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Gender roles in the Renaissance
Gender roles in the Renaissance
Shakespeare portrayal of women
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Daughters and Parental Restriction in Shakespeare
Young sons and daughters take center stage in several of William Shakespeare’s plays, including the tragedies of Romeo and Juliet and Hamlet. However, the treatment of the sons in comparison to daughters differs substantially. Although both are constrained by similar forces, these work to very different extents based on their genders. While young men such as Romeo, Hamlet, and Laertes are given relatively free reign to do as and go where they please, Juliet and Ophelia are much more constrained by their parents. The tight control of these parents over their daughters, and their attempts to shape their lives, indirectly cause the young women’s deaths. Shakespeare therefore suggests that young women should be given more freedom, as their male counterparts are. This idea greatly challenges the social
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Juliet rushes into an ill-fated plan to escape with Romeo because her parents are forcing her to marry Paris, and this ultimately leads to her suicide. Because Polonius pushes Ophelia to deceive Hamlet, she loses her lover, and when this is coupled with Polonius’s slaying by Hamlet she is driven to total madness. Without her father to shape her identity, Ophelia is lost, telling King Claudius that, “I would give you some violets, but they withered all when my father died” (Hamlet 4.2. 177-178). Although some may argue that this is actually evidence Shakespeare supports the notion of daughters being compliant with their fathers, I think that it moreso shows that because of the strict constraints placed on Ophelia, she was unable to handle her grief without being pushed to insanity. Shakespeare presents the idea that when young women are controlled, they will meet their gruesome end because of it. This also connects Juliet and Ophelia to the theme of civil war and self-slaughter that the playwright explores in both
In the play The Tragedy of Romeo and Juliet by William Shakespeare, a quintessential pair of teens fall in love, but their fate ends in misfortune. The pair falls in love in a time where women are seen as unimportant and insignificant. In spite of this, Romeo breaks the boundaries of male dominance and shows a more feminine side. Throughout the play, there is an interesting depiction of gender roles that is contrary to the society of the time period.
Ophelia is a character in Hamlet that is chronically faithful to everyone else but herself. Ophelia is deeply in love with Hamlet, and she is certain that he loves her as well. This is clear from the assertions she makes in Hamlet’s defense: “My lord, he hath importuned me with love in honest fashion. And hath given countenance to his speech, my lord, with almost all the holy vows of heaven” (1795). Ophelia’s downfall emerges when she doubts her own feelings and beliefs about Hamlet, upon instruction and advice from her brother and father. Ophelia, a confident and intelligent woman, begins to rely on others to tell her what to think and how to act. “I do not know, my lord, what I should think” (1795). Upon Polonius request, and going against her own hearts desires, she starts to avoid Hamlet. “No, my good lord, but, as you did command, I did repel his letters and denied his access to me” (1806). By doing what her father advises and wishes Ophelia is no longer capable of making decisions for herself. The loss of Hamlet’s love and the death of her father leave her with confusion and doubts about her future. “Well, Go...
Ophelia is portrayed as a sensitive, fragile woman. Easily overpowered and controlled by her brother and father, Ophelia is destined to be weak. Ophelia’s brother, Laertes, warns and pushes Ophelia to stay away from Hamlet and is further supported by their father Polonius. “Polonius enters and adds his warning to those of Laertes. He orders Ophelia not to spend time with Hamlet or even talk to him. Ophelia promises to obey” (“Hamlet” 95). Ophelia’s obedience to her father’s directions prove the side she
In The Tragedy of Hamlet, Shakespeare developed the story of prince Hamlet, and the murder of his father by the king's brother, Claudius. Hamlet reacted to this event with an internal battle that harmed everyone around him. Ophelia was the character most greatly impacted by Hamlet's feigned and real madness - she first lost her father, her sanity, and then her life. Ophelia, obedient, weak-willed, and no feminist role model, deserves the most pity of any character in the play.
The story of Hamlet is a morbid tale of tragedy, commitment, and manipulation; this is especially evident within the character of Ophelia. Throughout the play, Ophelia is torn between obeying and following the different commitments that she has to men in her life. She is constantly torn between the choice of obeying the decisions and wishes of her family or that of Hamlet. She is a constant subject of manipulation and brain washing from both her father and brother. Ophelia is not only subject to the torture of others using her for their intentions but she is also susceptible to abuse from Hamlet. Both her father and her brother believe that Hamlet is using her to achieve his own personal goals.
Ophelia, in William Shakespeare’s Hamlet, represents a self-confident and aware female character. She analyzes the world around her and recognizes the multitude of male figures attempting to control her life. Her actions display not only this awareness, but also maturity in her non-confrontational discussions. Though she is demeaned by Laertes, Polonius, and Hamlet, Ophelia exhibits intelligence and independence and ultimately resorts to suicide in order to free herself from the power of the men around her.
The volume of works that Shakespeare wrote over the course of his lifetime was extensive. In that volume are stories that have influenced so many stories written later, stories that have influenced how many define things like love. Romeo and Juliet is perhaps his best-known work and defined western civilization's concept of love for generations. While slightly lesser known, Hamlet has had much the same degree of impact. This revenge tragedy truly defines the genre and opens up dialogues to many things, like madness. It is often the madness of Hamlet that is delved into but Ophelia too went mad in the end. While her father's murder at the hands of Hamlet undeniably contributed to her suicide, it was not the sole cause. Ophelia was driven to suicide by the way the men in her life treated her.
