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Outcome based practice
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Outcome Three is being able to create arguments that you could use in an academic setting. This means you must back up your statements with concrete evidence. If one was writing an argumentative piece, this would mean using primary sources, secondary sources, and research done by experts of the field your argument covers. Outcome Three is using substantial evidence to convince one’s audience to agree with their argument. This outcome is applicable in every context, whether having a conversation or presenting because one should always have evidence to back up a claim. Adding evidence to support a claim can only strengthen a claim. For Paper Five I was given the opportunity to develop my own thesis. Over the films watched throughout the quarter, I could choose one or two films and connect them to bigger themes in the world. For example, If I were to do my topic on the Cinderella, I could address how social economic status affects how people are treated within a society, or how love changes one’s life. Beyond developing a larger topic for the films I chose, I provided a formal and analytical analysis for each film. …show more content…
I chose to address the role history played in the Films Children of Men (2006) and Pan’s Labyrinth (2006).
Children of Men “is a movie set in the future, but the constant reference to inhumane treatment towards refugees and immigrants address problems societies are also faced with today.” Pan’s Labyrinth “may seem like a childhood fantasy gone wrong, but the strong historical context makes it much more than a film of a girl’s tragic life.” My paper addressed the role history plays within the films, and how they “address problems beyond those explicitly revealed on screen.” This fulfilled Outcome Three because my I used concrete evidence (history) to support the argument represented
above. Outcome Four was also very important in Paper 5. Outcome Four is revising and editing your writing to produce better results. Paper Five had to be six to seven pages long, which meant mistakes were bound to arise. But this outcome was specifically applicable to my Paper Five because my paper’s formatting needed a lot of improvement. Ungsan Kim commented: “I recommend you incorporate this formal element part to your previous paragraphs by each film.” In my new Paper Five, I organized my paper to Ungsan’s suggestion, and my paragraphs were grouped by the film, rather than both formal and analytical analyses. This made the paper more cohesive because the reader would not have to constantly flip back and forth between the two movies and their analyses. Paper Five was my favorite paper to write, and I spent a significant amount of time editing it because what I said in the paper was important to me. As a lover of history, I made sure the evidence I used was accurate and concise. While talking about Pan’s Labyrinth’s formal analysis I wrote, “Captain Vidal is a clear representation of Francisco Franco, the Spanish Dictator who obtained control after the Civil War.” I did know some information about the Spanish Civil War, but I referred to academic Journals to make I could back up my statement with fact. Through this sentence, I directly related the film’s character to my paper’s focus on history. I hope that you can see the work I put into this paper from my application of Outcomes Three and Four. I edited and revised my paper so I could support my academically rooted argument.
The film that I decided to watch for this assignment was the show Jane the Virgin. The film is about a working and religious young Latina virgin, who becomes pregnant after being unintentionally artificially impregnated. The program humorously mocks commonly used figures and plans in Latin telenovelas. The show has never shied away from getting into political topics, which is why it is one of the most advanced shows on TV right now. The intersectionality aspect in Jane the Virgin is how the show gives us a lesson about abortion, teen pregnancy, and the institutional racism that Latino people face.
Classic stories remain a classic because they convey a message which appeals to people of multiple generations despite changes in society. King Kong was released in print in 1932, a year prior to its release in Hollywood, as a part of the film’s advance marketing. The public of this generation easily accepted the story’s racist, colonialist, and sexist themes. Today, literary critics such as Cynthia Erb view the novel and film as representation of the early 30s and thus a resource to understand the cultural context of the times. In particular, King Kong provides a window through which a modern audience can understand and interpret racism of the 1930s.
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
Students of feminisms and masculinities can benefit from this article and general people can also enjoy reading it. I could relate this article to the concept of movies today, how we as an audience perceive it, also various aspects the actor’s role (acting), the use of sound, lighting, camera movement, all plays a major role in explaining what exactly the movie is about. And the author in his article speaks about various types of movies and the role of male heroes and the changes that occur later on. Overall the article is useful and interesting as the increasing focus is on masculinity,
When deciding what movie to do for this particular paper I faced a few issues. I knew what the requirements were, but I wanted something different and something I could have fun watching and writing as well. So, after looking around and pondering movies for weeks I finally decided on a perfect choice The 60’s directed by Mark Piznarski?
