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The theme of death in literature
The theme of death in literature
The theme of death in literature
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Out, Out by Robert Frost and Death on a Live Wire by Michael Baldwin
Both of these poems that I have chosen to compare are about death,
although the circumstances surrounding the death in each poem
contrasts greatly. In the poem “Out, Out-“ a “big boy doing a mans
work” and getting his hand severed by a buzz saw in a dramatic
accident. The injuries sustained in this accident then lead to the
“boys” tragic death. “Death on a live Wire” similarly involves a
death, but unlike the accidental death of the boy in “Out, Out-“ the
deceased in this poem actually takes his own life by climbing onto an
electric pylon.
In these two poems the poet gets across ideas that he may have wanted
us to think about very well. In “Out, Out-“ and similarly in “Death on
a live wire,” both Frost and Baldwin put across very well just how
fickle life is, and how swiftly it can be taken away. Frost puts this
across in “Out, Out-“ by showing the dangers faced in every day
working life, and the fact that the victim of this accident is a young
boy goes on to emphasise his point of how fickle life actually is.
Baldwin though uses the effect that electricity on the body to show
how life can be taken away at an instant. He shows how powerful the
electricity is, by describing the way it acts on the mans body in
great detail. He says that the man “danced an incredible dance,” and
his legs “thrashed and lashed like electric eels.” This builds up a
picture in our mind of exactly how the electricity was affecting the
man. The use of a simile when Baldwin says that the mans legs
“thrashed and lashed like electric eels” is extremely affective, as
such a simple likening ...
... middle of paper ...
...omewhat confused, internal, and
alternate rhyme scheme. The writer seems to have chosen a seemingly
confused alternate rhyme scheme in order to correspond to the mans
state of mind, which also seems to be some what confused.
Overall, although both poems were very interesting to read, the one
that I preferred most was “Out, Out-.” I preferred this most as it had
a more upbeat feel to the mood, which was unlike the poem “Death on a
live Wire,” which seemed both sad and depressing. Another feature that
I also enjoyed very in from the poem “Out, Out-“ was the use of
onomatopoeia to give the poem a flowing, sharp rhythm. The best use of
this that is available in the poem is right at the beginning when the
writer describes the buzz saw as snarling and rattling, which builds
and image, as well as the sound of the buzz saw.
Truman Capote establishes respect and trust in what he writes from with audience, ethos, through the use of an extensive variety of facts and statistics, logos. Capote uses so many dates, times, and other facts about the crime committed in the book and the subsequent investigation that the reader has to believe what the author is writing. The use of all these facts shows that Capote did his research and he interviewed, questioned, and obtained the opinions of every person that even slightly important to crime itself and the investigation/trial. The author is obviously very meticulous when it comes to dates and times; every important event in the book has a date and sometimes even a time of day to go with it. Some examples of dates included were the day of the murders (November 15th, 1959), dates of when Perry and Dick were here or there (December 31th, 1959- a small restaurant in Texas or noon on December 25th, 1959- beach in Miami Florida), date when the two criminals were apprehended (January 1st, 1960), dates when they were brought from this prison to that one and finally when they were brought to death’s row (April, 1960). Other small facts are also used by the author, like facts about the criminal’s early lives or experiences that they had, which could only have been obtained through extensive interviews with Perry and Dick. The use of all these logos by Capote establishes strong ethos, showing the reader that the author did more than enough research to show that he has the knowledge to write a whole book on the subject.
The autobiography Night by Elie Wiesel contains similarities to A Farewell to Arms by Ernest Hemingway. These works are similar through the struggles that the main characters must face. The main characters, Elie Wiesel and Lieutenant Frederic Henry, both face complete alterations of personality. The struggles of life make a person stronger, yet significantly altering identity to the point where it no longer exists. This identity can be lost through extreme devotion, new experience, and immense tragedy.
In Night by Elie Wiesel and Welcome to Hard Times by E.L. Doctorow, the reader witnesses the purpose of hope in one’s life. Wiesel and Doctorow fabricate their works around the trials and tribulations one suffers and what causes one to persevere to continue living. Elie and Blue, characters in the works, experience a life full of suffering and destruction. Even through this, they both live on with a purpose unknown to the reader, and perhaps unknown to themselves. Elie and Blue live on, but to no avail it seems, as both authors end their works with an ultimate destruction of the lives of their characters. However, Wiesel and Doctorow express that Elie and Blue persevere through their lives entirely as a result of hope. These authors suggest that suffering will exist in everyone’s life, and amidst this suffering one often searches for meaning. As Elie and Blue demonstrate, hope determines one’s meaning and purpose in life. Wiesel and Doctorow prove that one’s hope defines one’s existence; however, that hope only masks the futility of life, through the presentation of Elie and Blue’s construction of hope, destruction of hope, and adaptation of hope.