Anna Freud, the founder of child psychoanalysis, once said, “It is only when parental feelings are ineffective or too ambivalent or when the mother's emotions are temporarily engaged elsewhere that children feel lost” (“Anna Freud”). In this case, the children, Romeo and Juliet, get lost and confused, leading to their ultimate deaths. While they cannot live without each other, they also cannot live with each other either, since they end up dying together from all the conflicts piling on top on each other. Since Romeo and Juliet do not really have any parental influence in their lives, they do not know how resolve their conflict of star-crossed love. Due to miscommunication, conflicting viewpoints between parents and adolescents, and a lack of involvement in their children’s lives, Shakespeare shows through Romeo and Juliet that adults are ineffective in saving their children’s lives.
Ophelia is a perfect example of how the poison of revenge of the kingdom of Elsinore does not only affect the person committing these acts, and as the victim, but the innocent bystanders as well. Originally Ophelia had nothing to do with King Hamlet’s unjust death, but her relationship and involvement with Hamlet, her father, and Claudius and Gertrude is enough to make her a lunatic and at last her deplorable death. Shakespeare shows Ophelia’s heartbreaking downfall in her speeches after her father’s passing “There’s/ rue for you, and here’s some for me.../Oh, you must wear your rue with a difference.—There’s a daisy. I would/ give you some violets, but they withered all when/ my father died. They say he made a good end” (Hamlet: IV.v.51). It is clear that the corruption in the kingdom causes Ophelia to become insane. She cannot cope with or overcome her father’s unfortunate death because it was committed by her love, Hamlet. As Ophelia becomes insane due to her father’s death, she is also affected by Hamlet’s treatment of her. Ophelia wants to trust Hamlet and does not understand his antic disposition, but still tries to be loyal to him. However, the way Hamlet treats Ophelias contributes to her insanity and is arguably the most recognizable cause of her misfortune “Get thee to a nunnery,/...Or, if thou wilt needs marry,/ marry a fool,
To capture our sympathy, Ophelia goes through a transformation unlike any other character in Hamlet. She is abandoned by everyone she holds dear; her father Polonius, her brother Laertes, and Hamlet, her lover. And yet Ophelia becomes tangled in a web of madness when her loyalty is torn between Polonius and Hamlet. Most horrible of all is Ophelia's suicide-death. The emotion is evokes, coupled with the above points shows that Shakespeare's intentions was to make Ophelia, a minor character in terms of the number of lines assigned to her, into a memorable character evoking the most sympathy.
The portrayal of gender roles in William Shakespeare’s play Othello, demonstrates the inferior treatment of women and the certain stereotypes of men placed on them by society. Both the male and female characters in the play have these certain gender expectations placed on them. In a society dominated by men, it is understood that the women are to be seen rather than heard. The women are referred to and treated much like property. If indeed they do speak up, they are quickly silenced. One woman’s attempt to be the perfect wife is what ultimately led to her demise. The expectations of men are equally stereotypical. Men are to be leaders and to be in control and dominant especially over the women. The male characters compete for position and use the female characters in the play as leverage to manipulate each other. Shakespeare provides insight in understanding the outcomes of the men and women who are faced with the pressures of trying to live up to society’s expectations, not only in the workplace, but also in the home. The pressure creates jealousy issues amongst the men and they become blind to the voice of reason and are overtaken by jealous rage, leads to the death of many of the characters.
Despite Ophelia’s weak will, the male characters respond dramatically to her actions, proving that women indeed have a large impact in Hamlet. Her obedience is actually her downfall, because it allows the male characters to control and use her in their schemes. Ophelia’s betrayal ends up putting Hamlet over the edge, motivating him in his quest for revenge. Ophelia is one of the two women in the play. As the daughter of Polonius, she only speaks in the company of several men, or directly to her brother or father. Since we never see her interactions with women, she suppresses her own thoughts in order to please her superiors. Yet however weak and dependent her character is on the surface, Ophelia is a cornerstone to the play’s progression. One way that her manipulation is key to Hamlet’s plot is when Polonius orders her “in plain terms, from this time forth/ Have you so slander any moment leisure/As to give words or talk with the Lord Hamlet,” (1.3.131-133). She complies with his wishes, agreeing to return any tokens of Hamlet’s love to him, verify t...
There are two major female characters in Hamlet, the first is Ophelia. Ophelia is Hamlet’s love interest, and the daughter of Polonius - a faithful servant to King Claudius. On several occasions, Ophelia is disrespected and controlled by the men in her life. OPhelia’s father Polonius, was constantly dictating her life. He made his wishes known to her on several occasions in regards to her relationship with Hamlet. Polonius was also successful in getting Ophelia to help him spy and keep tabs on Hamlet. He tells Ophelia to stop spending time with Hamlet after a long talk about his intentions, “I would not, in plain terms, from this time forth, Have you so slander any moment leisure,As to give words or talk with the Lord Hamlet.Lo...
... or desires. This claustrophobic sensation daily burdens women, disabling them to reach their greatest potential. In Romeo and Juliet, this thick environment suppresses each of the three crucial women, and ultimately, it is the agent of their fate. Would Juliet's tragic death been avoided if the societal structure been changed? Would Lady Capulet had been so apathetic, withdrawn, and submissive if she was no longer bound by marriage? Or would the Nurse be so condemned every time she desired to speak her voice? Shakespeare constructs and illuminates these three distinct reactions to social oppression by portraying a determined, passionate lover, an idyllic, apathetic housewife, and a vociferous, bawdy attendant, and by doing so, he establishes that no matter what a woman does, the patriarchal society has already determined her fate in infinite, confined entrapment!
In William Shakespeare’s tragic play Romeo and Juliet, two young lovers from opposing households make impetuous decisions which ultimately lead to the suicide of both lovers (Romeo and Juliet). Juliet, one lover, has mentors that fail her in the play because of their ignorance of her emotional needs and growing independence as a teenager. These mentors are Juliet’s former wet nurse and guardian, the Nurse, Juliet’s mother, Lady Capulet, and Juliet’s father, Lord Capulet.