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Dante the divine comedy xxxiii
Dante's inferno analysis
Dante's inferno analysis
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What was once so pure is now a rarity. In today’s society, half of the marriages in the United States are ending in divorce. A person cannot go to the theater without seeing at least one sex scene on the screen, and the shorter or tighter the outfit, the better. The fine line between loving the whole person, inside and out, to just being sexually attracted to them is being crossed more than ever before. This is what the 21st century calls “normal.” However, one has to question if anything has really changed since the writing of The Divine Comedy. By comparing Dante’s Inferno circle about lust and the 2013 hit movie, Temptation: Confessions of a Marriage Counselor, there is a clear parallel between the two. In both stories, the major theme is love; however, both show the perversion of that throughout.
Dante Alighieri completed Inferno, a one of three series of The Divine Comedy, in 1314. Inferno lays out Dante’s version of Hell and describes the sinners and their punishments. He separates Hell into nine circles that are arranged in a funnel shape; the greater sins being at the bottom of the funnel. Now, it is no surprise that lust is one of the nine circles of Hell, but it’s of the lesser punishments. On the other hand, Temptation is dealing solely with love and lust. A young couple is broken apart when the wife, who ironically is a marriage counselor, finds a love interest through her job. What seems to be a perfect marriage, with only love for each other, turns into a broken relationship due to lust and deceit.
While Inferno has one main theme, each circle of Hell has its own sin, or theme. The sub-themes range from gluttony, suicide, and betrayal. Ironically, the main theme for Inferno and the sin for circle two coincide. As ...
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...his day. It was obviously a big enough problem to give it a circle in Hell. This sinful act is on the rise, and not going away anytime soon. Unless the society stops applauding this act, future generations may think love and lust mean the same thing. But that leads to the question, if Dante’s Inferno was rewritten from today’s perspective, would lust become one of the greater sins in Hell?
Works Cited
Alighieri, Dante. “Inferno.” The Bedford Anthology of World Literature: The Middle Period, 100 C.E.-1450. Ed. Paul Davis, Gary Harrison, David M. Johnson, Patricia Clark Smith, John F. Crawford. Boston: Bedford/St. Martin’s, 2004. 678-848. Print.
Temptation: Confessions of a Marriage Counselor. Dir. Tyler Perry. Perf. Jurnee Smollett, Lance Gross, Robbie Jones. Lionsgate, 2013. Film
E.L. James. Fifty Shades of Grey. United Kingdom: Vintage Books, 2011. Print.
In most ancient literature some sort of divine justice is used to punish people's acts in life. This is that case with Dante's Inferno, where the Author categorizes hell in 9 circles. Circle 9 being the lowest sins and punishments as the circles decrease. From the time this was written to now in days many things have changed, and things are not seen the same no more. Back then sins like greed and gluttony were ranked as high sins but now people would probably rank those very low with other things like murder way on top. Yet the basic structure set by Dante remains.
Alighieri, Dante. The Divine Comedy of Dante Alighieri: Inferno. Trans. Allen Mandelbaum. Notes Allen Mandelbaum and Gabriel Marruzzo. New York: Bantam Books, 1980
In the beginning of the epic, Dante introduces the Lustful. The placement of the Lustful in The Inferno demonstrates the impact Lust has on the severing communal bonds, community, and consequent moral depravity. The Lustful are located in the second circle of The Inferno and their punishment, through Contrapasso, reveals the consequences of breaking trust and love related communal bonds. Beginning his journey into Hell, “[Dante] came to place stripped bare of every light/ roaring on the naked dark like seas/ wracked by the war of winds.” (5.28-29) Immediately Dante establishes the setting of the ...
In analyzing this gradient of morality, it is useful first to examine a work from early literature whose strong purity of morality is unwavering; for the purposes of this discussion, Dante’s Inferno provides this model. It is fairly straightforward to discover Dante’s dualistic construction of morality in his winding caverns of Hell; each stern, finite circle of Hell is associated with a clear sin that is both definable and directly punishable. As Dante moves downwards in this moral machination, he notes that
In Dante’s Inferno, hell is divided into nine “circles” of hell; the higher the number, the more likely the sin and the pain you will endure. However, I do not completely agree with Dante’s version of hell, perhaps due to the difference in time periods. In this essay, I will be pointing out my concerns with Dante’s description of hell and how I would recreate hell if I were Dante. The first level of hell in the Inferno is for those unbaptized yet virtuous. Although some did not have a sinful life, if they did not accept Christ, they were sent to Limbo.
Maynard Mack. W.W. Norton & Co., Inc., 1995. 1693 - 1828 -. Alighieri, Dante. Microsoft Encarta 98 Encyclopedia. CD ROM.
