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Recommended: Fate in macbeth
I appreciate your eagerness to support Macbeth in all of his endeavors, and it might seem like a wonderful thing for a loving and ambitious wife to do, but I think your enthusiasm is both premature and overzealous. For your marriage’s sake, I think you should dial back your encouragement of your husband’s latent homicidal tendencies. You are starting to transition from embracing your husband’s aspirations to manipulating him into fulfilling your own, and that is not healthy.
Everybody wants to feel important. I understand why you the witches’ proclamation that Macbeth “shalt be king hereafter” (I.iii.53), is so thrilling for the both of you, especially after they correctly predicted that he would become the Thane of Cawdor. However, you should not let your fantasies and ambitions overreach your ability to cope with their consequences. Besides, Macbeth may not need to kill the Duncan in order to become King. If the witches are prophets and their words are prophecy, then it stands to reason that “fate and the metaphysical” (I.v.32) will assure that you and your husband to ascend the throne regardless of whether or not you
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kill the current king. There is no need to waste your time and effort on such a daunting and treasonous task. Another reason I want you to stop encouraging Macbeth to murder Duncan is that you are not allowing him to properly consider his own actions.
Macbeth may want to kill Duncan in order to become king, but if he, as he words it, has “no spur to prick the sides of [his] intent, but only vaulting ambition, which o’erleaps itself” (I.vii.25-27), then he simply does not have the mettle to commit homicide in order to become the king of Scotland. That is not a bad thing! Your husband “a coward” (I.vii.47) for having second thoughts about a major decision or lifestyle change, especially one that would lead to major political upheaval. In fact, your husband’s reflection on his motivations for taking action, as well as the possible ramifications of doing so, shows that he is practicing careful decision making. I think it would not hurt for you to do the
same. I am particularly concerned about your inability to accept and respect your husband’s decisions. People are allowed to change their minds, and Macbeth is no exception. Any reason is a good reason not to kill somebody. You should not discourage Macbeth from deciding against committing treason, whatever his reasoning is. Not wanting to kill Duncan because “he’s here in double trust: first, as I am his kinsman and subject… then as his host” (I.vii.12-14) is understandable and ultimately Macbeth’s decision to make. And if he feels he “dare do all that may become a man. Who dares do more is none” (I.vii.51-52), you should not reply with “When you durst do it, then you were a man” (I.vii.58), saying that he is less than a man for refusing to kill his king. You need to respect the boundaries that Macbeth lays out, just as he needs to respect yours. Belittling and emasculating your husband because he refuses to do exactly what you want him to will only foster resentment between you both and will likely lead to further quarreling. Furthermore, if you cannot kill Duncan yourself, then you do not get to condescend to your husband simply because he reached the same decision. You and your husband have a remarkably healthy relationship, and, to be frank, I was shocked when the two of you approached me for couple’s counseling. Macbeth sees you as his equal. He even calls you his “dearest partner in greatness” (I.v.11). A man treating a woman as a person is almost a miracle in this day and age; one treating his wife as his equal probably is a miracle. Your marriage is sturdily founded on love and mutual respect, and that is reflected in the way you share power and the openness with which you communicate with each other. However, all of that will go up in flames if you continue to bully and berate your husband for the crime of careful decision making. P.S. As a sign of confidence in and good will towards you and your husband, I will not be reporting your regicidal plan to the authorities.
Lady Macbeth did not think he had what it took to become king, "Yet do I fear thy nature; / It is too full o' the milk of human kindness / To catch the nearest way" (1.5.16-18). Her reaction to the leader show she knows her husband very well. The “nearest way” for both of them is murder. In an earlier scene, Macbeth had commented, "If chance will have me king, why, chance may crown me, / Without my stir" (1.3.143-144), but later he assumes that he must murder in order to become king. And this has always been his wife's assumption, which later he beings to follow. Macbeth never senses how much power Lady Macbeth has and how much he influences his political decisions. It is as if he is a robot and she is controlling him. He listenes to almost everything she tells him throughout the play and never second guesses
Let me ask just one question, have you ever heard anyone say something, that deep down it is known that, that is not right? Of course, everyone has been in that circumstance. Just because someone ‘tells’ you to do something does not mean that the deed gets done, right? If someone ‘told’ me to murder a lot of people, I’m not going to do it. The same follows for Macbeth. In the novel Macbeth written by William Shakespeare the main character, Macbeth, is told that he will become King. The only logical way to become king (in his own mind) is to kill the existing one, King Duncan. Lady Macbeth, Macbeth’s wife, has no uncertainty at all, in fact she wants him to become king more than he does, and tells him to murder Duncan to obtain this position. As one can see Macbeth not only knows what he is doing, but he knows what he is doing is wrong.
The Manipulative Lady Macbeth In certain situations, women are the downfall of men. Macbeth is a prime example of how women influence men. We are going to probe into the hidden lives of Lord and Lady Macbeth, and show how without Lady Macbeth, Macbeth would have lived and prospered. Lady Macbeth was a small but very important part of the play Macbeth. She is always on the side of Macbeth, telling him what she thinks he should do.
William Shakespeare's play Macbeth shows us that cheating will not get you were you want to go. Macbeth was written in the 16th century England during the Elizabethan period, because of this the story has a complex plot and many themes that the people in the Elizabethan period would enjoy. The character Macbeth has many traits that Shakespeare used to develop Macbeth throughout the play and even how the character Macbeth advances the theme of the play.