In Into the Wild by Jon Krakauer, and The Road Not Taken by Robert Frost, Shares the same message behind the concepts of Choices, Dreams and Tragedy. First, both literature shares the same theme known as Choices. The poem by Robert Frost, Narrator said “Two roads diverged in a wood, and I- I took the one less traveled by,” As the reader can see this poem centers with the choices. The path in this poem can seen as just ordinary road, however Frost actually represents these roads as the life choices. And he decided to take the one less traveled by. Same goes for Christopher McCandless. He didn’t choose the ordinary road just like other else. And rather, he chose the less traveled path to “experiences, the memories, the great triumphant joy of living to the fullest extent in which real meaning is found.” (page 37) Second, both written works
The chaos and destruction that the Nazi’s are causing are not changing the lives of only Jews, but also the lives of citizens in other countries. Between Night by Elie Wiesel and The Hiding Place by Corrie ten Boom, comradeship, faith, strength, and people of visions are crucial to the survival of principle characters. Ironically, in both stories there is a foreseen future, that both seemed to be ignored.
There are many factors that lead to the development of an individual’s identity. Franz Kafka’s “The Metamorphosis” illustrates an extreme change in Gregor Samsa’s external identity and the overall outward effect it has on the development of his family. While James Baldwin’s “Sonny’s Blues” illustrates a young man struggling to find his identity while being pushed around by what society and his family wants him to be. Both of these characters exhibit an underlying struggle of alienation but both also demonstrate a craving for belongingness. This conflict of trying to belong to something as well as satisfying the needs of society, has directly impacted their own individuality and the lives of the people around them.
The most significant journeys are always the ones that transform us, from which we emerge changed in some way. In Paulo Coelho’s modern classic novel The Alchemist, and Robert Frost’s poem The Road Not Taken, the journey that is undertaken by the central exponents leaves both with enlightening knowledge that alters their lives irrevocably. In stark contradiction to this, Ivan Lalic’s poem Of Eurydice , delves into the disruptive and negative force of knowledge, in contrast to The Alchemist which details an antithesis of this point relative to knowledge. In all journeys, the eventuality of knowledge is a transformative one.
There are many aspects for my mind to conceive while reading the articles why I write by George Orwell and Joan Didion. There are many different factors in triggering an author’s imagination to come up with what they want to write, and why they want to write it. In most writings a purpose is not found before the writer writes, but often found after they decide to start writing.
In the short stories "The Story of an Hour," by Chopin and "A Rose for
In the short stories A Rose for Emily and The Story of an Hour, Emily Grierson and Louise Mallard are both similar women, in similar time periods but they both are in entirely different situations. This essay will take these two specific characters and compare and contrast them in multiple, detailed ways.
The topic of death, an obvious similarity: That Emily Dickinson states in the title of these poems. Death is a very strong word, with meaning and the power to capture an audience. Emily Dickinson inserts slant rhyme and exact rhyme, like used in church hymns. There are several places where Dickinson inserts a slant rhyme in “Because I could not stop for Death.” For example, in the in the fourth stanza words chill and tulle again with third stanza she uses a slant rhyme between the words ring with sun “at recess- in the Ring...setting Sun.” Also, in the other poem “I heard a fly buzz – when I died” has several slant rhymes one of them is in the first stanza, room rhymes with storm “In the room…of storm” (lines 2-4) and exact thyme that is in lines 14 and 16 with words “me” and “see.” Personification is another similar...
Night is a memoir written by Elie Wiesel, a young Jewish boy, who tells of his experiences during the Holocaust. Elie is a deeply religious boy whose favorite activities are studying the Talmud and spending time at the Temple with his spiritual mentor, Moshe the Beadle. At an early age, Elie has a naive, yet strong faith in God. But this faith is tested when the Nazi's moves him from his small town.
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
The Theme of Death in Poetry Robert Frost and Emily Dickinson are two Modern American Poets who consistently wrote about the theme of death. While there are some comparisons between the two poets, when it comes to death as a theme, their writing styles were quite different. Robert Frost’s poem, “Home Burial,” and Emily Dickinson’s poems, “I felt a Funeral in my Brain,” and “I died for Beauty,” are three poems concerning death. While the theme is constant there are differences as well as similarities between the poets and their poems. The obvious comparison between the three poems is the theme of death.
Perhaps one of the most well-known poems in modern America is a work by Robert Frost, The Road Not Taken. This poem consists of four stanzas that depict the story of the narrator traveling through the woods early in the morning and coming upon a fork in the path, where he milled about for a while before deciding upon one of the two paths, wishing he could take both, but knowing otherwise, seeing himself telling of this experience in the future.