Our Town Review Our Town is an amazing play written by Thornton Wilder. A week ago, on October 28th, I went to the Northern Stage and saw Our Town. It is about a small town and the lives of a few families who live there. The main message of the show to me would be that you do not have to hold on to the things from the past, and instead, it might be better to just let them go.
Our Town tells the story of a fictional small town called Grover's Corners between 1901 and 1913 through the everyday lives of its residents. In this iconic play, a young couple fall in love, marry, and live out their lives until death strikes upon them. This young couple is introduced as Emily Webb and George Gibbs by the Stage Manager, who are played by Sutton Crawford, Casey Predovic, and John Hutton.
All the actors in the play have put their heart and soul into becoming the character. All of the characters were very believable. It was as if you were watching the actual characters right in front of you. Emily; Sutton Crawford, and George; Casey Predovic, really made it look like they were in love. Their parts were very appropriate and they never overdid it. The
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The actors would pretend to be holding items that weren’t actually there to allow the audience to imagine their own props. This allowed for a lot of variety within the audience and a lot of different emotions. During some of the scenes in Act III, there was blue lighting on the graveyard. This let the mood become very low, sad, and almost ery, which worked perfectly for what Thornton Wilder was trying to portray. The sound effects for this play weren’t very good. In my eyes, everything was too modern and didn’t really fit with the play or setting. One great sound effect was the cow bell hanging around the milkman Howie Newsomes’ (David Anzuelo) horse, Bessie. It really made you feel like she was really
Theater is acting, and each actor that was involved in this production was fantastic. Page Ogle who played Dolly did a very good job being a sweet talking, yet manipulative woman in the 1890s. I would have critiqued her on just one thing, slow down!
To begin with, I particularly enjoyed the actors playing Hannah and Eli because each actor appears
Ordinary actions piece together to form extraordinary lives. Written by Thornton Wilder in 1938, Our Town is a play acted with minimal scenery to give the viewer a greater opportunity to imagine their own town. Set in 1901 in Grover’s Corners, New Hampshire, Our Town documents the lives and interactions of two families— the Gibbs and the Webbs. Acted in three parts that all describe the smallest actions that we complete everyday without noticing, the first act shows the “Daily Life,” the second act demonstrates love and marriage found in life, and the third shows death and the end of one’s life. Wilder’s purpose of writing Our Town is to explain how daily, habitual actions come together without us noticing and to help demonstrate that those
Throughout the play, there is a level of intensity that can be seen. Sound effects, lighting and props help make the story seem intensely realistic. It helped engage the audience's attention and emotions throughout the entire play. It is as though we are living vicariously through these characters. With these characters, there is a life lesson to be learned.
Arthur Miller’s Death of a Salesman and Thornton Wilder’s Our Town both explore the fulfillment of life. Emily and Willy Loman fail to take advantage of their lives because they have the wrong priorities and do not take the time appreciate what they already have. Willy focuses solely on achieving his dreams of success as a salesman and helping Biff become a great man, resulting in him ignoring his family, declining status in society, and reality, leading to his demise. He never realizes what he has lost by chasing after inconceivable dreams; however, Wilder’s Emily reflects on her life after she dies and begins to understand that her lack of appreciation for the little moments took away from the fullness of her life. Even though Wilder and Miller tell two unique stories, they use similar methods to show their thoughts on living and essentially convey the same message about how dreams can ruin people and how not appreciating the little things takes away from the quality of life.
