to the shrine. Storage were found near the enclosure. The Temple Oval at Khafaje best exemplifies the unique formation of the oval enclosure in the temples. This enclosure had a double perimeter wall present which was highly unusual for enclosures. Another oval temple was found that Tell al Ubaid, which had a rectangular platform in the center. In the front of this platform there were elaborate decorations, which were belived to have fallen from the façade of the temple which had stood on the platform. Besides these oval temples there were also plans of temples with a number of single or double roomed shrines, one noteworthy temple is from Tell Chuera in North Syria. This design plan yields a closer resemblance to the west and megaron buildings.