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Patriarchy, Power, Property
Through feminist theory we experience this story as something greater than a tragic slavery narrative; instead we can examine how power intersects with gender in producing a woman’s experience. Valerie Martin’s novel Property explores the continuous struggle for attaining power and the complexities in the moral structure of society, which rests upon the oppression of women in a patriarchal society. These societies consist of “any culture that privileges men by promoting traditional gender roles” (Tyson 85), roles that have been used to validate the inequalities between men and women. Patriarchy by definition is sexist, promoting the belief that women are innately inferior to men. This dichotomized thought has created a patriarchal order within all western (Anglo-European) worlds, objectifying and marginalizing women and only seeing them for what they lack in comparison to men (Tyson 92). Property demonstrates the power stratification during the time of slavery and the struggles to abandon femininity to attain masculinity, and consequently gain access to power. The main character’s efforts for control are displayed through her drive to marry, own property, and achieve sexual dominance.
The year is 1828, and slavery dominates the United States. Manon Gaudet, a women of beauty and intelligence, is fixed in a hellish marriage to a failing Louisiana sugar plantation owner. Manon has a privileged position within the plantation but is simultaneously at the mercy of the Victorian Ideal of the true woman, “submissive, fragile, and sexually pure” (Tyson 106). During this time, power is strongly stratified based on gender; therefore, a woman is nothing without a man. Manon’s dreadful marriage began due to her h...
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...of power and masculinity.
While Property reveals the corrupting and dehumanizing power of ownership on those who own, it also explores the stratification of power between femininity and masculinity. The novel makes readers reflect on the post-slavery constructions of gender and how the patriarchal systems still stands in effect today. Manon is an unsympathetic heroine and her moral blindness and casual cruelty makes it hard to connect with her. However, she is a product of her society, and without hurting others to get power, she would be forced into submissiveness. The stand she takes against the patriarchal order should be commended, but the steps she must take to reach her goal are repulsive. Manon is one example of the many women who are caught in the vicious circle of being viewed as weak and powerless but are ridiculed for their attempts to rise above it.
In all, Tademy does a great job in transporting her readers back to the 1800s in rural Louisiana. This book is a profound alternative to just another slave narrative. Instead of history it offers ‘herstory’. This story offers insight to the issues of slavery through a women’s perspective, something that not so many books offer. Not only does it give readers just one account or perspective of slavery but it gives readers a take on slavery through generation after generation. From the early days of slavery through the Civil War, a narrative of familial strength, pride, and culture are captured in these lines.
In “A Good Man Is Hard To Find,” O’Connor introduces the reader to a family who represents the juxtaposition between old and new Southern culture. The grandmother, in particular, represents the old South because she focuses on her appearance, manners, and other attributes that are considered the stereotypical image of femininity. She is a self proclaimed lady whose “collars and cuffs were white organdy trimmed with lace” and “at her neckline, she had pinned a purple spray of cloth violets containing a sachet” (405-406). In fact, she yearned to dress ideally so that “in case of an accident, anyone seeing her dead...
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
It has defined “manhood” in terms of it’s own interest and “femininity” likewise” (Beale, 146). Because gender roles in American society are so skewed it is viewed with negative connotation if the women is “dominant” in a relationship. Men should, in the eyes of society, be more powerful than the woman. Moynihan connects the lack of dominance in the black male with economic and educational downfall.
Slaves are aware of their positions in society and have the choice to comply with their masters’ demands in order to gain a greater benefit to themselves often in the form of physical protection from abuse. Within the plantation hierarchy, the house slave was considered higher up than field slaves due to their close proximity to the master (Hall 566). The house slave’s position in the plantation microcosm evoked not only favor from the master, but jealousy from the field slaves. The fair-skinned, house slave woman and her master’s control over her mental psyche is a defining factor of her identity in relation to the other slaves on the plantation. Linda Brent in Harriet Jacobs’ Incidents in the Life of a Slave Girl is an excellent model of the mental bondage endured by light-skinned house slave women because she makes a conscious choice to continue her mental bondage in order to gain physical freedoms. Although many house slaves, like Linda, were granted physical freedoms, they experienced an unfathomable level of mental bondage that defined their character and prompted them to pick their own place in society.
