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Examples of chivalry in Sir Gawain and the green knight
Analysis of Sir Gawain and the Green Knight
Analysis of Sir Gawain and the Green Knight
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When Christianity was first brought to the isle of England by the Romans in the fifth or sixth century, it heavily influenced the ancient pagan religions that were pre-established by the inhabiting Anglo-Saxons. The two very different faiths quickly began to merge and Christianity adopted certain aspects of pagan mythology before eventually overwhelming it. Sir Gawain and the Green Knight gives the reader an interesting look at the different values of paganism and Christianity. Along with Christianity, the Romans brought massive amounts of infrastructure, a feudal system, and the notion of romantic chivalry. The character Gawain expresses all of the essential elements of chivalry; piety, purity, and humility. In Burton Raffel’s translation of Sir Gawain and The Green Knight, the dissimilarities between Gawain and the mysterious Green Knight serve as a microcosm for the contractions among contemporary Christian and pre-existing pagan ideologies.
One key embodiment of the differences between Romantic and pagan doctrines is the contradictions between Arthur’s Court and the Green Knight’s castle. The poem opens with a lengthy illustration of the lavishness of King Arthur’s castle, emphasizing its grandeur and extravagance. The poet points to the “velvet/Carpets, embroidered rugs, studded/ With jewels as rich as an emperor's ransom” (lines 77-79). The poet spends so much time describing the decorations in order to meet the Christian and Romantic principle that a castle must be awe-inspiring as possible as a tribute to God. Conversely, the Green knights castle is very humble. Located on a grassy knoll in the deep woods, his castle lacks the extravagance of Arthur’s court. Rather, his castle is a simple cave. The simplicity of his hom...
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...is king. The variation between the two ideologies lies in the motivation of the hero. For instance, Gawain’s motivation is to honor his king and his God, while the Green Knight’s incentive is his own pride.
Burton Raffel does an excellent job in displaying both pagan and Christian values in Sir Gawain and the Green Knight. Another notable distinction in the story is how the Green Knight behaves differently when he is Lord Bertilak. This one character alone can also be analyzed when looking at the influences of paganism and Christianity in the novel. The duality of his persona parallels which ideology he represents; Christianity when he is Lord Bertilak and paganism while he is the Green Knight. However, one can also use him to draw similarities between the two ideologies by pointing out that he retains his morals throughout his role as both characters in the story.
To begin with, the Green Knight, similar to God, bestows a trial to Sir Gawain in order to test his faith and loyalty to his promise. The beheading agreement made between these characters is organized to assess the truth to Sir Gawain’s knightly
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
Some definitions for the word “Hero” include brave, noble, and admirable. And Sir Gawain is all of those words listed and more. Heroic characters are frequently placed on a pedestal. In Sir Gawain and the Green Knight, we encounter Sir Gawain, a character with very human qualities. See he was sort of a celebrity because he was King Arthur’s nephew. Man cannot be considered a hero unless he has overcome some sort of opposition. He must surmount some force within his own self in order to be dubbed a hero. Originally faced with the challenge of the Green Knight, Gawain must face temptation and less-than-heroic qualities within himself and he doesn’t necessarily overcome them all. Sir Gawain may be regarded as a heroic adventurer in his pursuit of the mysterious Green Knight. Through the poem, he presents himself with the upmost ideals of chivalry, honor, and honesty. In the poem, we find our hero is faced with a quest of amazing proportions. He represents a hero because the truest hero is one who learns from his mistakes. Sir Gawain realizes and understands where he has failed.
Though often extensive detail may be condemned as mere flowery language, in understanding Sir Gawain and the Green Knight one must make special emphasis on it. In color and imagery itself, the unknown author paints the very fibers of this work, allowing Sir Gawain to discern the nuances of ritualistic chivalry and truth. His quest after the Green Knight is as simple as ones quest toward himself. Through acute awareness of the physical world he encounters Gawain comes to an understanding of the world beyond chivalry, a connection to G-d, the source of truth. He learns, chivalry, like a machine, will always function properly, but in order to derive meaning from its product he must allow nature to affect him.
