The 1988 film Big, directed by Penny Marshall, is a single-protagonist narrative that can be split into Kristin Thompson’s four-act narrative structure with more or less equally timed sections and turning points leading into them . The set-up of the movie runs for 25 minutes, including the credits, and introduces recurring motifs of play and adolescent sexuality, both made more concrete as the film continues. The complicating action lasts for about 27 minutes, wherein Josh passes his time as a grown-up bumbling around his job at MacMillan toys. In this section the film introduces Paul as a foil and Susan as a possible love interest, carrying on the motif of playing surrounding Josh as he navigates adult interactions. The mid-film turning point …show more content…
takes the story in a direction that focuses on Josh and Susan becoming a couple and Josh’s success at the company, lasting for 23 minutes. This section brings to fruition the string of innocent desire that characterizes Josh. With the climax and epilogue, Josh struggles with the decision to find the Zoltar machine and return home, and the film ends with Susan watching him turn back into a boy in an adult’s clothing. The motifs established in the movie relate Josh’s youth to his success in business, showing how the world that he enters lacks the play that he goes on to bring into it, even in a toy company. His ideas of play are juxtaposed with the adults, and are shown to make him better at the job and at his romantic endeavors with Susan. In that vein, there is a recurring representation of Josh’s romantic and sexual desires in a notably innocent fashion, with repetitions of cautiously looking and multiple instances of missed innuendo. Big uses its motifs and structure to emphasize the value in Josh’ good-natured approach to the harsh environments he walks into, and sends a message that the adults he interacts with can and should be experiencing the world with as much playful wonder as he is. The set-up sequence of Big creates dangling causes that are important for the salient motifs of the movie, such as the Zoltar machine and Billy’s instructions on how to look down a shirt, and introduces the elements that go on to repeat themselves.
The film itself starts with Josh’s computer screen as he plays a text-entry game, which he loses because he cannot type the answer in time. Opening with this computer game does not turn out to just be a quirky vision of a nerdy kid, as this specific game, play in all sorts of ways, and his interest in computers come back across the film. The set-up goes on to create the relationship that Josh has to his friend Billy, as well as his relationship to play in all forms. Josh and Billy play baseball together, and even in their playing the sport there is the additional element of Josh pretending to narrate their actions like a sportscaster, adding imagination to the game itself. The two walk home singing a song made up of jokes. Although many a young boy could be characterized as one who likes to play, these two main characters are shown to interact with a number of classmates who are not as playful. Josh’s crush Cynthia and her gaggle of friends, as well as Cynthia’s older carnival date, are shown to be perceivably cooler than Billy and Josh in that they are taking things more seriously. One of Cynthia’s friends pointedly rolls her eyes at the boys playing with their baseball cards, and neither Derek nor Cynthia show much excitement …show more content…
towards the carnival. Josh’s wish at the Zoltar machine is shown to be motivated by both interactions that involve games and involve his romantic desires.
He loses a test-your-strength game by only getting up to wimpy, which he says he “can’t live with,” before attempting and failing at making a move on Cynthia. He is turned down from the ride that Cynthia is going to go on with an older boy (“he drives”) because he does not meet the height requirement, and storms off to encounter the dangling cause that sets the plot into action. With a minor explanation of the magic that will ensue by pointing out the unplugged cord, which will come back in the climax, the carnival game grants his wish to become big. Taking into account the circumstances in which he makes the wish, it also goes on to fulfill his desires to become more successful in play and romance. In the set-up of the movie, Josh is shown not only to be constantly doing the action of play, but also surrounded by reminders of it. His room and his pajamas are covered in action figures, and he communicates with Billy on orange toy set walkie-talkies. Josh as a child is constantly wearing the jacket for his baseball team, and when he wakes up an adult in his house happens to put on a New York Giants sweatshirt, costuming himself in clothes that evoke
games. This section also includes precursors to the particular brand of sexuality throughout the film, showing Josh’s interest in figuring out how to be romantic with girls, but through innocence and curiosity. Billy explains to Josh how he can get a glimpse underneath a teacher’s shirt, assuring him that you can see all the way down at the right angle. Josh’s awe about this set him up as the more innocent of the two, who is certainly interested in seeing boobs but not scheming like Billy is. Cynthia also plays a large role in this section, as Josh and Billy discuss whether or not she might be interested in him, and Josh is motivated to make his wish after feeling passed up for an older boy. Again Josh’s interest in exploring girls is highlighted, but along with his passivity in doing so. His innocence does not mean failure, as Cynthia does seem reasonably open to talking to him, but he still does not achieve a relationship with her. The set-up section ends 25 minutes into the film, as the narrative’s deadline is set with the consumer affairs desk telling him it will take six weeks to provide a list of where the Zoltar machine might be. At this turning point, Billy has helped Josh find a seedy hotel to stay at in New York City and after checking arcade retail stores looking for Zoltar, they realize the only option is for Josh to find a job to stay occupied and be able to live while they wait for the results. The understanding that their tactic must change to waiting instead of actively looking, or trying to figure out a different plan, puts the plot in the direction that leads to the rest of the movie. The complicating action includes Josh applying and succeeding at MacMillan toy company, and sets up his relationship to Susan that rounds out the motif of his innocent desires and provides meaningful juxtaposition in the motif around play.
