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Thomas Hardy's The Return of the Native as a tragedy
Contribution of romance in literature
Thomas Hardy's The Return of the Native as a tragedy
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Personal Goals Influencing Marriage in the Return of the Native by Thomas Hardy
When one thinks of marriage, images of happiness, faithfulness, and unconditional love come to mind. Marriages are not for allowing two lovers to accomplish personal goals, but rather for faithful companions to live the rest of their lives together. In The Return of the Native, Thomas Hardy presents the reader with two pairs of lovers that marry to accomplish personal goals, not because of a mutual love and a desire to obtain a lifelong soul mate. Hardy reveals the true motives governing the participants in the novels marriage alliances: Eustacia, Clym, Thomasin, and Wildeve marry to carry out their individual plans for the future, rather than for love of one another.
Eustacia Vye is a lazy, self-absorbed, cunning diva whose desire to marry Clym Yeobright is based on her vision of a extravagant life in Paris with her prized husband. It is the news that Clym is from Paris that generates Eustacia's vision of pomp and glamour. She gets so infatuated with her vision of what Clym Yeobright is, that before she even meets him, she has a dream of the two dancing the night away. There is further evidence of Eustacia's fascination with Parisian life. When Eustacia and
Clym meet while trying to fetch the water bucket from the well, there is mention of the boulevards of Paris, and this piques Eustacia's interest. Clym recognizes her interest in the city by saying, "I remember when I had the same longing for town bustle. Five years of a great city would be a perfect cure for that." (Page 191). Eustacia responds, "Heavens send me such a cure!" (Page 191). Finally, when the love between Eustacia and Clym blossoms, Clym proposes to Eustacia, and Eustacia...
... middle of paper ...
... saying the "I Do's", glances at Eustacia with a glance that
said plainly, "I have punished you now." (Page 169). The
personal motives surrounding the marriages of characters in
the novel reveal the self-centered tendencies of humans.
None of the characters chose love as the deciding factor over
want in their marriage. This is a sad but all to common
occurrence today, and a reason why we have such a high
divorce rate. I'm sure that if divorce was more socially
acceptable in the days of The Return of the Native, that the
characters would regret their decisions, and be separated in a
matter of months.
Bibliography:
Return of the Native by Thomas Hardy
Human beings are not isolated individuals. We do not wander through a landscape of trees and dunes alone, reveling in our own thoughts. Rather, we need relationships with other human beings to give us a sense of support and guidance. We are social beings, who need talk and company almost as much as we need food and sleep. We need others so much, that we have developed a custom that will insure company: marriage. Marriage assures each of us of company and association, even if it is not always positive and helpful. Unfortunately, the great majority of marriages are not paragons of support. Instead, they hold danger and barbs for both members. Only the best marriages improve both partners. So when we look at all three of Janie’s marriages, only her marriage to Teacake shows the support, guidance, and love.
Brockmeier’s short story represents a damaged marriage between a husband and a wife simply due to a different set of values and interests. Brockmeier reveals that there is a limit to love; husbands and wives will only go so far to continually show love for each other. Furthermore, he reveals that love can change as everything in this ever changing world does. More importantly, Brockmeier exposes the harshness and truth behind marriage and the detrimental effects on the people in the family that are involved. In the end, loving people forever seems too good to be true as affairs and divorces continually occur in the lives of numerous couples in society. However, Brockmeier encourages couples to face problems head on and to keep moving forward in a relationship. In the end, marriage is not a necessity needed to live life fully.
The hilarious play, A Midsummer Night’s Dream, by William Shakespeare, tells the twisted love story of four Athenians who are caught between love and lust. The main characters: Hermia, Helena, Lysander, and Demetrius are in a ‘love square’. Hermia and Lysander are true love enthusiasts, and love each other greatly. Demetrius is in love with Hermia, and Helena, Hermia’s best friend, is deeply and madly in love with Demetrius. Hermia and Lysander try to elope in the woods because Egeus, Hermia’s father, disapproves of Lysander.
In class there have been many discussions over the relationships and marriages among the books we have read. When someone thinks of marriage, a fairy tale with a happy ending might come to mind, or possibly a safe haven for those looking for something stable. In The Awakening by Kate Chopin, and “The Yellow Wallpaper” by Charlotte Perkins Gilman, marriage takes a turn for the worse. Marriage is no longer the happy memories in a lifetime. It can be the thing that hinders the women in these stories from developing their full potential or experiencing the world and other lifestyles. Through these texts and this time frame, we will analyze the meaning of their marriages, how they function, and the end result of both.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Happiness in marriage is entirely a matter of chance. If the disposition of the parties are ever so well known to each, or ever so similar before hand it does not advance their felicity in the least (Austen 23).
