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Fate and choice in Macbeth
Fate and choice in Macbeth
Fate and choice in Macbeth
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In Shakespeare’s Macbeth, the protagonist chooses to forgo civic responsibility in order to act upon his true desire of having power. This conflict not only provides for the majority of the plot, it provides Macbeth with depth of character and makes him far more relatable for the audience, and ultimately gives the work greater credibility as a tragedy by allowing the audience to empathize with the protagonist. Macbeth, over the course of the play, fails to balance his loyalty to king and country with his desire for the crown. As a general in King Duncan’s army and the Thane of Glamis and Cawdor, Macbeth is a servant to the Scottish King. However, temptation strikes, and the he soon finds himself stained with royal blood.
The Weird Sisters instigate Macbeth’s conflict by revealing the future of Macbeth and Banquo in regards to the crown. “All hail, Macbeth, thou shalt be king hereafter” (Mac. 1.3.54-55)! “Thou shalt get kings, though thou be none. / So all hail, Macbeth and Banquo” (Mac. 1.3.72-73)! This revelation forces Macbeth to make a choice between his passion and responsibility. After learning the news of his new title, Macbeth is dubious of whether the Weird Sisters’ prophecy is correct, but later decides to let things go
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The ceremony in which King Lear plans to divide his kingdom among his daughters reveals the conflict. The ceremony closely represents a trial; King Lear’s daughter must profession their love to receive a reward. Cordelia’s response, “Unhappy that I am, I cannot heave / My heart into my mouth. I love your majesty / According to my bond; no more nor less” (Lr. 1.1.95-97), to King Lear’s question, “Which of you shall we say doth love us most(Lr. 1.1.51),”detonates the conflict King Lear must face. King Lear’s lack of judgment and unmanly yielding to passion compose his tragic flaw and lead to his downfall. Kent even advises King Lear against his
Macbeth, “A matchless soldier, kinsman to the king, wins the king’s battles and the king’s praise” however, “prompted by inner ambitions and external urgings”, he takes rash decisions conclusively ending in his atrophy of his title, power, and position (Bernad 49). Several factors contribute to the downfall of Macbeth, which produce a contagion effect; and ultimately end with his demise. The weird sisters disclose his prophecies which enlighten him about Duncan’s throne; Lady Macbeth abets Macbeth to realize his deep desires and come to the conclusion to murder Duncan; and Macbeth, the most significant contributor, makes his deep desires come to reality. In Macbeth, by William Shakespeare, the weird sisters and Lady Macbeth are important contributors to Macbeth 's downfall, however, they are not mostly responsible. Unlike, the weird sisters and Lady Macbeth, Macbeth is the most prominent contributor to his downfall; whose actions, decisions, and state of mind lead to his ruination.
Upon hearing that Malcom is officially heir to the throne, Macbeth displays shame for his thoughts of murder by explaining “Stars, hide your fires;/Let not light see my black and deep desires” (Document A) At this point, Macbeth reveals his fear of the very idea that has taken hold inside of him, suggesting that he has the capacity to resist the witches’ temptation. Unlike Lady Macbeth, who immediately starts planning to murder King Duncan and eventually convinces Macbeth to join her, Macbeth remains hesitant to commit the murder. Macbeth’s initial hesitance reveals the possibility that he allows the evil thoughts to take over him due to the persuasion of Lady Macbeth or on his own, as opposed to those thoughts forcing their way into reality against his will. If this is the case, the murder of King Duncan was entirely in Macbeth’s control. A short while later, Macbeth explains to his wife that he “ha[s] done the deed” (Document C). Unlike Lady Macbeth, who is unable to murder the king herself, Macbeth reveals that only he has the power to murder King Duncan. After murdering him, Macbeth moves to take more control of the events around him. Out of a fear instilled in him by the weïrd sisters, Macbeth murders Banquo. Now, Macbeth is trying to free himself from the control exerted on him by the weïrd sisters. Unfortunately, by trying to free himself, Macbeh finds himself further entangled in the strings of the powerful weïrd sisters. The dominance of the sisters is not complete, since they allow Macbeth the choice of how to act on their prophecies. By allowing him some choice, the weïrd sisters give Macbeth the ability to control how the prophecy comes true; however, they never allow him to alter the end result. No matter how Macbeth acts, the prophecies of the witches will ultimately come true. Unlike Lady Macbeth, though, Macbeth brings his fate upon himself, and by
in Duncan's army, Banquo. After the fight, the Weird Sisters decide. to pay Macbeth and Banquo a visit and tell them that Macbeth will soon become the Thane of Cawdor, and then King. They also tell Banquo that his sons will become king. Therefore, the Weird Sisters hold.
