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Meaning of baptism for me essay
Baptism meaning and purpose
Baptism meaning and purpose
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Personal Narrative - Baptism I took my first step down into the font and thought. Baptisms are funny things. The brightness of it all is profound. It seems as if there is one brilliant mirror reflecting boisterous cheer everywhere. The idea is to pack as much happiness, either real or faked, into one too-hot room in the hope that it will be absorbed into the absolutely petrified soul of the prospective individual about to be baptized. The joy was so thick that it bounced around the walls and the floor searching for something to absorb it, something to hold it in permanently. The beams certainly had many obstructions to navigate around. There were too many fat women with satiated grins made wider still by the application of inordinate amounts of heavy crimson lipstick. Hair that reached ever upward in a maddeningly vertical gyre, as if they were competing with steeples in an effort to be closer to God. Maybe they thought the preponderance of hair would be a better conduit for God. With all the glistening hair spray, their hair had to be a conductor for something. Maybe there was a lightning rod tucked inside the cocoon of hair. Indeed, the hair imparted a degree of luminosity to the scene. At just the right angle, the artificial light would hit the summit of hairdom and create an angelic halo around their persons. Perhaps it was one big conspiracy. Perhaps some secret Relief Society tome specifies that women should wear eye-dizzying lipstick and hair spray in proportion to their weight. That made it all so bright. The Spirit, this pure being of truth, was being artificially implanted into the baptismal font through the use of cosmetics and cover-up. The brethren ruined the conspiracy theory, or maybe they just didn't have ... ... middle of paper ... ...ed her head against my chest, tucked it among the folds of my baptismal clothes, seeking the light she radiated, seeking the unproven power I wish I had. It was a power that even my grandma couldn't define, though I knew she had it. The power of tension, the power of electrons, even the power of gravity paled in comparison to the power possessed in this embarrassed but strong old woman standing at my side. I wondered why everyone didn't come to gain this power. But I already knew the answer. The truth behind this power could not be given in equations stitched on the back of a lab coat. It could not even be obtained by simply reading of its source. The power is personal to us all. It is different for everyone. My grandma found her truth and her power, and I found myself clutching frantically for the beams of light that raced joyously out of her still trembling frame.
Hardy uses strong meaningful diction to convey his thoughts of the sinking of the Titanic. Words such as “vaingloriousness”, “opulent”, and “jewels in joy” illustrate Titanic for the reader so that he/she can picture the greatness of the ship. Phrases such as “Lie lightless, all their sparkles bleared and black and blind” describe what the Titanic looked after the sinking, loosing all of its great features. Hardy’s use of strong, describing diction depicts his view of the ship, before and after.
She closed her eyes slowly, tuning the harpies out. When she opened them, she gazed up at the ceiling, tracing the high, arcing beams that came together in a beautiful golden rosette. The church her mother-in-law had chosen for her departed son’s service was an old one, with timber walls, huge, multi-paneled stained-glass windows and enough golden gild that put together, could probably rival the weight of the Charging Bull on Wall Street.
Damrosch, David, et al., ed. The Longman Anthology of British Literature: Vol. B. Compact ed. New York: Longman - Addison Wesley Longman, 2000. p. 2256
contact with inner strength of the people, a strength so solid it causes time itself to
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
...elings of love in people. This proves that a higher power can control the feelings of love in people.
"The modern masters promise very little.. But these philosophers .. have indeed performed miracles.. They penetrate into the recesses of nature and show how she works in her hiding-places. They ascend into the heavens; they have discovered how the blood circulates, and the nature of the air we breath. They have acquired new and almost unlimited powers; they can command the thunders of heaven, mimic the earthquake, and even mock the invisible world of its own shadows"(47).
Power is defined as a person’s ability to alter another human being’s life, as seen in different narratives throughout literature; whether it be something as large as the giving and taking life, or as small as placing an idea in someone’s head, and furthermore, taking responsibility for those actions. However, the common theme is that the most powerful people in the world are those who give life, and do what they can to ensure their offspring stay healthy, happy, and alive. People who make a long-lasting impact on other’s lives.
Similarly, Bathsheba of Far from the Madding Crowd is destined to suffer and lead a miserable life. Bathsheba Everdene is paying a visit to her aunt and is seen by Gabriel Oak, a hardworking farmer. He falls in love with her and proposes to marry her but she declines his offer. Afterwards, Oak loses his sheep and becomes very poor. So he moves to Casterbridge in search for a job. He chances to arrive at the outbreak of a fire in Bathsheba’s farm and he puts it out. She offers to hire him as a shepherd and he agrees. In the meantime, she tries to attract Mr. William Boldwood but he is not interested in her and she comes to marry Sergeant Troy, a deceitful and inconsiderate husband. He squanders her money on gambling. He used to love Fanny Robin before getting married to Bathsheba and he chances to see her one day between Casterbridge and Weatherbury. He decides to go to her and help her but he finds her and her child dead. Feeling desperate, he quarrels with Bathsheba and leaves for America. Thinking that she is now a widow, Bathsheba decides to marry Boldwood. However, Troy returns a...
...the ideas of pilgrimage, and bliss two words with obvious religious undertones. Unlike Hardwig, Hardy embodies the poetics of the enlightenment, that is the poetics of naturalism, struggle and brutality, and as a result we see reflected in his poems a laughing irony at the ideas of fate and destiny thus embodying the growing pressures of enlightenment thought.
Kramer, Dale. “Far from the Madding Crowd: The Non-Tragic Predessor.” Thomas Hardy: The Forms of Tragedy. Detroit: Wayne state University Press, 1975. 25-47. Rpt. in Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol.153. Detroit: Gale 2004. Literature Resource Center. Web. 20 April 2014.
Orel, Harold, ed. Thomas Hardy's Personal Writings: Prefaces, Literary Opinions, Reminiscences. Kansas: University of Kansas Press, 1966.
Irvin Howe, like other male critics of Hardy, easily fails to notice about the novel is that Michael Henchard sells not only his wife but his child, a child who can only be female. Patriarchal and male dominated societies do not willingly and gladly sell their sons, but their daughters are all for sale be it soon or late. Thomas Hardy desires to make the sale of the daughter emphatic, vigorous, essential and innermost as it is worth notifying that in beginning of the novel Michael Henchard has two daughters but he sells only one.
At the age of eight, Hardy began to attend Julia Martin's school in Bockhampton. However, most of his education came from the books he found in Dorchester, the nearby town. He learned French, German, and Latin by teaching himself through these books. At sixteen, Hardy's father apprenticed his son to a local architect, John Hicks. Under Hicks' tutelage, Hardy learned much about architectural drawing and restoring old houses and churches. Hardy loved the apprenticeship because it allowed him to learn the histories of the houses and the families that lived there. Despite his work, Hardy did n...
Thomas Hardy was a famous author and poet he lived from 1840 to 1928. During his long life of 88 years he wrote fifteen novels and one thousand poems. He lived for the majority of his life near Dorchester. Hardy got many ideas for his stories while he was growing up. An example of this was that he knew of a lady who had had her blood turned by a convict’s corpse and he used this in the story ‘The Withered Arm’. The existence of witches and witchcraft was accepted in his lifetime and it was not unusual for several people to be killed for crimes of witchcraft every year.