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Female stereotypes in fairytales
Analysis of story cinderella
Character analysis about cinderella
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In most of the fairy tales, the beauty is the justice. Perrault always described his princesses as the most beautiful young lady, and follow that, her virtue is also as good as her appearance (Sunderland 110). In other words, if a girl wants to marry a prince and live happily ever after, she must be pretty, and if she is pretty, she also has a lovely personality. On the contrary, the evil stepsisters were portrayed as the ugliest creatures, who are exactly like their mother, “the proudest and most haughty woman that was ever seen” (Perrault). If putting those two facts together, it is really easy for the audience to see the connection between the physical and personality beauties. Another instance where readers observe the value of being beautiful …show more content…
As using Cinderella as a role model, Perrault stated the idea of a “woman” in his era is someone good at doing chores. Edith Stern wrote an article entitled, “Women Are Household Slaves,” in which she constructs a satire advertisement calling for a domestic female to do “all cooking, cleaning, laundering, sewing, meal planning, shopping” (Stern 71). The whole article points to the fact that women of the seventeenth century were essentially confined to the role of housewives. In social aspect, they were expected to stay at home and perform household chores. In other words, Perrault clearly expressed the gender ideology about women that their place is in the home, or more specifically, the kitchen. According to Stern, women in seventeenth eras “belief that marriage is the ultimate life goal” and “felt tremendous societal pressure to focus their aspirations on a wedding ring” (Stern 78). Every eligible bachelorette wants to be married to the Prince, from Cinderella to her step-sisters. The whole existence of a grand ball that allows a slew of single females to mingle with the Prince—and hopefully solidify a marriage proposal—reiterates the idea that marriage is supremely important. Therefore, it is easy to understand why Perrault’s Cinderella appeared to be a perfect wife who always doing housework and looking herself in
In James Poniewozik's "The Princess Paradox" (323-325) the author explains how the idea of a feminist, independent woman becoming a fairy tale princess is a paradox and that society is engaging in a paradox through the belief of it. He utilizes the recent bout of Cinderella retellings to show the paradox of how girls cannot be both completely independent and a fairytale princess, and yet society perpetuates the paradox through believing that this is not only possible, but realistically attainable as well. Poniewozik exposes the contradictions that surround these new Cinderellas to defy these "realistic" stories that society has come to embrace. By showing how truly constrictive and illogical these fantasies are, Poniewozik also shows how hypocritical society has become for idolizing them and why this new princess is a true paradox.
This passage from the story insinuates that men need women to see it they way they do, and men don’t appreciate it when women are free-thinking. Women in fiction, not just in books but in movies and television as well, are often represented in certain molds or ideas. The story of Cinderella and the story by Hurston both reinforce the idea that fictional portrayals of women are
Today, adults reading Charles Perrault’s Cinderella realize similarities and differences between Cinderella and a modern western woman. Adults recognize that Cinderella in Perrault’s fairy tale has undesirable qualities for a modern western woman, today. Cinderella is affectionate, goodwill, forgiving, and loyal. On the other hand, Cinderella is not independent, outspoken, confident, and strong. Cinderella has low self esteem and is incapable of solving problems. Inferiority, dependence and passiveness are characteristics that represent Cinderella do not characterize a modern western woman.
Throughout many fairytales, Cinderella more evidently, there is the stigma of male roles and female roles. The man is the prince, the knight in shining armor, the strong protector and able provider, and the woman is the princess. Dainty and innocent, weak and capable only of looking pretty, fostering children and maintaining appearances of house and home. These roles of placement have been around long before fairy tales, and they’ll be around long after fairy tales, but the inclusion of these roles through characters in fairy tales does nothing but enforce the idea that this is the way things are meant to be, and women who do not assume these roles are wrong and unworthy. In her article, Orenstein refers to Cinderella as “the patriarchal oppression of all women”, and she is exactly right (Orenstein “What’s wrong with Cinderella?”). The impression left of these gender stereotypes travels off the pages of the fairy tale and into the real world when studies show that there is a “23% decline in girls’ participation in sports and other rigorous activity … has been linked to their sense that athletics is unfeminine” (Orenstein “What’s wrong with Cinderella?”). The blatant disregard for equality in these stories can be summed up with a term Orenstein coined, “relentless resegregation of childhood”, which ultimately defines what it means to be a boy or a girl in the terms of set behaviors and life duties (Orenstein “What’s wrong with Cinderella?”). Whether it be Cinderella or any other princess, the fairy tale business makes it a point to create a place for women with their stories, and unfortunately that “place” is demeaning and still practiced
In the early 1900’s, around the time the story takes place; women were expected to be care takers of the home, to be clean, well dressed and mannered. All of these
In both stories, Cinderella and Zozella are basically rescued by man from their hard, sad life, who then marries them and makes them his queen. This is sending a strong message to not only females but males also that women cannot save themselves and that they need to be “rescued” by a rich man who will marry them and provide them with a luxurious life. However, in Perrault’s “Cinderella” there is a theme which is not present in Basile’s “The Cat Cinderella”, this theme is the idea that beauty equals kindness of character. Cinderella is shown to be good of heart and also incredibly beautiful, unlike her less beautiful, mean spirited sisters, Perrault describes her as “a hundred times handsomer than her sisters, though they were always dressed very richly” (Perrault, 16). This sends the message that if you’re kind you are beautiful and if you are not beautiful then you do not have a good character. This theme is even seen in today’s society where women are judged and judge others based on appearance. This theme is not present in “The Cat Cinderella”, Zozella is beautiful as well but her beauty doesn’t make a good hearted person and this is evident when she commits murder to get what she wants. Creating the stereotypical view of women being cunning and sly in order to get what they want, and sending a message to young girls that women are heartless selfish
There is a plethora of fairy tales that have survived into the modern age, familiar stories such as; Jack and the Bean Stock, the Little Mermaid, The Tin Soldier, Little Red Riding Hood, and many others have all been used in modern films and literature. However, there is one storied classic that has been captivating children and adults alike for centuries, Cinderella. Charles Perrault wrote the familiar tale over three hundred years ago, yet modern adaptations of the story continue to be used. One example of a modern rendition of Perrault’s tale is the 1998 major motion picture titled Ever After (IMDb.com). Walt Disney’s cartoon version titled Cinderella is by in large the most popular and wide spread cinema rendition of the fabled story, however
Women in these fairy tales are young and beautiful. In all reality not every girl in this world is truly considered beautiful by our society’s terms. In today’s society the term beautiful is often used to describe a women who is a size 0, tall, flawless skin, and dressed nicely. Haven’t you ever seen princesses that are in all these fairy tales, our society’s description of beautiful describes every single one of these princesses?