Sinners in this section are punished for their lust. The punishment that they have to endure is to be ripped apart by vicious winds (Dante 41). This circle has people included in it that shared a mere kiss with a married person. One lady that is being punished in this section fell in love and kissed her husband’s brother while reading a steamy romantic book (Dante 43). The sinners in this circle are unjustly punished and there should be more fitting punishments. Along with more fitting punishments there should be different levels of punishments based on how severe of lechery was committed. Dante had a lot of different reasons for putting the lustful sin in this order. One reason that he had for doing this is because of self-pity for himself. His love for Beatrice would have placed him in this circle and he realized this. He placed this sin really low on the scale because he knew he was prone to committing this sin. Dante’s own personal experience influenced his decision to put the lustful as only the second circle in the organization of
...he Inferno or the story of Hell, another one being the symbols of human’s sins which reinforce the poet Dante’s allegory.
The geography for each circle of Hell's misery is distinctly arranged to coincide with the sin of the sinners contained within. In Canto V, we are taken to the prison of those souls who were unable to master their own desires. These are those who "betrayed reason to their appetite" (1033), allowing the lust of flesh and carnal things overcome their God-given human reasoning. It is here that we see a dark and deafening Hell, full with the roar of the anguish of the condemned dead. Dante sees a great whirling storm of souls that are forever tossed and battered on their "hellish flight of storm and counterstorm" (1033). It is conveyed to us that each soul's path in the whirling cyclone is all but steady, blown about in a constantly changing torment with no direction or destination...
Dante’s The Divine Comedy illustrates one man’s quest for the knowledge of how to avoid the repercussions of his actions in life so that he may seek salvation in the afterlife. The Divine Comedy establishes a set of moral principles that one must live by in order to reach paradiso. Dante presents these principles in Inferno where each level of Hell has people suffering for the sins they committed during their life. As Dante gets deeper into Hell the degrees of sin get progressively worse as do the severity of punishment. With that in mind, one can look at Inferno as a handbook on what not to do during a lifetime in order to avoid Hell. In the book, Dante creates a moral lifestyle that one must follow in order to live a morally good, Catholic
Inferno begins with Dante lost in a dark wood. When he tries to exit, three impassible beasts blocked his path. Dante is rescued when Beatrice sends the spirit of Virgil to lead him to salvation. However, Dante must journey through hell first. Dante and Virgil then journey through the nine circles of hell, with the occasional help of a heavenly messenger sent to aid Dante in his journey. Dante meets many significant people and hears their stories in each circle. The First Circle of Hell or Limbo is resided by virtuous non-Christians and unbaptized pagans. In the Second Circle, Dante and Virgil find people who were overcome by lust. In the Third Circle, they find souls of gluttons that are seen as more than the usual excessive eating and drinking but also drug addiction. In the Fourth Circle, Dante and Virgil see the souls of people who are punished for greed.
Dante's "Inferno" is full of themes. But the most frequent is that of the weakness of human nature. Dante's descent into hell is initially so that Dante can see how he can better live his life, free of weaknesses that may ultimately be his ticket to hell. Through the first ten cantos, Dante portrays how each level of his hell is a manifestation of human weakness and a loss of hope, which ultimately Dante uses to purge and learn from. Dante, himself, is about to fall into the weaknesses of humans, before there is some divine intervention on the part of his love Beatrice, who is in heaven. He is sent on a journey to hell in order for Dante to see, smell, and hear hell. As we see this experience brings out Dante's weakness' of cowardice, wrath and unworthiness. He is lead by Virgil, who is a representation of intellect. Through Dante's experiences he will purge his sins.
...ion. Dante cites now-historical and mythological figures to exemplify the sins and to make for the better understanding of sin to even the most inept of readers. This work stands alongside The Bible as one of the greatest religious-literary masterpieces of all time.
Alighieri, Dante. The Divine Comedy, Inferno. New York: W. W. Norton & Company, 2009. Print.
Throughout the Middle Ages, art and philosophy have been lost in darkness, but with the reintroduction of ideas that came with the Renaissance in Italy, brought about a literary revival. One of the writers that influenced this revival is Dante Alighieri, a 13th century poet from Florence, Italy. His world famous epic, La Commedia, or more commonly known as The Divine Comedy, remains a poetic masterpiece depicting truth and sin. The Divine Comedy, through the journey into the three hells, expresses a universal truth of good versus evil. Alighieri’s life of heartbreak with the influences of other famous poets like Homer and Virgil has affected his writing style, and through reviews by literary experts and their interpretation of Alighieri’s unique use of motifs, The Divine Comedy can be broken down into an epic that expresses a global message of human life.