Humans are always fascinated by power. Sadly, they do not realize the danger of it until it is too late. In the play Macbeth, William Shakespeare's underscores how Macbeth and Lady Macbeth are both consumed by power. In the beginning, Lady Macbeth dominates Macbeth, manipulating him to kill Duncan. After the death of Duncan, Macbeth becomes ambitious, and hires murderers to kill Banquo without notifying Lady Macbeth. Even though he is a decorated soldier, when Macbeth rises to power, he becomes ruthless. On the other hand, Lady Macbeth becomes weak, and insane. Shakespeare illustrates how Macbeth’s obsession with power undermines his moral judgement, leads to his mental deterioration, and ultimately results in his death.
William Shakespeare’s Macbeth is a tragedy in which the main characters are obsessed by the desire for power. Macbeth’s aspiration for power blinds him to the ethical implications of his dreadful acts. The more that Shakespeare’s Macbeth represses his murderous feelings, the more he is haunted by them. By analyzing his hallucinations it is possible to trace his deteriorating mental state and the trajectory of his ultimate fall. Throughout the play Macbeth is never satisfied with himself. He feels the need to keep committing crime in order to keep what he wants most: his kingship. The harder Macbeth tries to change his fate the more he tends to run into his fate. His ambition and struggle for power was Macbeth’s tragic flaw in the play. Macbeth’s rise to the throne was brought about by the same external forces that ensure his downfall.
The weird sisters (witches) have a great impact on Macbeths state of mind when he decides to follow through with many of his actions. The witches are responsible for putting the idea of Macbeth becoming king in his head. Faith in the witches compromises his honour since they are believed to be evil however Macbeth
William Shakespeare’s Macbeth is a play centred around opposing forces trying to gain power in the succession for the throne of Scotland. Macbeth, in the beginning, is known to be a noble and strong willed man, who is ready to fight for his country. However, one may see that Macbeth has a darker side to him, he is power hungry and blood thirsty, and will not stop until he has secured his spot as King of Scotland. Though Macbeth may be a tyrant, he is very nave, gullible, and vulnerable.
In the beginning of the play, Macbeth is described as being “valiant”. He is a skilled warrior, who is loyal to his king and his country. Almost single-handedly, he wins the war for Scotland. He defeats many of the enemy soldiers, including a traitor, all in the name of his king. But, when three witches encounter Macbeth and his friend Banquo, Macbeth’s ambition begins to grow. They tell Macbeth that he will be Thane of Cawdor and King. Soon after, Macbeth meets with King Duncan. He informs Macbeth that he is the new Thane of Cawdor. Macbeth is astonished, and from then on he is obsessed with being king. His ambition begins to become ruthless when Duncan proclaims that his son Malcolm is the Prince of Cumberland, and therefore, the heir to the throne: “The Prince of Cumberland! That is a step/On which I must fall down, or else o’erleap, /For in my way it lies. Stars, hide your fires;/Let not light see my black and deep desires:/The eye wink at the hand; yet let that be/Which the eye fears, when it is done, to see.” (I,iv,48-53) At this moment, Macbeth, realizing that they stand in the way of the witches’ prophecies, decides that both Duncan and Malcolm need to die for him to be king. As soon as Macbeth kills Duncan, he enters into a world of evil. Later in the play, Macbeth’s ambition becomes increasingly ruthless. He kills his best friend Banquo, and almost kills Banquo’s son, Fleance, because he believes they would stand in the way of his reign. The witches told Banquo “Thou shall get kings, though thou be none.” (I,iii,67) This means that Banquo himself would not be a king, but that his successors would be. Macbeth tries to prevent this by killing Banquo and his son Fleance.
Macbeth’s ambition to obtain power convinces him that it is his destiny to become King of Scotland, and that he should do anything to fulfill that destiny, even if it involves him committing tremendously immoral acts such as murder. After Macbeth realizes that the witches may actually speak the truth due to the second prophecy (Thane of Cawdor) becoming true, he begins to have an eerie and frightening thought of him killing his king and friend, Duncan, in order to ac...
