Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Food and Chinese Culture: Essays on Popular Cuisines
Traditional Chinese culture
Traditional Chinese culture
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Food and Chinese Culture: Essays on Popular Cuisines
I went to Chinatown on a Saturday afternoon, and it was a very lively atmosphere. I had several learning opportunities to find out more about the Chinese heritage. Everything that I saw in Chinatown had significance and meaning to the people who lived in Chinatown. I thought that it was really fantastic how people care so much about their culture and keeping their heritage alive. From the food I ate, to the streets I walked down, and the shops I went into, Chinatown was an amazing experience that I will remember! When we arrived to Chinatown, our first stop was to get something to eat. I was extremely excited to eat at an authentic Chinese restaurant because I knew it would be different than the Chinese food I usually eat. We decided to go to Phoenix, a popular restaurant that was recommended by several people who lived in Chinatown, and who didn’t. When we got into the restaurant, it was very elegant. There were glass chandeliers and tables with silk white table cloth. I really noticed the …show more content…
John was born in Shanghai, China. When he was born, he was given the name Jun, which translated into handsome. When he was a little boy, John received standard education such as math, science, reading, and history. He lived in Shanghai for sixteen years and then decided to move to America. He decided to move because there was a lot of pollution and it made it hard to live there. This connects to class because we had several discussions on how the Chinese people struggled to make a living because of the pollution. They sometimes were kept in their houses because the pollution levels were too strong. After arriving in America, he settled in New York’s Chinatown and took the American name John. John claimed that he had culture shock and thought that Chinatown in New York was way too busy for him. After living there for eight months, he decided it would be best for him to move to Chinatown in
Chinese restaurants have some good and bad qualities, but both do well in their own situation.
One quality that is involved in a restaurant is the atmosphere and the positive energy it gives off. Considering the Western theme, they have the restaurant well decorated from the entrance, to the place where you sit. The walls are painted with tumbleweeds on them, with great lighting that allows you to see, and not go blind. The plates and silverware are very nice, as is the food that goes into them.
This is evident in the persistence of elderly characters, such as Grandmother Poh-Poh, who instigate the old Chinese culture to avoid the younger children from following different traditions. As well, the Chinese Canadians look to the Vancouver heritage community known as Chinatown to maintain their identity using on their historical past, beliefs, and traditions. The novel uniquely “encodes stories about their origins, its inhabitants, and the broader society in which they are set,” (S. Source 1) to teach for future generations. In conclusion, this influential novel discusses the ability for many characters to sustain one sole
Although his parents had no previous knowledge of America’s society, they were able to learn from watching films and reading books. When Liu was born, they decided it was a good idea for him to adapt to this new environment that may benefit his life with better opportunities that the culture provides. Some of these opportunities involved independence and a luxurious lifestyle that they thought was different than the Chinese culture. Liu took pride in believing that he was considered an Asian American when he perceives himself as a unique individual coming from two different cultures. He learns about the daily lives of white people and eventually made friends who were able to support and teach him to fit in with the society. During his life in America, Liu faced struggles and tries to overcome them by learning how to get along with white people, using the social-class to help him make connections with other white people, and getting involved with his internship which provided a good career opportunity while becoming an upper class person. Overall, Liu’s success in achieving his goals of individuality, career opportunities, and lifestyle as well as understanding himself about his Asian American
Roman Polanski weaves together several aspects of literary design and film noir in his 1974 Chinatown in order to tell the film’s engaging story inspired by the California Water Wars. These include the film’s unique use of structure, constant jarring plot twists, the development and depth of the film’s many characters, and multiple symbols and motifs. Most clear of these is the film’s use of water as a motif to represent the constant power struggle between the film’s characters, and character flaws in Gittes and Evelyn that adds an element of humanity and empathy between the film and the viewer as well in addition to strengthening the depth and complexity of the relationship between the film’s main characters.
Lin, J. (1998). Reconstructing Chinatown: Ethnic Enclave, Global Change. Minneapolis, MN: University of Minnesota Press.
The viewer sees a private eye and beautiful client. First thought, "It’s definitely another Hollywood crime drama." On the surface, Chinatown has all the elements of a film noir: the presence of a beautiful but dangerous woman, otherwise known as the femme fatale, a gritty urban setting, compositional tension (highly contrasting light and dark colors or oblique camera angles), and themes of moral ambiguity and alienation. Chinatown, however, is different. Polanski shot Chinatown with color film, and though his colors do appear especially vivid, color film precludes the contrast intensity that black and white film offers. In addition, Evelyn is not the classic femme fatale. Though Jake mistakes her for her husband’s killer at first, Mrs. Mulwray eventually emerges as the story’s most tragic victim. Yes, Chinatown for the most part conforms to the structure of film noir, but this film departs from the general genre, creating an entirely different element in which Roman Polanksi examines not only big-money corruption and its malignant obsession with money, but also larger, more human themes such as ignorance, authority, and the pervasiveness of evil.