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
After a long week of the normal routine, it is imperative to find an activity to unwind. Walking in a park, scenic drive, or even being a couch potato could help to remove the edge from a harsh week. Anticipation for a newly released movies would also remove some of the tension for a stressed employee. Not just any movie will do. For some it is important to watch a movie they can relate to. One that will invoke certain emotions or make them think. What these viewers are looking for are movies with a specific theme. A theme is an idea, subject, or topic of some kind that pervades the plot. (Goodykontz, 2014) sticking with the movie I have written about is previous discussion, I have chosen the wizard of oz. In this essay I will discuss how The Wizard of Oz represent the theme of emotional security and how the filming process reflects this idea.
The 2008 film Gran Torino is about a Korean War veteran Walt Kowalski who is the last person in his neighborhood dealing with new faces coming into the neighborhood. In this essay I will be talking about how certain film concepts are used in the film to talk about the film’s message of equality.
of influence in both the characters and gender roles of people in our society. The films have brought about the shaping of morals, behaviors and characters of not only children, but also adults in todays society, through engaging them in a constant series of unthinking consumption. In addition, most of the films in Disney bring out many different gender roles and people who grew up watching them have been influenced greatly by the content in the films (Blum 13). This paper will involve the various roles played by the characters in the films and how their roles have influenced the society at large.
While watching movies, have you ever noticed that the villains in almost every single Hollywood film are of Middle Eastern or European descent? In a reoccurring theme of Hollywood, the villains in these films are almost always foreigners or people of color. This is a stereotype. On the other side of the spectrum, we often see that the heroes of these films are most often than not white males. This is another stereotype. Within the last few years, we’ve seen actors such as Will Smith, Morgan Freeman, and Zoe Saldana take the lead roles, so it can’t be said that there are no non-white heroes, but there certainly isn’t many. Hollywood action movies, moreover than other genres, are typically loaded with an abundance of stereotypes. The way these movies are composed and structured can tell us a great deal about the views held within the American psyche and who holds the social power. The harsh reality is that the media ultimately sets the tone for societal standards, moralities, and images of our culture. Many consumers of media have never encountered some of the minorities or people of color shown on screen, so they subsequently depend on the media and wholeheartedly believe that the degrading stereotypes represented on the big screen are based on fact and not fiction. Mary Beltran said it best when she stated in her “Fast and Bilingual: Fast & Furious and the Latinization of Racelessness” article, “ultimately, Fast & Furious mobilizes notions of race in contradictory ways. It reinforces Hollywood traditions of white centrism, reinforcing notions of white male master while also dramatizing the figurative borders crossed daily by culturally competent global youth – both Latino and non-Latino” (77). This paper will specifically look...
I approach this film with three topics. The first one is something that I attracted the attention
(It is important that a working understanding of these films is established to give some context for the paper, so I will provide a brief synopsis of each one before continuing on with a deeper discussion of it.) When Harry Met Sally... foll...
Provide a paragraph ONLY summarizing your understanding of the film. In this summary, address the main theme or idea of the film as well as any underlying themes that are conveyed during the production. In other words, what primary message was conveyed to the audience IN YOUR OWN WORDS via the production of this film? (Note – I have seen all of these films – thus, this section should be one paragraph only – the majority of your critique should include your responses to Items 3 & 4).
Even though the production of Disney’s film The Frog Princess is a huge step forward to show the equality of all culturals and ethnicities, it just shows that racial components which were once overlooked by most parents and children are now a wide spread controversy. Giroux thoroughly explains the effect Disney films has on the youth, “Rather, it points to the need to address in meaningful and rigorous ways the role of fantasy, desire, and innocence in securing particular ideological interests, legitimating specific social relations, and providing the content of public memory” (Giroux 132).
The movie that I chose to do my Thematic Analysis on is Aladdin. Currently one of Disney’s animated classics of all time, and was the thirty-first animated film by Walt Disney. This animated, family, musical, romance adventure film is not your typical boy meets girl and falls in love. To me this story is like a Middle Eastern culture version of what we know as “Romeo and Juliet”. It shows the difference between social classes, the rich (Princess Jasmine) who was born into royalty and wealth and the poor (Aladdin) who was brought up in a poor environment. He had to steal to make ends meat to get by day to day. These two cultures were never permitted to socialize, nonetheless even get married.