This movie is about war between the English and the scotch rebellion people. A scotch brave knight (William Wallace) comes to lead his people of Scotland to victory in a few battles with the English, which makes a threat to the king of England. The English king sends his French daughter in law to negotiate peace with the savage warier.The scene begins as the warier approaches the beautiful princess with worn out clothes. The princess, have a look of anxiety in her eyes as she recognizes Wallace as a savage person. The princess invites Wallace to her tent to discuss the king's proposals of peace.
In the tent she describes Wallace's actions of killing her husband's cousin of being savage. Consequently he defends his actions by revealing the crimes that the noble man committed to the poor women and innocent children of Scotland. The princess seems surprised, as she knew nothing about it. Wallace adds to her information that the king has done things worst than just hanging women and children on the walls of the city, when it comes to killing innocent people. The princess's bodyguard interfers by telling her that Wallace is a lier in some other language so Wallace will not understand, which lead Wallace to reply at the bodyguard in the same language that he spoke. Also demonstrating to the princess that he is capable of speaking other languages as well.
The princess looks more surprised and dismisses her bodyguard.The two talk about the peace and the king's bribe to Wallace, which would make him one of the wealthy nobles. Wallace refuses the offer and tells the princess about the king's false word of peace by exposing the past of the king when he hung the villagers after giving them his word of peace. Wallace also shares with the princess his secret of his marriage to his beloved, and how the English murdered her. The princess shows affection.
In conclusion, the princess has nothing more to say, because she now knows the truth about the situation. Consequently she returns persuaded of what Wallace told her about the king's wrongful doings.The Yale theory deals with the learning approach of the message, hence, the more person learns about the message, the more he becomes persuaded by it. From the text, Carl Covland at Yale University conducted the first systematic, comprehensive research projects that dealt with attitude change.
William Wallace was so famous among the Scots that they made a movie about him. The movie was directed by Mel Gibson, and originally written as a book by Randall Wallace. Mel Gibson played William Wallace. In the movie, William goes on his rampage against the English after his wife was attacked by an English soldier. This epic drama was so well received that it won 5 academy awards. Of course like all movies based on historical events, it was filled with assumptions and exaggerations.
While reading George Saunders’ Short story collection, In Persuasion Nation, it is easy to see that Saunders is using literary fiction with a hint of science fiction to convey a central message in each of his short stories. Saunders offers us a glimpse into a possible sad and scary future. Saunders’ loony characters play a huge role in the final production of a meaningful message. The protagonist is often the most morally sound of the characters, so this gives the reader a closer connection with them. Another factor in determining the way Saunders’ message is conveyed is the ridiculous unpredictableness of the plot. While the reader understands the message it makes it seem less scary or serious when the moral of the story is coated with humor. The use of outlandish story elements show the use of science fiction in his stories, but each story serves an intricate subject and this fundamentally shows Saunders’ rhetorical meaning. In Saunders’ short stories, Jon and My Flamboyant Grandson, the protagonists are well-developed characters that are easily relatable. The way Saunders separates the relation between reader and character is by placing them in the possible future. Because they live in an alternate universe these characters are also somewhat of an unreliable source for information; we cannot truly grasp what is happening in their minds. Saunders characterizes his protagonists as having better morals and a more clear thought process than the supporting characters by the way these characters either think, speak, or act.
The movie revolves around a 1632 French missionary, Father LaForgue (Lothaire Bluteau) or Black Robe as the Indians referred to him. He traveled to North America to attempt to “save the savages on the new land”. His mission leads him to a Canadian settlement and an Algonquin tribe. There he is first introduced into the Indian religion, culture, and practices. This is also where his first major shock occurs, when he encounters a Frenchman, Daniel (Aden Young), having sex with the Algonquin chief's daughter, Annuka(Sandrine Holt). Shortly after, Father LaForgue decides to accompany a small group of Algonquin Indians on a...
tells him not to, he does this out of fear of the prince carrying out
...s dying moments he is given the chance to show mercy on William Wallace and win over the Scottish people but he is too much of a coward because he thinks it will cost his son the thrown. The kicker to this whole scene is that the princes is the one trying to persuade him to free Wallace and when he refuses she tells him that the baby of William Wallace is growing in her knowing he is unable to talk.