Valerie Martin’s Novel Property is an engrossing story of the wife of a slave owner and a slave, whom a mistress of the slave owner, during the late 18th century in New Orleans. Martin guides you through both, Manon Guadet and her servant Sarah’s lives, as Ms. Gaudet unhappily lives married on a plantation and Sarah unhappily lives on the plantation. Ms. Gaudet’s misserableness is derived from the misfortune of being married to a man that she despises and does not love. Sarah, the slave, is solely unhappy due to the fact that she is a slave, and has unwillingly conceived to children by Ms. Gaudiest husband, which rightfully makes Sarah a mistress. Throughout the book, Martin captivates the reader and enables you to place yourself in the characters shoes and it is almost as you can relate to how the characters are feeling.
...o they are and restrict them from making any decisions, all the while falsely believing this is “freedom from” or “protection” from the cruel dangers of a utopian society. Here, Atwood echoes the theme of patriarchal leaders subjugating women by using them as political instruments to assert power over the dystopian society.
In “Disorderly Women: Gender and Labor Militancy in the Appalachian South,” Jacquelyn Hall explains that future generations would need to grapple with the expenses of commercialization and to expound a dream that grasped financial equity and group unanimity and also women’s freedom. I determined the reasons for ladies ' insubordination neither reclassified sexual orientation parts nor overcame financial reliance. I recollected why their craving for the trappings of advancement could obscure into a self-constraining consumerism. I estimated how a belief system of sentiment could end in sexual peril or a wedded lady 's troublesome twofold day. None of that, in any case, should cloud a generation’s legacy. I understand requirements for a standard of female open work, another style of sexual expressiveness, the section of ladies into open space and political battles beforehand cornered by men all these pushed against conventional limitations even as they made new susceptibilities.
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s
Patricia Hill Collins outlines the existence of three different dimensions of gender oppression: institutional, symbolic, and individual. The institutional dimension consists of systemic relationship of domination structured through social institutions, such as government, the workplace or education institutions. In other words, this dimension explains “who has the power”. This is completely related to a patriarchal society. Patriarchy is the manifestation and institutionalism of male dominance. This means that men hold power in all institutions, while women are denied the access to this power. The symbolic dimension of oppression is based on widespread socially sanctioned ideologies used to justify relations of domination. It reflects inequality
In her essay, Woman in the Nineteenth Century, Margaret Fuller discusses the state of marriage in America during the 1800‘s. She is a victim of her own knowledge, and is literally considered ugly because of her wisdom. She feels that if certain stereotypes can be broken down, women can have the respect of men intellectually, physically, and emotionally. She explains why some of the inequalities exist in marriages around her. Fuller feels that once women are accepted as equals, men and women will be able achieve a true love not yet known to the people of the world.
Deborah Gray White in Aren’t I a Woman: Female Slaves in the Plantation South theorizes that black women in the plantation south were the most vulnerable group in early America. These were black women in a white Southern society, slaves in a free American society, and women in a society ruled by men which gave them the least power and the most vulnerability in the plantation south. Their degradation was the result of American stigmas that understood black women as being promiscuous, licentious females who had high birth rates as well as a high pain tolerance. Although black women were seen as a part of the weaker sex, they were not seen as being as not seen as ineffectual. These women were sold for their abilities that include, but are not
Women for decades have been oppressed by male dominance and superiority. Throughout the Women’s Movem...
In “The Yellow Wallpaper” by Charlotte Perkins Gilman, the narrator and her husband John can be seen as strong representations of the effects society’s stereotypical gender roles as the dominant male and submissive female have within a marriage. Because John’s wife takes on the role as the submissive female, John essentially controlled all aspects of his wife’s life, resulting in the failure of the couple to properly communicate and understand each other. The story is intended to revolve around late 19th century America, however it still occurs today. Most marriages still follow the traditional gender stereotypes, potentially resulting in a majority of couples to uphold an unhealthy relationship or file for divorce. By comparing the “The yellow wallpaper” with the article “Eroticizing Inequality in the United States: The Consequences and Determinants of Traditional Gender Role Adherence in Intimate Relationships”, the similarities between the 19th century and 21st century marriage injustice can further be examined. If more couples were able to separate the power between the male and female, America would have less unhappy marriages and divorces.
Women have always been essential to society. Fifty to seventy years ago, a woman was no more than a house wife, caregiver, and at their husbands beck and call. Women had no personal opinion, no voice, and no freedom. They were suppressed by the sociable beliefs of man. A woman’s respectable place was always behind the masculine frame of a man. In the past a woman’s inferiority was not voluntary but instilled by elder women, and/or force. Many, would like to know why? Why was a woman such a threat to a man? Was it just about man’s ability to control, and overpower a woman, or was there a serious threat? Well, everyone has there own opinion about the cause of the past oppression of woman, it is currently still a popular argument today.