In the biographical film Mabo the Audience is positioned by the filmmakers to see Eddie Koiki Mabo as a hardworking, tenacious and strong man.
Based on McKenzie Wark’s game theory written in his article called “Agony (On the Cave)”. Games, like our society, have its own rules that everyone should follow without questioning. Everyone is treated equally and can’t escape from these rules’ controlling power. The relationship between rules and games is also revealing in the film Wreck-it Ralph. The film talks about the main character, Ralph, leaving his own game, escaping to the “Sugar Rush” game, fighting with Turbo, and finally solving a big threat to the whole game world. In this scene, Turbo, the antagonist, disturbs the “Road Blaster” game because he envies its taking over his place and ultimately moving out from the arcade. In this essay, I will use Wark’s theory as the lens to discuss
Spike Lee does many fascinating things from a directorial standpoint, which makes his film (dare I say, joint), Do the Right Thing so interesting to watch. Writer, director Lee makes much use of the high and low angle shots. He does this to draw clear contrasts between the two elders of the block, Da Mayor and Mother Sister and to make conflict more apparent.
Andy goes back to school and talks to his basketball coach about how he feels about Rob's death and how his fiends and family feel about the accident. In addition, they discuss Andy's sentence because Andy keeps punishing himself for Rob's death. Everybody at school was crying during Rob's memorial service. Grief Counselors from downtown come to the school to try to get the kids to share their feelings.
The main protagonist of the film, Scotty Smalls, is introduced as a straight-A, friendless young boy who has just moved into a new neighborhood in new state. While
... story we see that Guy is unable to accept, what he thinks to be failure, and climbs out of the hot air balloon and falls to his death. Not only do his dreams die with him, but they also impact Lili and Little Guy with his absence.
The Wizard of Oz is a 1939 film directed by Victor Fleming, which follows Dorothy Gale on her journey through the magical land of Oz. Dorothy is swept away from a farm in Kansas to the land of Oz in a tornado and embarks on a quest to see the Wizard who can help her return to her home in Kansas. The director, uses a number cinematic techniques such as camera angles, lighting, colour and dialogue to portray a central theme of There’s no place like home.
There are many people that believe that working together can build a strong friendship. Kevin and Max go back to school. There, Max is mistaken for a giant, unintelligent, young boy until Freak says that Max knows the answers. Just that he is too shy to say them in front of the class. So, the teacher had him write down the answers to the problems and show them to her after class. She sees that Max is just as smart as everyone else, so then she lets Max move
The Big Lebowski is a stoner comedy about a middle-aged hippie who likes to go bowling. The main action of the plot begins when two thugs break into Jeffery Lebowski’s (a.k.a “The Dude”) apartment and try to shake him down for debt his wife has incurred. After some physical abuse, a lot of yelling, and a rug-urination incident the Dude is able to convince them that they have the wrong man. The thugs have come to the wrong Jeffery Lebowski’s house there is another man by the same name with a “nympho” wife named Bunny and much more money. At the instigation of his bowling buddies, the violent Vietnam veteran Walter and the meek and rarely heard Donnie, he takes his soiled rug to the mansion of the “Big Lebowski” to demand a replacement. He eventually leaves, having taken a replacement rug off the floor of the big Lebowski’s floor. This odd incident leads to his involvement in the complicated kidnapping of Bunny. Though he insists that the woman has simply gone on vacation without bothering to tell her much-older husband, the Dude finds himself inextricably involved in a plot involving a pornographer, nihilists, and a kind-of love affair with the big Lebowski’s daughter Maude. Eventually the...
