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The portrayal of death in literature throughout the years
Essay death in literature
The portrayal of death in literature throughout the years
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Death is a powerful event, always affecting those around it deeply. Death pushes people by taking away something they love, forcing them to fill the hole left in the aftermath. Each person deals with loss differently, choosing to let it impact them positively or negatively. Since the beginning of time death has inspired people to turn to religion, increasing their faith to reassure themselves that there is paradise and happiness in the afterlife. But, death has also caused people to lose faith, making them lose purpose and hope. The characters in A Prayer for Owen Meany by John Irving are greatly affected by death. A Prayer for Owen Meany is a story about how the narrator, John Wheelwright, got his faith in God. The novel contains all of John’s …show more content…
Mr. Merrill becomes doubtful and loses his faith in God. Tabby is John’s mother, and Rev. Mr. Merrill was his father. John was their illegitimate child, as Mr. Merrill is a married man. When John talks to Rev. Mr. Merrill after Owen’s death, Rev. Mr. Merrill rejects the idea that Owen predicted his death, he has no faith in the possibility of miracles. John then says, “The Rev. Mr. Merrill confessed that he had no faith at all; he’d lost his faith, he told me, when my mother died” (553). Mr. Merrill constantly feels guilty about his affair with John’s mother, while Tabby quickly moves on. This angers Mr. Merrill, and at a baseball game he prays to God that Tabby would drop dead. At that moment, Tabby is killed and Mr. Merrill loses his faith. Because he prayed for her death, he feels remorseful and loses the power to pray to God, he loses his faith and becomes doubtful. When explaining Rev. Mr. Merrill’s style of preaching, John says, “[Mr. Merrill] was full of doubt; he expressed our doubt” (114). Although this doubt often reassured John, when he was a child, that he was not the only one who was doubtful towards God’s existence, as an adult John realizes that Mr. Merrill’s doubt is not good. Tabby’s death drove away the faithful and religiously passionate man Mr. Merrill once was, replacing him with a stuttering and doubtful one. Tabby’s mortality negatively affected Rev. Mr. Merrill, removing his …show more content…
Mr. Merrill’s loss of faith after Tabby's death, Owen’s need to share his faith with John after he learns the date of his death, and the effect of Owen’s death on John show how mortality positively and negatively affects a person’s faith. Owen and John both are affected by mortality in a positive way. Owen uses it to motivate himself to spread his faith to John, and John uses Owen’s death to affirm his belief in God. On the other hand, Rev. Mr. Merrill is affected negatively. Mr. Merrill loses his faith when faced with Tabby’s death. The characters in A Prayer for Owen Meany show how mortality can affect a person’s faith. Death is a powerful event that can affect people in different ways. Some chose to allow it to affect them in a good way, and others in bad way. John, Owen and Rev. Mr. Merrill all make their choice on how to allow mortality to affect them, and this choice shapes their lives. The struggle with mortality is a common struggle, faced by almost everyone sometime in their life. Making the choice on how you let it affect you is important, as it can affect the rest of your life. By allowing mortality to affect him in a damaging way, Rev. Mr. Merrill becomes a doubtful and unhappy person. On the contrary, Owen uses his upcoming death to make sure he fulfils his goals in life, and John also uses death in a helpful way, allowing Owen’s death to expel his doubts. John Irving chooses to emphasize the effects of mortality because it is a common occurrence in real
In literature of significant standing, no act of violence is perpetrated without reason. For a story to be legitimate in the area of fine literature violence cannot be used in a wanton manner. In John Irving’s modern classic, A Prayer for Owen Meany the audience is faced with multiple scenes of strong violence but violence is never used without reason. All of the violent acts depicted in the novel are totally necessary for the characters and the plot to develop. This plot-required violence can be seen in the novel’s first chapter when Owen accidentally kills John’s mother and in the novel’s last chapter when John relates Owen’s grotesque, while heroic, death to the audience. The violence that is shown in this novel is used in such a calculated manner that it leaves a great impression on the audience.