I think he feels more like a coward if he does not fulfill his wife’s wishes: an example of this is when Lady Macbeth says “But screw your courage to the sticking place and we’ll not fail.”(I. vii. 345) Lady Macbeth is basically implying that he is a loser for not sticking to the plan. With that being said, he is unable to express that he cannot kill King Duncan. He feels this way because he repeats over and over in the If soliloquy “Besides, this Duncan hath borne his faculties so meek, hath been so clear in great office, that his virtues...” (I. vii. 343) Macbeth feels regretful because he is a good man to the king. Lady Macbeth points out what wimp he is because she set up the meal and he can’t even get the job done. She even questions his manhood because he is too afraid to foll...
This essay earned a 89/100. it was a lot of work considering the lines from macbeth for textual support.
Four hundred and seven years ago William Shakespeare’s, The Tragedy of Macbeth is performed for the first time at The Globe theatre. The Tragedy of Macbeth capture its audience by using a wide range of emotions giving its audience the uncontrollable feeling of catharsis. This well known tragedy tells the story of a great hero who earns the crown of Cawdor and Glamis because he wins the battle for his people against the scottish; this great thane goes by the name Macbeth. He is once known for his kindness and good heart; but, later transforms to a ruthless tyrant thirsting for more power, killing anyone and everyone who stands in his way including: the current king of.., his best friend, and the innocent. Macbeth proves that it is human nature
Macbeth, a tragedy, starts with a dying, bloody Captain talking about the valor with which Macbeth fought. How does this brave, devoted, valiant soldier become an insane, cold-blooded murderer, killing men, women, and children alike? The story of his downfall begins with his new-found ambition to become king after three witches tell him of his “imperial theme.” After fighting so courageously in battle, Macbeth, Thane of Glamis a title inherited from his late father, and fellow nobleman Banquo, encounter three witches. They greet Macbeth by his current title, by a title soon to be bestowed upon him, and last by the title of king. Immediately, Macbeth is intrigued by their prophecies, but unsure since the King and the
In Macbeth, Shakespeare examines the significance of time in the form of one’s present and future through the unfortunate character of Macbeth. Macbeth is an ordinary soldier, loyal to the king as the Thane of Glamis, prior to his meeting with the three witches. The three witches reveal to Macbeth his future “All, hail Macbeth! Hail to three, Thane of Cawdor! All, hail, Macbeth, that shalt be king hereafter!” (1.3. 49-50). For the most part one does not know his or her own future. Our futures are uncertain and predictions like these do not always come true, yet Shakespeare has set Macbeth up in a way that he knows these predictions will come true. Not long after the witches state their claims
The Magic of Persuasion Macbeth is the story of a man who falls from his noble state. In the beginning, Macbeth was a courageous fighter for Scotland's King Duncan. Macbeth is soon overcome with greed for power, so he kills the king and crowns himself. He becomes worried about losing his newly gained power, causing him to kill more people. In the end the lords and nobles join forces with the king's son, Malcolm, to destroy Macbeth.
Ghosts are illusions that can be deceiving while reading in books; in movies, they can be portrayed as floating, transparent people. On the other hand, in plays, it is quite different. Some plays may have actual people play ghosts or sometimes they may not have anyone play the ghost. In stage productions of William Shakespeare’s The Tragedy of Macbeth, directors should have an actor portray Banquo’s Ghost because it would help the audience better understand what is happening, the audience is able to see exactly what Macbeth is seeing and it draws the audience’s attention more.
When considering a dilemma, we usually turn towards those we love for advice, since they are the ones to whom we listen. In William Shakespears' Macbeth, Lady Macbeth is greatly responsible for the killing of King Duncan. Lady Macbeth reveals her secret evil nature, which pushes her towards her evil doings. Once Macbeth learns his prophecy to be king, she immediately convinces and persuades Macbeth into following her plan. Towards the end, when the crimes have been committed, Lady Macbeth shows weakness and guilt for her evil deeds.
In the beginning of Act I, Macbeth is regarded by King Duncan and many others as a noble man, more specifically a “valiant cousin” and a “worthy gentlemen” due to his loyalty to the crown and courage in battle. As a reward for his courage and allegiance, Macbeth is to become the Thane of Cawdor in addition to his position as the Thane of Glamis. However, before notified of this “promotion,” Macbeth and Banquo meet with three witches who greet the men with prophecies regarding their futures. At this time, Macbeth is told he is to become Thane of Cawdor and the king of Scotland in the future, but the witches also give Banquo a prophecy that his descendants are also to become kings. In line 78 of scene iii, Macbeth questions their strange knowledge and commands, “Speak, I charge you,” in order to learn more about his future. Catching his attention with news of such value, his natural reaction is to inquire for more information. This can be considered a spark of Macbeth’s tragic flaw because selfishness begins to arise when he demands t...
Well, you have to understand that she IS my wife and she wanted the best for me it seemed. But now I realize that I never should have listened to her. I should have left it to fate and been content with the position of Thane of Cawdor for the time. The witches also were only playing with my mind and making me believe that I had to kill to become king when it would have happened eventually. The witches wanted all of this to happen, because they wanted to create havoc and misery. By telling me I was to be king, it set off a whole chain of events that resulted in my life being destroyed.
When anything in life first begins to grow, it begins as a seed. The seed of a plant, or of a thought, or of an idea. Once created, the seed can do one of two things. It can grow, or it can die. Shakespeare’s play Macbeth tells the story of an innocent man who is turned evil from the seeds planted by those around him, allowing readers to explore the repetition of growth and how it is implied through characters. Throughout the play, growth is used to display Macbeth and Banquo as foil characters, show Banquo’s “goodness” through positive imagery, and to show Macbeth’s “evilness” through negative growth imagery. By analyzing Shakespeare’s use of growth imagery, critical readers recognize that growth enforces the idea that growth triumphs evil, embodied in the actions and consequences of Macbeth and Banquo as they make one of two crucial choices? Good, or evil?