It is not unusual for an individual to disagree with social customs or expectations. Some people are only happy when they can rebel against society. Most mature adults eventually realize that compromise is necessary to achieve happiness. This is the case in the early nineteenth century England setting of Pride and Prejudice, by Jane Austen. In the novel, Miss Elizabeth Bennet is a lively, independent woman, whose family's financial situation and whose strong mindedness suggest that she may never marry. Mr. Darcy, is a rigid and proper man, who falls in love with Elizabeth, despite their differences. By the end of the novel, Elizabeth and Darcy learn to compromise, and, in doing so, become truly happy. In marrying, they not only fulfill themselves as individuals, but also affirm the principle values of society. The marriage at the end of the novel shows Jane Austen's ideal view of marriage as a social institution.
A key idea in A Midsummer Nights Dream, a romantic comedy play written by Shakespeare, is that “the course of true love never did run smooth”. This is portrayed in the play by two Athenian lovers, Hermia and Lysander and also the king and queen of the fairies, Titania and Oberon. Both of these relationships with each other, face many challenges in the play therefore explaining the message that “the coarse of true love never did run smooth”.
...ities. Love is a long hard road and cannot be reached by taking a straight, clear-cut path. Even though throughout the scene Hermia and Lysander are in constant conflict, a resolution is eventually reached. Hermia and Lysander remain in love, proving that true love can prevail.
One major theme of The Importance of Being Earnest is the nature of marriage. Throughout the entire play, marriage and morality serve as the catalyst for the play, inspiring the plot and raising speculation about the moral character of each person. Throughout the entire play, the characters are constantly worried about who they are going to marry and why they would marry them. This theme is the most prevalent theme throughout the entire play and shows what impact marriage had on a Victorian society. This essay will prove that marriage is the theme of this play.
In the novel, Pride and Prejudice, marriage was a great deal to women in that time period. For the Bennet’s, marriage is a big deal because Mr. and Mrs. Bennet have five daughters: Jane, Elizabeth, Mary, Kitty, and Lydia. The women, especially the eldest sisters, want to marry a man who is wealthy and good-mannered. Mrs. Bennet is eager to find her eldest two daughter’s husband, but many aspects go into finding him. Women had a reputation to uphold which is to behave in a certain way, and maintain a social class in which money determines. In the novel, Pride and Prejudice, by Jane Austen, marriage is an important factor for women to gain a prestigious reputation, gain a higher social rank through marriage, and gain money for a comfortable life.
The path to marriage initiates in the very first paragraph of Jane Austen’s Pride and Prejudice. This courtship novel begins with the premise that “a single man in possession of a fortune must be in want of a wife” (pg. 5) Throughout the competition for the single men, characters are naturally divided by the norms of their social standing. However, the use of social conventions and civility further divides them. The characters in need of the most moral reform remain unchanged, leaving a path for the reformers to travel to each other’s company. Austen uses the stagnant characters and their flaws as a line that needs to cross in order to achieve a dynamic marriage of mutual respect.
Throughout the history of literature there have been many connections made between writers and their reoccurring styles of writing found in each of their literary works. Jane Austen is only one example of this type of author who exemplifies a style of repetition by using repetitious themes. Theme is a very important literary element in any piece of literature. Themes teach the reader a life lesson, often times lending advice or a point of view. In Jane Austen’s novel, Pride and Prejudice, she uses themes which can also be found in other pieces of literature written by Austen. These themes deal with the subjects of; marriage, good breeding and appearances, social rank and morals, and happiness. In the novel Pride and Prejudice Austen uses different literary elements including; satire, irony and humor in order to support these themes. In addition to using these elements Austen also supports her themes through the actions and opinions of different characters. One very prevalent theme found in this novel is marriage which can be shown through the characters of; Elizabeth Bennet, Jane Bennet, Mrs. Bennet Charlotte Lucas and Lydia Bennet.
single man in possession of a good fortune must be in want of a wife.
After Charles II revived theater in 1660, a new kind of comedy, the comedy of manners exploded onto the English drama scene and remained the preferred style of theater for the rest of the century. The aim of these plays was to mock society, or rather to hold it up for scrutiny by those very people whose social world was being characterized on stage. The Way of the World reflects Congreve's personal view of Restoration society and city life, full of its artificiality, rigidity, and formality. As is typical of Restoration Theater, this play's main themes are centered around that of marriage and the game of love. However, unlike the relationships depicted in earlier works, the couple at the heart of World, that of Mirabell and Millamant, have the potential to become a true partnership even by modern standards. The love and trust shared between two intelligent and independent characters, set against the tableau of falsehoods, greed, and jealousy that was exemplified by the social world around them, was revolutionary for Restoration comedy. By comparing and contrasting Mirabell and Millamant with the characters and relationships surrounding them, Congreve reveals his view of the true meaning of marriage and how it should be seen by Restoration society.