A deeply pious man, John considers the Bible a sublime source of moral code, guiding him through the challenges of his life. He proclaims to his kid son, for whom he has written this spiritual memoir, that the “Body of Christ, broken for you. Blood of Christ, shed for you” (81). While John manages to stay strong in the faith and nurture a healthy relationship with his son, his relationship with his own father did not follow the same blueprint. John’s father, also named John Ames, was a preacher and had a powerful effect on John’s upbringing. When John was a child, Father was a man of faith. He executed his role of spiritual advisor and father to John for most of his upbringing, but a shift in perspective disrupted that short-lived harmony. Father was always a man who longed for equanimity and peace. This longing was displayed in his dealings with his other son, Edward: the Prodigal son of their family unit, a man who fell away from faith while at school in Germany. John always felt that he “was the good son, so to speak, the one who never left his father's house” (238). Father always watched over John, examining for any sign of heterodoxy. He argued with John as if John were Edward, as if he were trying to get Edward back into the community. Eventually, John’s father's faith begins to falter. He reads the scholarly books
The main theme of A Prayer for Owen Meany is religious faith -- specifically, the relationship between faith and doubt in a world in which there is no obvious evidence for the existence of God. John writes on the first page of the book that Owen Meany is the reason that he is a Christian, and ensuing story is presented as an explanation of the reason why. Though the plot of the novel is quite complicated, the explanation for Owen's effect on Johnny's faith is extremely simple; Owen's life is a miracle -- he has supernatural visions and dreams, he believes that he acts as God's instrument, and he has divine foresight of his own death -- and offers miraculous and almost undeniable evidence of God's existence. The basic thematic shape of the novel is that of a tension being lifted, rather than a tension being resolved; Johnny struggles throughout the book to resolve his religious faith with his skepticism and doubt, but at the novel's end he is not required to make a choice between the two extremes: Owen's miraculous death obviates the need to make a choice, because it offers evidence that banishes doubt. Yet Johnny remains troubled, because Owen's sacrificial death (he dies to save the lives of a group of Vietnamese children) seems painfully unfair. Johnny is left with the problem of accepting God's will. In the end, he invests more faith in Owen himself than he invests in God -- he receives two visitations from Owen beyond the grave -- and he concludes the novel by making Owen something of a Prince of Peace, asking God to allow Owen's resurrection and return to Earth.
Carl Jung was a Swiss psychologist and psychiatrist who developed many theories concerning the unconscious mind. Jung’s theories state that the unconscious part of a human’s psyche has two different layers, the personal unconscious and the collective unconscious. The personal unconscious is unique to every individual; however, the collective unconscious “is inborn.” (Carl Jung, Four Archetypes, 3) The collective unconscious is present in everyone’s psyche, and it contains archetypes which are “those psychic contents which have not yet been submitted to conscious elaboration” (Jung, Archetypes, 5); they are templates of thought that have been inherited through the collective unconscious. Jung has defined many different archetypes such as the archetype of the mother, the archetype of the hero, the archetype of the shadow, etc. These Jungian archetypes are often projected by the collective unconscious onto others. If the novel A Prayer for Owen Meany by John Irving is examined through a Jungian archetypal lens it is possible to discern different archetypes projected by the protagonist’s unconscious self to illustrate the effects of the collective unconscious on character and plot analysis.
The book A Prayer for Owen Meany brings forth various themes and questions that can't be answered easily. One of these questions is "Can religious faith exist alongside doubt, or are the two mutually exclusive?" There are several different possible takes on this question may be answered. How a person answers this question is related to their belief in faith.
Jerry Sittser’s book not only brings readers into loss with all its real emotions and pain but it also highlights truths that can be applied to anyone’s life. Sittser’s faith is evident throughout the book and his struggle of finding his faith within his loss and sorrow is encouraging to many. In the end, through his loss, he finds God again and through the writing of his book is now able to offer many insights on the Christian perspectives of sorrow, loss, forgiveness and how mental illness affects families. Sittser inspires readers because they have witnessed that they can too grow and continue living life despite their loss and without forgetting their loss.