One principle that I believe to be an ethical principle of persuasion is “liking”. A concept in the book that helps support
In the most advantageous of cases this model suggests that a receiver “considers the content of the persuasive message carefully and has favorable thoughts about the content” (Enfante, Rancer & Avtgis, 2010, p. 172). When receivers engage in cognitive thinking, they participate in the type of persuasion the authors call the “central route” (Enfante, Rancer & Avtgis, 2010, p. 172). Under the central route, the receiver employs positive feelings towards whatever the source is saying and then in turn acts or forms attitudes based off of the positive thoughts. Thus they interact thoughtfully with the information the source is attempting to get across.
“The two different world we lived in weren’t so different”(41). There were unresponsible parents, dead friends, and unfaithful love. These are the kinds of problems that are faced in S.E. Hinton’s The Outsiders. These problems are not just faced by one group. These problems are faced by both greasers and socs. In this book, Hinton uses Johnny’s and Bob’s parents issues, Randy’s and Dally’s loss and Bob’s and Sodapop’s sad-love stories to tell the reader that life is tough no matter what kind of social class someone has.
...st impact, since the ultimate way to persuade is to allow them to persuade themselves. In fact, the very core of this story is that: think for yourself.
This film was based on the real life story of Scotland's rebellion from under English
In 1280 A.D. Edward I of England, known as "Longshanks," has occupied much of Scotland, and his oppressive rule there leads to the deaths of William Wallace's father and brother. Years later and after Wallace has grown up with his uncle outside of Scotland, the Scots continue to live under the harsh thumb of Longshanks' cruel laws. Wallace returns, intent on living as a farmer and avoiding involvement in the ongoing "Troubles." Wallace rekindles a romance with his childhood friend Murron after showing her the carefully preserved thistle she gave him as a child, and the two marry in secret to avoid the primae noctis decree the King has set forth. After Wallace beats up a group of English soldiers attempting to rape Murron, the village Sheriff publicly cuts her throat before Wallace is able to save her. An enraged Wallace, with the assistance of his fellow townsmen, slaughters the English soldiers at the encampment, killing the sheriff in the same manner that Murron was killed. He then orders the burning of the local English fort, and unintentionally kindles a Scottish rebellion.
Reaching the Progression period, Brave, a Pixar movie owned by Disney, came out in 2012. Jena Stephens analyzed the movie Brave to uncover more information on this feminist film and what set it apart from the others. Stephens graduated from Kennesaw State University and obtained a degree in Communication with a Minor in Film. Fate was a large theme in the movie, and the main character, Merida, changed her fate by refusing to go through with the arranged marriage that her family required (Stephens 102-103). Merida's primary quest to help her family did not involve a man or potential marriage, therefore highlighting Disney's recent focus on the evolution of their characters to relate more to the independence of the modern woman (Stephens
Countries vary in multiple ways. Some are big, some have mountains, some have dictators, some are as old as time. One thing that remains constant is the cultural pride and need for national identity in each. According to the Merriam-Webster dictionary, pride is the “delight or elation arising from some act, possession, or relationship.” Therefore, it can be inferred that cultural pride is the love, appreciation, and elation for where a person comes from and the practices of that culture. For example, Americans take pride in everything that has been invented and accomplished in America. Hispanics take pride in the traditions of their ancestors like “Day of the Dead.” The Scottish take pride in their heritage, and they traditions and didn’t appreciate England taking over their land and forcing them to change their way of living in the 1290’s. National identity is important because it is what makes countries unique from one another. If humans didn’t have their own personalities, every person would be the same, despite their different body shapes and features. Likewise, if countries didn’t have their own identity, what would make them different? The film Braveheart showed the strive Scotland had to form their own national identity. However, films that are fictionalized have many effects. Fictionalized films focusing on national identity can act as a demagoguery and cause political movements. Even though the film Braveheart provides a good example of cultural pride and the strive for national identity, it does not accurately portray the Scottish rebellion of England; moreover, many historical films don’t accurately portray historical events.
The movie also shows the division of the british and the history of the time period “in the Dark Ages, after the fall of the Roman Empire, weak Britain is divided into several clans, while the powerful Ireland, untouched by the Romans, dominates and ravages the British tribes” (Tristan + Isolde (2006)". IMDb). Unlike the other versions of the story the movie shows a competition to fight for Iseult and her hand in marriage. It also shows King Mark and Tristan being friends and Tristan has to make a choice between his love or his friend. The movie version of the story shows Tristan being trained to be a great warrior and the focus of the movie is based on the love story of Tristan and Iseult but also refers to war and the depths of it and the economy at the time. The movie displays more of a violent legend involving the importance of warriorship throughout the medieval ages. The producer annex’s this image into the movie to make the movie appeal more to those who are not interested in a love