A prolific exemplification of the ideal female virtues portrayed in fairy tales is Charles Perrault’s “ The Little Glass Slipper”. Perrault presents the ideal female fairy tale character through his portrayal of Cinderella. Cinderella is a tame and forgiving individual who subjects herself to the will of her father, stepmother and s...
Fairy tales have been known to identify different aspects of life such as modern issues and concerns without having to directly point them out. In Anne Sexton’s poem, her version of “Cinderella”, modern issues and concerns are discussed through the lens of the fairytale. She touches on aspects of marriage such as wealth and possessiveness of money by discussing how most of the women in fairytales want to marry into wealthy families. Sexton also discusses how fitting into society’s complex standards is another modern issue by showing that in order for Cinderella to go out in public, she feels as if she needs to dress according to the way society dresses. Furthermore, many women in society today admire models and actresses because they
A lot of the fairy tale stories that we have seen as young adults and even as adults are original folk tale stories that have been modified and rewritten to accommodate our new cultures. Cinderella happens to be one of these stories that have been changed over the years. There are many different versions of Cinderella, an African Cinderella, a Hungarian Cinderella and even a Chinese version. All of the Cinderella’s are similar in plot, but the author dictates the story’s theme based on the people whom he is writing for which completely changes the story’s tone, mood and other elements. While Perrault's version stresses the values and materialistic worries of his middle-class audience, Grimm’s' focus is on the harsh realities of life associated with the peasant culture. Perrault’s and Grimm’s Cinderella’s have the same plot, but their writing style is different which completely modifies the tale.
Guy de Maupassant’s “The Necklace” is a twisted and broken fairytale.* Although this short story does embody some elements of fantasy, there is not merely enough evidence to support the claim that it is in fact a “ modern fairytale.” Fairytales often include themes such as enchantment, which is shown when the main character dreams, but is this really such an enchanting thing? Another theme found in fairytales is an encounter with the main struggle, in “The Necklace,” the main character also comes to face with a challenge, but this challenge does not accurately fit the characteristics of an encounter. A third example of an element of a fairytale is the presence of a weak male figure. In this case, there is a weak man but he does not remain weak throughout the story. One final characteristic of a fairytale is the journey that is taken, in “The Necklace,” the main character does take certain steps, but are these steps really considered a ‘journey’? As will be learned, none of these elements found in fairytales truly conform to “The Necklace,” therefore not making it a “modern fairytale.”+
As in many fairy tales we have grown up with, the characters are always beautiful or handsome, with an evil mother that wants to destroy that. Baker-Sperry and Grauerholz state that, “The feminine beauty ideal-the socially constructed notion that physical attractiveness is one of women's most important assets, and something all women should strive to achieve and maintain…[is] viewed largely as an oppressive, patriarchal practice that objectifies, devalues, and subordinates women”(711). Women grow up with the impression that they must be perfect and beautiful in order to get a man. They will see the beautiful girl get a handsome guy and everything they want. The characters in Tangled prove the fact that every fairy tale follows the same guide lines; Rapunzel, Flynn, and even mother Gothel are beautiful. Their features are all the same with them being thin, having straight teeth, and being good looking. If a person was described as being perfect looking, than a fairy tale character is what they would be compared to. A little girl will see Rapunzel and want to be like her because she’s pretty and a princess and they will l...
How did we get here? In 1697, French writer Charles Perrault updated an age-old fairy tale about a young woman named Cinderella to appeal to his contemporaries, French nobility and bourgeoisie. So many of the early versions of the tale boasted a very resourceful young woman who played an active role in her destiny. Perrault, however wrote his Cinderella as a well-mannered, docile, selfless women who would fit seamlessly with the ideal 17th century upper-class society. Historically, fairy tales have reflected the values of society in which they were written or revised mirroring its preoccupations, obsessions, ambitions, and shortcomings. What do these updates say about our culture’s view of women and marriage?
Cinderella 's stepsisters spend many hours dressing for the ball because they know the only quality that matters is their looks. Even Cinderella is fascinated by the nice clothing her fairy godmother gives her. Prince Charming falls in love with her at first sight not because of personality but because of the beauty of her attire. The message is that a woman 's worth is in the way she dresses and the way she looks. That message teaches little girls who listen to Cinderella 's story over and over to grow up becoming women who obsess over their appearance rather than the quality of their