This TV series isn't all about the plot but about the message within the plot that viewers receive; this is a well thought out masterpiece of drama, that connects to millions of teens of the shows target audience on a high emotional level. Full of drama, as what happens in high school, where all the characters go from innocence to experience. The show has a good use of the domino effect where every little move causes another event. This effect creates a message of your words and actions have the power to change things and make a difference. The first domino effect is when Lucas Scott joins the basketball team where his half brother is the captain. Lucas joining the team starts drama between him and the whole basketball team along with their father.
The movie is about really big things, it’s a lot about modern-day ambition within an old business world. It’s about social interaction and primarily it’s about a big war. Two friends look to create something amazing that would impact the whole world, which eventually ends up breaking their friendship. Act 1 establishes Mark Zuckerberg (played by Jesse Eisenberg) in an Ordinary world, who gets dumped by his girlfriend (Rooney Mara) due to his behavior against her. Mark blogs about her girlfriend breaking up and referring her as “ a bitch” in his online blog. Later that night he picks up an idea to create a website called face match act 2 call to adventure (Vogler, 2007). Where female students are matched against each other based on their physical appearances. He sees this move as ‘payback’ of his girlfriend.
While delving deeper into the seas of analysis, close attention paid to the players depicted will reveal a bit of insight into a more subtle marketing scheme: This game is fun, yes, but it is also simple. It is so simple, in fact, that even a child can attain a level of mastery sufficient to overcome a far older, more experienced player. A young man—most likely older than eight, as eight is the minimum age stated not-so-subtly to the left—sits opposite an older man. It is probably a safe assumption that the two are related, as they have similar hair and facial features. This assumption will prove to be useful later.
The movie being analyzed is the Sandlot. The relationship between the two main characters is a friendship, which begins with one boy who is desperate for friends and another who is searching for The Sandlot’s last teammate. The friendship between Benny and Small’s is an accurate depiction of the development of friendship in real life. In the movie, Scotty Smalls (Smalls) moves to a new neighborhood. One of his new neighbors happens to be the best baseball player in the neighborhood, Benny, who eventually teaches Smalls how to catch and throw so that the team has a ninth player. What begins as filling a baseball position eventually leads to a strong bond between the two main characters. Throughout the summer, the team plays baseball, goes swimming, plays baseball, goes to the fair, and plays baseball. A dog known as “The Beast” lives behind the fence of The Sandlot. The Beast is said to have eaten every baseball and person that has ever been on the other side of that fence, so when the boys hit Small’s stepfather’s signed baseball over the fence, they have to come together to retrieve the baseball. In the movie The Sandlot, directed by David M. Evans, the development of the friendship between Scott Smalls and Benjamin Franklin Rodriguez is conveyed through their communication. The Sandlot shows the progression of a friendship and the importance of communication to help a friendship flourish.
This comes when he kills the spider that wrapped him in its web as he slept. Killing the spider changes him, giving him a newfound sense of confidence and pride.
Edwin S. Porter contributed the following editing styles and techniques to film. He used a dissolve between every shot just and he frequently had the same action repeated across the dissolves. According to Filmrefrence.com “Edison Company’s new Vitascope projector in Indiana and California, and Porter worked with them as a projectionist in Los Angeles and Indianapolis. Later that year he went to work for Raff & Gammon in New York but left after the Edison Company broke with Raff & Gammon. He then toured with entertainers through the Caribbean as an exhibitor of motion pictures, and in early 1897 he helped build the projector at the Eden Musée”(Filmrefrence.com.2014).