In 1241, King Louis IX was 27 years old, when he decided to build the Sainte Chapelle to house his great treasures – the relics of Christ. In the thirteenth century, the kingdom of France was a prosperous nation in wealth and power. The popular and well-known university, Notre dame was located in Paris that occupied over 200,000 students from many different cultures. “In 1237, the new Franc Emperor of the East, Baudoin II de Dourtenay, was faced by heavy expenses of a mainly military nature; he tried to meet these by selling the Relics of the Passion that were preserved in Byzantium and which he had already partly pledged to the Venetians” (Finance 4). In 1239, Louis bought from him the Holy Crown of Thorns, and two years later bought from him fragments of the True Cross and other relics connected to Christ. King Louis IX was a model for all Christian kings, and this reaffirmed his devotion to Christ, made his kingdom shine in western Christianity, and supported the empire of France. “It is probable that from this date onwards the king thought of building a monumental reliquary to house the precious relics in a dignified manner within the palace precincts, in a similar fashion of the Christian Emperors of the East” (Finance 5). The Sainte Chapelle sparkles like a rare jewel that has magnificent architecture and decoration; the stain glass windows seem to be inside of a jewel case. The many jewels seem to change color every hour with the sunlight rays bouncing back and forth. “The founder, King Louis IX, the future St. Louis, who had it built to house the Holy Relics of the Passion, today dispersed” (Finance 1). The spire has statues of Christ’s apostles at the base of the spire and has angles decorated above the apostles. The ...
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Another example of Christian iconography is The Transfiguration. It is located in the Church of Saint Catherine’s monaster...
“Q&A with Brian Jacques.” Redwall.org. Redwall Abbey Co. Ltd. 11 Apr. 2011. Web. 14 Apr. 2011
Thesis: Both St. John the Baptist Cathedral and Cathedral Basilica of Our Lady of Chartres are constructed in French Gothic style which means that architecturally they have many similarities. However, the 700 year gap between their construction offers St. John the Baptist more flexibility in design and style. Still, their likeness and variations extend far beyond the realm of their design.
Carden, Robert W. "The Franco-British Exhibition." Architectural Review 1908 July, v. 24, p. [32]-37 ; 1908 Sept., p. [108]-111
After walking inside and trying to first experience, the church, and all its beauty and ornateness, I began examining the floor plan and elevations of the cathedral. Grace Cathedral was build in a gothic style, which it represents in its architecture inside and out. There were three huge rose windows. One at the very top of the main entrance and one on either end of the transept. There wer...
The landscape in Madonna with Chancellor Rolin (1436) (pl. 1) shows Van Eyck’s exquisite eye for detail. The battlements of the palace suggest that it is a fortress, built of the edge of an escarpment. The background is a perfectly formed Medieval city divided by river (pl. 2). Symbolically, the Virgin is seated on the grandiose side of town. On the right hand side there are Gothic buildings, and a cathedral which city dwellers are flocking to, suggesting a mass pilgrimage of faith to the Virgin. The accuracy of the background city have led to many attempts to identify it, with connotations of Bruges. However, it is most like...
Mathias Grunewald (c. 1470-1528) was a German painter who created the Isenheim Altarpiece between 1512 and 1516. This work consists of different wings that fold out to reveal more of the work (Collings, 2007) (including the crucifixion of Christ), is on the display at the Unterlinden Museum at Colmar, Alsace, France, and was commissioned for the Monastery of Saint Anthony in Isenheim, near Colmar. On one of these wings is the figure of Saint Anthony of Egypt, whose temptation has been the inspiration for many works of art as well as literature. Unlike other artists of the Renaissance period, Grunewald’s paintings depict religious figures as artists of the middle ages had done, creating imagery for the Church in Rome. And while the Isenheim Altarpiece, and indeed the Temptation of Saint Anthony, was commissioned b...
This cathedral was built during the Medieval Period for the worshipers of God. To this day pilgrims come to see the pure, Gothic cathedral. The massive cathedral seems to loom overhead as if a symbol of God watching over the worshippers that visit. The earlier church burned in 1194, it was rebuilt and has gained a much more appreciated and admirable character distinction, statuary, and stained glass. The distinct character of the thirteenth century was captured, through the “Age of Faith” period. The architecture is Gothic which was very popular in the 1200s. Gothic architects created a frame of support with columns and arches so that the walls no longer need to support the ceilings, but are freed up to hold windows. The Gothic structure allows for plenty of windows. Chartres has a significant collection of medieval stained glass, with over 150 early thirteenth century windows. The windows allowed sunlight to enter the dark, Gothic cathedral in order to highlight the story of Christ through the stained glass windows told throughout history to pilgrims alike. These windows create a spiritual and promising place for thought and prayer. Stained glass was used to help teach the stories of Christ to people that were illiterate during the medieval times. While most worshippers of that day were illiterate, comprehending the symbolism of the story of Christ in each of the windows was vital and gave meaning towards adversity during the medieval ages, as they struggled through their dark and dreary lives, which were filled with hopefulness, while viewing the story through the stained glass windows. The windows are also...
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As I walked into the first gallery, I saw a wood sculpture that stood in the center of the room. This carving depicted “the crucified Christ, flanked by the Virgin Mary and St. John the Evangelist with Angels holding instruments of the Passion”. It was painted oak and very appealing to the eye. It stood approximately 15 feet in the air. The origin of this sculpture is unknown, but it was found in a Belgium church. This kind of sculpture usually stood at the entrance or at the center of the alter in the church facing the congregation. This image of the suffering Christ relates to the Christian ideas of suffering and Christ’s salvation of all mankind.
The Basilica of St. Denis contributed to the rise of the Catholic Church, for it provided a physical representation of the “Holy Jerusalem”, for many people to see. By viewing this representation of heaven, many people reestablished their faith into the church and longed for salvation, so that they can be accepted into the “spiritual heaven” after their death. This desperate attempt to gain salvation caused individuals to devote themselves to the church, which brought the Catholic Church leverage, power, and wealth.
Print. The. Mike. The Evolution of Gothic Architecture. Aquinas Multimedia.
St. Peters Basilica. (2009). Chapel of the Pieta. Retrieved April 15, 2011, from St. Peters