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William Shakespeare's influence on modern culture
William Shakespeare's influence on modern culture
William Shakespeare's influence on modern culture
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In ‘Many red devils…’ Stephen Crane exposes the truth about one’s personal integration into their work through a use of vivid imagery. It is simply inevitable that pieces of passion, motivation, hope, and drive will seep through into the work that one does, due to the inherent, expressive nature of human beings. As can especially be observed in literary works, throughout which the writer’s word choice and tone are directly affected by their own personal experiences and knowledge. Because of the inescapable personal integration into writing, there can be great difficulty in putting pen to paper in order to convey such private thoughts. Crane highlights this difficulty in transcribing personal thoughts by comparing words to ‘red devils’ which, …show more content…
When Crane notes that, “ it was strange/ to write in this red muck,” there is an indication that he is becoming increasingly more aware of the true effects of personal incorporation into one’s writing. There is a distinctive role that personal and cultural biases play in literature, as one author may incorporate a certain word into their writing that another author does not see as socially appropriate to use, it is the personal inflictions of an author that shape their work and Crane exemplifies the self realization of the important impacts that these inflictions …show more content…
This conflict stems from the contrast between opposing forces of light and dark, good and evil, the angel and the devil. While the devil represents one’s words, it is the pen mentioned by Crane that symbolizes a proverbial angel on the writer’s shoulder. The pen demonstrates an angelic sort of benevolence in that it, “ could smash [the devils],” but instead allows them to run free. However, this is not to say that there is no conflict between the opposing forces as some of the devilish words, “struggled in the ink,” produced by the saintly pen. This non- violent battle between the words and the writer’s pen is symbolic of the mental turmoil that a writer must sift through in order to filter their deepest thoughts from affecting the writing. Crane accurately depicts the mental struggle produced by the act of writing as an author will inevitably integrate themselves into their writing, however, they will also attempt to dilute their inner thoughts from seething through into their literary
What is most remarkable about Crane's series of letters to Mrs. Crouse is the tone of his love-stricken entreaties. He gracefully plays off of his burgeoning fame and his growing success as a published artist with good-natured self-deprecation and a propensity to undermine his own endeavours. The series of letters commences with a carefully constructed communique crafted to provoke a sympathetic response from Mrs. Crouse. Employing "inside" reactions to his celebrity to impress, he relies on an aura of exotic settings and playful humor to win a reply. Having succeeded in securing an apparently satisfactory response, he eagerly raises the temperature of the correspondence in his second letter. Without compromising further relations with Mrs. Crouse, his words adopt a more acute degree of intimacy, with Crane even going so far as to volunteer to accept her literary advice.
Piper’s use of imagery in this way gives the opportunity for the reader to experience “first hand” the power of words, and inspires the reader to be free from the fear of writing.
Erdich , Louise “The Red Convertible” 1984.Schalfel and Ridl 126 – 133. Schakel, Pete, and Jack Ridl. Eds. Approaching Literature Reading + Thinking + Writing. 3rd Ed. Boston: Bedford/ St Martin, 2011. Sprint.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
Link, Alex. Staking Everything on It: A stylistic Analysis f Linguistic Patterns in “Hills Like White Elephants.”. The Hemmingway Review. 23.2 (Spring 2004); 66-74. Rpt. In Twentieth-Century Literary Critisism. Vol. 203. Detroit; Gale, 66-74. Literature Resources from Gale. Gale. . 12 Jan. 2015
Greenblatt, Stephen, and M. H. Abrams. The Norton Anthology of English Literature. 9th ed. Vol. A. New York: W.W. Norton, 2012. Print
Lowe, Peter J. Texas Studies in Literature & Language; Spring2007, Vol. 49 Issue 1, p21-44, 24p Academic Search Complete Ebesco. Web. 23 July 2011
Wolford, Chester L. "Stephen Crane." Critical Survey of Long Fiction. Ed. Frank N. Magill. English Language Series. Vol. 2. Englewood Cliffs, N.J.: Salem Press, 1991.
Stephen Crane was one of America’s most influential nineteenth century writers of realism. He was credited for being a novelist, short-story-writer, poet, and journalist. He was born on November 1, 1871, in Newark, New Jersey, as Stephen Townley Crane. Stephen was the youngest sibling of fourteen children (“Stephen Crane Biography”). His writing inspiration came from his family. His mother dedicated her life to social concerns, while his father was a Methodist minister. Two of Crane’s brothers were journalists so it was destined for Stephen Crane to become a writer. His passion came from his parents and the insights from his family life. He attended preparatory school at Claverack College, where he developed a better concept of the Civil War. He attended at Lafayette College and Syracuse University for less than two years. He quit college to become a full-time writer. His first work was Maggie: A Girl of the Streets. In his novel, he used firsthand experiences of poverty. The realism in this novel shows his readers what a realistic writer he was to become later (“Stephen Crane”).
When a writer starts his work, most often than not, they think of ways they can catch their reader’s attention, but more importantly, how to awake emotions within them. They want to stand out from the rest and to do so, they must swim against the social trend that marks a specific society. That will make them significant; the way they write, how they make a reader feel, the specific way they write, and the devotion they have for their work. Washington Irving, Nathaniel Hawthorne, and Edgard Allan Poe influenced significantly the American literary canon with their styles, themes, and forms, making them three important writers in America.
Crane also discloses his view of the American society in a realistic light because he exhibits realism by unveiling America’s true monstrous face, and its white privilege- he same white privilege that causes blacks to conform to the standards of a white American society. In doing so, Crane compliments Emerson’s main idea of “Self-Reliance” that people should “believe [their] own thought, to believe that what is true for [themselves] in [their] private heart is true for all men.’’ Emerson’s belief that people should take heed to their own thoughts because society persuades people to conform, summarizes the idea of individuality Crane express in his story “The
...thern Literary Journal. Published by: University of North Carolina Press. Vol. 4, No. 2 (spring, 1972), pp. 128-132.
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.
...s, Edgar V. Writing about Literature. 11th ed. Upper Saddle River: Pearson/Prentice Hall, 2006. Print.