The tragedy of Macbeth opens up with him returning home from a victorious military battle, displaying his honor and excellence. This is, also the first time he is presented with the opportunity for power. His success covered him with glory in defense of the crown. Macbeth is busily basking in his own glory and soaking up credit when Duncan basically steals his spotlight from right over his head, proclaiming Malcolm, Duncan's son, as the heir-apparent. This action also belittles Macbeth's achievement, since the procession of the throne is not necessarily dictated by bloodlines. Duncan is basically announcing that Macbeth, while noble, is inferior to his son Malcolm. This is where Duncan provokes Macbeth to hate him and also points out what Macbeth must do to become King. Duncan even tempts Macbeth, by pronouncing him as the Thane of Cawdor. This gives Macbeth a taste of power and he begins to have a desire for more. This desire or ambition is his fatal flaw. Shakespeare, by using Macbeth as a guide, shows that even the honorable men can fall into the hands of evil just like everyone else. No one is safe from his or her own ambitions of power and success. It is clear that Macbeth ends up a far more brutal and simple...
These ambiguities are iteratively explained, corresponding with the changes in characterization; for example, when the second vision granted to Macbeth by the Weïrd sisters advises him to, “Be bloody, bold, and resolute. Laugh to scorn / The power of man, for none of woman born / Shall harm Macbeth” (4.1.90-92). Upon hearing this, Macbeth appears to simply disregard the earlier prophecy that it will be Banquo’s children, not his own, that will take the throne after him and believes himself to be effectively invincible, which coincides with another shift in Macbeth’s nature, more specifically his growing arrogance that eventually leads to his defeat at the hands of
Macbeth’s blind ambition leads him to surrender to his dark desires that taunt him throughout the play. Macbeth is frequently tempted to result to the wrongful methods that seem to roam inside of him. In the beginning however Macbeth tends to ignore these desires and depends on chance. He declares “if chance will have me king, why, chance may crown me, without my stir” (Shakespeare, act 1, scene 3, 143-144). This declaration by Macbeth shows his initial stand, which is reliant on fate and sin free. Yet as Macbeth’s character develops throughout the play, he moves farther from his dependence on chance and closer to his darker desires. Eventually his blind ambition to become king overp...
The heroic loyal character of Macbeth is forced into a internal battle to decide between ambition and loyalty to his king. Macbeth overcomes the evil within him, though Lady Macbeth crushes his thoughts of loyalty to the king by calling him a coward or threatening his manliness. Macbeth allows the evilness to grow within him, which allows ambition to take control of his life. Due to the evilness that has started to control his life he prepares to kill the man who has given him everything to his credit, to fulfil his ambition, and to become King.
William Shakespeare draws Macbeth as an ambitious usurper who nevertheless has certain virtues: courage, righteousness, and a devoted love for his wife. In doing so, Shakespeare shows he understands the dual nature of human beings. In the beginning of the play, Macbeth is portrayed as a courageous and noble warrior, who valiantly fought for his King, until he finally meets the witches. “For brave Macbeth—well he deserves that name”, (Act 1, Scene 2, Line 16). Dramatic irony is tied in as only the audience know that Macbeth will soon betray the king – displaying his duplicity. Macbeth is praised for his courage in battle by the Sergeant. “O valiant cousin! worthy gentleman!” replies Duncan, and we, the audience see the esteem Macbeth is held in and the nobility he has shown as a loyal solider and kinsman. This leads to Macbeth being ennobled with the Thaneship of Cawdor which later engenders in him hope for inheriting the crown. Soon, Macbeth meets the witches and they prophesise that Macbeth will be crowned king of Scotland – unleashing his passion for ambition whi...
Shakespeare expresses two major themes in King Lear: love and wisdom. King Lear’s struggle to recognize authentic love, love himself, and acknowledge the wisdom imparted on him, due to his weak emotional state, results in needless conflicts and the deaths of many. In the first scene of King Lear, Lear reveals his plan to split his kingdom between his daughters by asking them how much they love him. The daughter that proves she loves him the most receives the largest portion of the kingdom (1.1.46-50). Kent intends to calm Lear down, yet Lear’s unstable emotions at the time lead to him thrashing out against Kent, even threatening him.