“Sir Gawain and the Green knight” is a romantic Middle English poem written in the fourteenth century by an unknown author. This poem is a fairy-tale like story that gives its readers a glimpse into the social class system of Medieval England. This literary work opens with the famous King Arthur, a local bishop, and King Arthur’s knights enjoying a royal feast at Camelot during the Christmas season. This poem provides an accurate depiction of the feudal system of the middle ages. Within this tale are individuals representing the “pyramid of power” that symbolizes the social class system of Medieval England. This top of the pyramid group consists of royalty, clergy and noble knights.
“Sir Gawain and the Green Knight.” Element of Literature, Sixth Course. Austin: Holt, Rhinehart & Winston, 1997. 161-172. Print.
The greatest part of these studies have involved the middle-English text Sir Gawain and the Green Knight. Extensive work has been done on this alliterative four-part poem written by an anonymous contemporary of Chaucer: feminists have attacked his diatribe against women at the end, or analyzed the interaction between Gawain and the women of Bercilak’s court; those of the D. W. Robertson school seek the inevitable biblical allusions and allegory concealed within the medieval text; Formalists and philologists find endless enjoyment in discovering the exact meaning of certain ambiguous and archaic words within the story. Another approach that yields interesting, if somewhat dated, results, is a Psychological or Archetypal analysis of the poem. By casting the Green Knight in the role of the Jungian Shadow, Sir Gawain’s adventure to the Green Chapel becomes a journey of self-discovery and a quest - a not entirely successful one - for personal individuation.
The Green Knight begins to mock the court; and then boldly, King Arthur accepts his challenge. Sir Gawain realizes that this should not be the king’s responsibility for there are others present worthy of the challenge including him. Symbolically, this scene can be seen as a Christian standing up for what he believes in. Gawain says, “I am the weakest, well I know, and of wit feeblest;/ And the loss of my life would be least of any; (354-355). Here, Gawain humbles himself before his lord, just as a Christian should in prayer to God.
Web. 30 Sept. 2009. Sir Gawain and the Green Knight. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt.
Markman, Alan M. "The Meaning of Sir Gawain and the Green Knight." Modern Language Association 72.4 (1957): 574-86. JSTOR. Web. 11 Nov. 2013.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world.
Sir Gawain and the Green Knight is a late 14th-century Middle English alliterative romance about the adventure of Sir Gawain, King Arthur's Knight of the Round Table. This great verse is praised not only for its complex plot and rich language, but also for its sophisticated use of symbolism. Symbolism is a technique used in Sir Gawain and the Green Knight to give a significance to the plot. The Green Knight, the Green Sash, and Sir Gawain's Shield are three of the most prominent symbols given to us in this verse.
The Canterbury Tales, written by Chaucer, and Sir Gawain and the Green Knight, written by an anonymous author, are both sophisticated fourteenth-century examples of medieval romance. Medieval romances captured the heart of their audiences as narratives and stories that featured a protagonist, often a knight, and dealt with religious allegories, chivalry, courtly love, and heroic epics. The concept of the knight emerged from the remnants of the Anglo-saxon literature and ideals and influence of the Christian religion and church. There is a distinct difference between the famous pagan heroic like Beowulf and the romantic medieval tales like Sir Gawain and the Green Knight of the Canterbury Tale. The Anglo-Saxon hero Beowulf exemplified qualities expected of warriors who could attain kingship by their heroism and battle deeds. They possessed the qualities of valor, military prowess, generosity, and honor. The hero fights for the survival of their tribe and nation, and it is in battle that the mettle of the epic hero is ultimately tested. The romantic conventions , influenced by Christianity and French ideals, created a new chivalric knight who sets out on a trial or adventure. They possessed similar qualities to their epic hero counterparts – valor, loyalty, honor, and skill in battle – but differed in knowing temperance, courtesy towards women, and courtly skills. The hero is no longer fighting for his people but for his ideals. By the 14th century, The Tale of Sir Gawain and the Green Knight and The Canterbury Tales have began to criticize the notion of chivalry which had become old and obsolete in their society; the idealization of chivalry practiced by knights could longer withstand the complexities and indeterminateness of situa...
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.