The Chinatown neighborhood has different restaurants, including a Korean and numerous Chinese restaurants. The Chinatown neighborhood has many gift stores, cosmetics stores, ice cream stores, and bakery. As Harry Kiang’s Chicago’s Chinatown points out, “Tourists shop for oriental gifts or groceries or enjoy Chinese food; along Wentworth Avenue between 22nd and 24th Streets there are at least 30 Chinese restaurants. Printers and bakeries are found in the commercial areas along Wentworth Avenue and Cermak Road” (Encyclopedia of Chicago). Many visitors came to the Chinatown neighborhood to visit the neighborhood and try the Chinese foods because it has the authentic Chinese food in the Chinese restaurants. Since many people came to the Chinatown and consumed in the neighborhood’s shops, the consumption promoted the local commercial development and increasing the economic growth. Therefore, the residents are very happy to have the shops and appeal to the
John suffered poor health during much of his childhood. After attending four years in high school John Jr. dropped out leaving home for Las Vegas. He worked odd jobs to include a maintenance position at a funeral parlor. There were few decent jobs available in Las Vegas for John Jr., so he saved up enough money to move back to Chicago.
I wonder if I should I start calling Las Vegas, Nevada home now. I’ve traveled back and forth from California to Las Vegas since I was a child. I can remember at the age of thirteen my family and I would take family weekend trips very often. By the age of seventeen I was forced to move to Vegas for 6 months right before my senior year of high school started. Since it was my last year of high school my parents decided to let me go back to California for the last three months and graduate with my friends. Since I wasn’t eighteen yet, I forced to go back to Las Vegas right the day after graduation.
Lindo Jong provides the reader with a summary of her difficulty in passing along the Chinese culture to her daughter: “I wanted my children to have the best combination: American circumstances and Chinese character. How could I know these two things do not mix? I taught her how American circumstances work. If you are born poor here, it's no lasting shame . . . You do not have to sit like a Buddha under a tree letting pigeons drop their dirty business on your head . . . In America, nobody says you have to keep the circumstances somebody else gives you. . . . but I couldn't teach her about Chinese character . . . How to know your own worth and polish it, never flashing it around like a cheap ring. Why Chinese thinking is best”(Tan 289).
There were people with faces that showed how that they were clueless on what to eat but when they saw people of the same culture through their dressing, they had the expression of happiness written all over them. It felt like they had found a sense of home just by discovering their culture food and those of the same culture. They immediately got their food and went to sit in the section where their culture was present. Women and Men in official clothing chose to dine at the Chinese and Italian section probably because the stand was of a more decorous setting than the other
U.S. media history has been plagued with limited representations of Asians and Asian Americans. Specifically Asian American female roles have been limited to stereotypes such as the Lotus Blossom/Madame Butterfly and the dragon lady. The Lotus Blossom and the Madame Butterfly stereotypes are seen as being sexually attractive, alluring, passive and obedient. On the other hand the Dragon Lady is seen as sexualized, sinister and conniving. These stereotypical representations of Asian females are what Darrel Hamamoto refers to as “controlling images”. The repetition of these loaded representations within contemporary media has created a limited perspective of Asian American images. According to Hamamoto in “Monitored Peril: Asian Americans and the Politics of TV”, controlling images involve the process of objectification, subordination, and justification. These images are used to create a hierarchy of gender, race, and class; this hierarchy can also be understood as media racial hegemony. In their book “Asian Americans and the Media” Kent Ono and Vincent Pham articulate media racial hegemony as the way people think about how race is represented through media and how media representations help guide and regulate beliefs and actions of those within society in indirect ways.
I was born and raised in Vietnam, so I naturally observed my culture from my family and my previous schools. I learned most of my culture by watching and coping the ways my family do things. My family and my friends all spoke Vietnamese, so I eventually knew how to speak and understand deeply about my language as I grew up. At home, my mom cooked many Vietnamese foods, and she also taught me to cook Vietnamese food. So I became accustom Vietnamese food. I also learned that grandparents and parents in my culture are taken care of until they die. At school, I learned to address people formally and greet higher-ranking people first. In Vietnamese culture, ranking and status are not related to wealth, so they are concerned with age and education.
Chinatown, a 1970s film, is inspired by the Southern California water history (Valle). This film has many elements of film noir. Film noir, is a point-of-view, tone, mood, and style of a film created during World War II. It reflects the tensions and insecurities of a particular time period, usually showing the loss of innocence, bareness, and the paranoia of an event (“Film”). The criminal and greedy perspectives of the characters are clearly seen, like the character Noah Cross, reflecting society’s evils. Also there is no happy ending in Chinatown. For those viewers who don’t know the history of Southern California, this might just be another detective film, but it is more than that, it has numerous themes that can be dissected. The film constructs racial, gender, and class identities.