(Petit). Death is used as a way to express not just another home, but also that that life continues on after death. To the characters in her novels, death is seen as something not to fear. She uses the deaths of many characters to symbolize a beginning in the end. She highlights the ideas of death through these letters, and through the tone that Ames gives off about his inevitable death. With the use of these characters and their point of view and tone towards death, Robinson concludes that there is in fact some hope in death, and her audience should feel that
Death is one of life’s most mysterious occurrences. It is sometimes difficult to comprehend why an innocent young child has to die, and a murderer is released from prison and gets a second chance at life. There is no simple explanation for this. Though, perhaps the best, would be the theological perspective that God has a prewritten destiny for every man and woman. In J.D. Salinger’s
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
The two poems, “Do Not Go Gentle into That Good Night”, by Dylan Thomas and, “Because I Could Not Wait for Death”, by Emily Dickinson, we find two distinct treatments on the same theme, death. Although they both represent death, they also represent it as something other than death. Death brings about a variety of different feelings, because no two people feel the same way or believe the same thing. The fact that our faith is unknown makes the notion of death a common topic, as writers can make sense of their own feelings and emotions and in the process hope to make readers make sense of theirs too. Both Dickinson and Thomas are two well known and revered poets for their eloquent capture of these emotions. The poems both explore death and the
Redemption is the act of being saved by from sin, error, or evil. Redemption is a major theme in all writings, short-stories, novels, poems, plays, etc. Many people in their lives look to achieve redemption by the time they kick the bucket, however sometimes redemption is achieved with death. In Christianity I am reminded of the significance of the death of Christ on the cross to relate to the theme of redemption in death. In this paper I hope to accomplish a contrast of the novel A Lesson Before Dying by Ernest J. Gaines and the play of Hamlet by William Shakespeare, by using the theme of redemption in death, and also ultimately explaining
It is inevitable that we will all die it is a fact that everyone must come to terms with. There comes a time in everyone’s life that they must face death; a friend’s tragic accident, a family member’s passing or their own battles with diseases. When faced with the idea of death people will act in different ways some may find it therapeutic to apologize for the negative they have done, some may want to spend time with loved ones to ease the future pain, and others may decide that their life was not what they believed. The story Death Constant Beyond Love tells us about a man named Senator Sanchez who is living a happy life with his wife and five kids. That is until he is told by doctors that he only has a short time to live. Death is unknown much like love, we do not know or understand when love will find us, and it is the same with death. In Death Constant Beyond Love is not your typical love or death story. After told about his pending doom Senator Sanchez wants to keep his life as constant as normal, until his desires for a young woman change his plans, and then he dies.
Leming, M., & Dickinson, G. (2011). Understanding dying, death, & bereavement. (7th ed., pp. 471-4). Belmont, California: Wadsworth.
Death is a natural and inevitable part of life. Everyone will experience death, whether it is of a loved one or oneself. In W.H. Auden’s poem “Funeral Blues” (1003), he describes such a catastrophic event and the drastic effect that it has on his life. It is interesting how people choose to accept this permanent and expected event, death. Similarly, Emily Dickinson has written many poems about death, such as “The last Night that She lived” (843), which describes a family waiting for a woman or girl to die and the dreary and depressed mood that exists within the household. Mourning is considered a perfectly healthy reaction when someone who is deeply loved and cared about passes on, and this is illustrated in “The Memory of Elena” (1070-71) by Carolyn Forche. She writes about the events following a funeral and also flashes back to the actual moment that a wife has watched her husband die. W.H Auden’s “Funeral Blues,” Carolyn Forche’s “The Memory of Elena,” and Emily Dickinson’s “The last Night that She lived” are all poems which share death as their subject matter, but differ in the fact that they discuss death in a unique style with a variety of literary devices to make them more effective.
“Elegy Written in a Country Churchyard” is a poem composed by Thomas Gray over a period of ten years. Beginning shortly after the death of his close friend Richard West in 1742, “Elegy Written in a Country Churchyard” was first published in 1751. This poem’s use of dubbal entendre may lead the intended audience away from the overall theme of death, mourning, loss, despair and sadness; however, this poem clearly uses several literary devices to convey the author’s feelings toward the death of his friend Richard West, his beloved mother, aunt and those fallen soldiers of the Civil War. This essay will discuss how Gray uses that symbolism and dubbal entendre throughout the poem to convey the inevitability of death, mourning, conflict within self, finding virtue in one’s life, dealing with one’s misfortunes and giving recognition to those who would otherwise seem insignificant.