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Throughout time, various groups of people have been subject to some form of tyranny; forced into lives that are not their own. They have been and are stripped of basic rights and the unique qualities that they may possess. One will do just about anything to acquire freedom, once they have become the victim of this type of control. They will fight a higher authority; they will find an escape from themselves and social criticism. Whatever it may be that holds them back, they will resist.
Charlotte Gilman's The Yellow Wallpaper focuses on the maltreatment and inequality of females. Under her husband's command, a young woman suffering from postpartum depression is forced into complete isolation. Not only is she disconnected with the world around her, she must give up the right of self expression. She is not allowed "to engage in normal social conversation" because there is "the possibility of over-stimulating intellectual discussion." Writing, the one thing that she loves to do and longs to do most, is forbidden. This woman is confined to her room; a room that is not pleasurable by any means. The yellow wallpaper is the feature that seems to be the most perplexing. As the days go by, the "wallpaper comes to occupy the narrator's entire reality" until "she rips it from the walls to reveal its real meaning." In this moment, she feels as though she is finally free to be who she wants to be. Although she is driven to insanity, she is able to escape her oppressors. The Yellow Wallpaper can be used as an example of the effects of forcing others to live with strict limitations. It cannot be denied that oppression causes rebellion.
The woman in The Yellow Wallpaper is trapped within her own marriage. Her husband, John, is a physician ...
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...did. Everyone deserves a chance to live with a minimal amount of regulations on whom and what they want to be. Until people are free from oppression, there will always be some form of resistance.
Works Cited
Ford, Karen. ""The Yellow Wallpaper" and Women's Discourse." Tulsa Studies in Women's Literature, 1985: 309-314.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." In An Introduction to Literature, by Sylvan Barnet, William Burto and William E Cain, 419-430. New York: Pearson Longman, 2006.
Thomas, Deborah. The Changing Role of Womanhood: From True Woman to New Woman in Charlotte Perkins Gilman's "The Yellow Wallpaper". July 27, 1998. http://itech.fgcu.edu/faculty/wohlpart/alra/gilman.htm (accessed January 27, 2014).
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in "The Yellow Wallpaper"." Tulsa Studies in Women's Literature, 1984: 61-77.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Anthology of American Literature. New York: W.W. Norton & Company, 2007. 1684-1695.
Gilbert, Sandra M. and Susan Gubar. “A Feminist Reading of ‘The Yellow Wallpaper’.” The Story and Its Writer. Ann Charters. Boston: Bedford/St. Martin’s, 2011. Print.
Susan B. Anthony, a woman’s rights pioneer, once said, “Oh, if I could but live another century and see the fruition of all the work for women! There is so much yet to be done” (“Women’s Voices Magazine”). Women’s rights is a hot button issue in the United States today, and it has been debated for years. In the late 1800’s an individual named Charlotte Perkins Gilman wrote literature to try and paint a picture in the audience’s mind that gender inferiority is both unjust and horrific. In her short story, “The Yellow Wallpaper” Gilman makes the ultimate argument that women should not be seen as subordinate to men, but as equal.
Perkins Gilman, Charlotte. "The Yellow Wallpaper"." The Heath Anthology of American Literature. Concise Ed. Paul Lauter. Boston, MA: Houghton Mifflin, 2004. 1597-1609. Print.
When first reading the gothic feminist tale, “The Yellow Wallpaper” written by Charlotte Perkins Gilman, one might assume this is a short story about a women trying to save her sanity while undergoing treatment for postpartum depression. Gilman herself had suffered post-natal depression and was encouraged to undergo the “rest cure” to cure her hysteria. The treatment prescribed to Gilman resulted in her having a very similar experience as the narrator in the short story. The “perfect rest” (648), which consisted of forced bed rest and isolation sparked the inspiration for “The Yellow Wallpaper.” This story involving an unreliable narrator, became an allegory for repression of women. In “The Yellow Wallpaper”, Gilman illustrates the seclusion and oppression of women in the nineteenth century society by connecting the female imprisonment, social and mental state, and isolation to the objects in and around the room.
The Yellow Wallpaper, Written by Charlotte Perkins Gilman, is comprised as an assortment of journal entries written in first person, by a woman who has been confined to a room by her physician husband who he believes suffers a temporary nervous depression, when she is actually suffering from postpartum depression. He prescribes her a “rest cure”. The woman remains anonymous throughout the story. She becomes obsessed with the yellow wallpaper that surrounds her in the room, and engages in some outrageous imaginations towards the wallpaper. Gilman’s story depicts women’s struggle of independence and individuality at the rise of feminism, as well as a reflection of her own life and experiences.
Gilman, Charlotte Perkins. "The Yellow Wallpaper." The Norton Introduction To Literature. Eds. Jerome Beaty and J. Paul Hunter. 7th Ed. New York, Norton, 1998. 2: 630-642.
In a female oppressive story about a woman driven from postpartum depression to insanity, Charlotte Gilman uses great elements of literature in her short story, The Yellow Wallpaper. Her use of feminism and realism demonstrates how woman's thoughts and opinions were considered in the early 1900?s.
Wohlpart, Jim. American Literature Research and Analysis Web Site. “Charlotte Perkins Gilman, “The Yellow Wallpaper.”” 1997. Florida Gulf Coast University
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Inside Literature. Ed. R. S. Gwynn and Steven J. Zani. New York, New York: Longman Publishers, 2007. 144-158.
Kennedy, X. J., and Dana Gioia. "The Yellow Wallpaper." Backpack Literature: An Introduction to Fiction, Poetry, Drama, and Writing. 2011. Print.
Traditionally, men have held the power in society. Women have been treated as a second class of citizens with neither the legal rights nor the respect of their male counterparts. Culture has contributed to these gender roles by conditioning women to accept their subordinate status while encouraging young men to lead and control. Feminist criticism contends that literature either supports society’s patriarchal structure or provides social criticism in order to change this hierarchy. “The Yellow Wallpaper”, by Charlotte Perkins Gilman, depicts one women’s struggle against the traditional female role into which society attempts to force her and the societal reaction to this act.
Gilman, Charlotte Perkins. “The Yellow Wallpaper.” Booth, Alison and Kelly J. Mays, eds. The Norton Introduction to Literature. 10th ed. New York: Norton, 2010. 354-65. Print.
Treichler, Paula A. "Escaping the Sentence: Diagnosis and Discourse in 'The Yellow Wallpaper.'" Tulsa Studies in Women's Literature 3:1-2 (Spring-Fall 1984): 61-77.
Gilman, Charlotte. “The Yellow Wallpaper.” Literature a World of Writing: Stories, Poems, Plays, and Essays. Ed. David Pike, and Ana Acosta. New York: Longman, 2011. 543-51. Print.