Our Town is social satire in that it portrays that a small town like Grover’s Corners is like every other small town. Those families are all the same in small towns; they go to school and when they graduate they get married and have kids. The males get jobs and the women take care of the house and children. Another way of it’s a social satire is through their use of minimal scenery and pantomimed actions; the paperboy throws imaginary newspapers, the children pretend to eat breakfast. This then forces each person in the audience to imagine objects that do not really exist. The imaginary quality of these objects makes the play more universal, and make the members of the audience use their own sense of imagination to envision the props in their own way. It really allows the audience to be involved and feel included in the production. This perhaps could be one of the main reasons this play was such a success with a lot of people in general. By doing some research on the play I found a number of scholars and reviewers that have criticized the homogeneity of Grover’s Corners, a largely white, Protestant town. Our Town has been derided as an escapist fantasy that ignores the realities of the racism, sexism, and economic hardship that defined American life during Wilder’s era and that continue, to some degree, to define American life
In what way is Wilder’s Our Town is an American Dream narrative because the characters in the play all portray actions of what is considered “normal” activities of the American people. For example, Mr. Webb talks about Emily and George’s wedding. He mentions that at all weddings women have the floor and are the main focus, that’s the way of a classic American wedding goes. Always have been and always will. As he says to George “All those good women standing shoulder to shoulder making sure that the knot’s tied in a mighty public way,” (59). Our Town exposed the buried secrets, hypocrisy, and oppression lurking beneath the surface of American small town life. Throughout the play Wilder presents a far more celebratory picture of a small town,
Overall, the score was beautiful and appropriate, adding suspense and mystery at all the right times. The sound effects added psychological flavor to the story without drawing too much attention to it.
The Stage Manager is a man of many roles. Usually a stage manager is part of the non-acting staff and in complete charge of the bodily aspects of the production. In Thornton Wilder’s Our Town, the Stage Manager goes well beyond his usual function in a play and undertakes a large role as a performer. In Our Town the Stage Manager is a narrator, moderator, philosopher, and an actor. Through these roles the Stage Manager is able to communicate the theme of universality in the play. The main role of the Stage Manager is that of narrator and moderator. He keeps the play moving by capsule summations and subtle hints about the future. "I’ve married over two-hundred couples in my day. Do I believe in it? I don’t know? M….marries N….millions of them. The cottage, the go-cart, the Sunday-afternoon drives in the Ford, the first rheumatism, the grandchildren, the second rheumatism, the deathbed, the reading of the will-once in a thousand times it’s interesting"(699). Here the Stage Manager is giving insight about George and Emily’s future. He is hinting about their life and fate to come. "Goin’ to be a great engineer, Joe was. But the war broke out and he died in France. All that education for nothing" (673). The incidents discussed about are great events in George, Emily, and Joe’s lives. The Stage Manage emphasizes that the short things in these people’s lives are overlooked. There isn’t realization that it is the small parts of their lives that make a difference. His role as narrator differs from most narration. The Stage Manager’s narration shows casualness. The casualness connects the Stage Manager to the audience. "Presently the STAGE MANAGER, hat on and pipe in mouth…he has finished setting the stage and leaning against the right proscenium pillar watches the late arrivals in the audience."(671) The informality is evident since he smokes a pipe, wears a hat, and leans formally against the proscenium pillar. He also greets and dismisses the audience at the beginning and end of each act. The stage manager interrupts daily conversation on the street. The Stage Manager enters and leaves the dialog at will. He is also giving the foresight of death in the play. His informality in dress, manners, and speech, connects the theme, universality, of the production to the audience.
Have you ever stopped to realize life for what it truly means? Every day we go about our lives taking things for granted without even realizing the value in every moment we are given. Playwright Thornton Wilder portrays this message in the play Our Town and he does it using unorthodox theatrical approaches. By using the Stage Manager to break the “fourth-wall”, Wilder is able to have a stronger impact on those who are listening. Wilder also creates not only a seemingly boring town, but also extremely bland lives of flat characters. By doing this, he is able to emphasize events such as marriage, birth, and death with characters Emily Webb and George Gibbs. Through them, Wilder intentionally shows how beautiful life itself is, especially the seemingly insignificant moments. He uses the technique of manipulating time by rushing through each act as well as including
One of its numerous strengths was the costuming and set. This musical would not have been the same had these elements not come together to transport the viewer. In addition to the costuming and the set, the actors were very well cast. Each actor was in a role that fit them and they portrayed their characters very well. For example, the man who played Glen really seemed like a greedy Wall Street worker. The choreography was also well done. It fit true to the style of dance in the 1980s and added to the immersion experience. The only thing that could have made this experience better would be to add more music. This may just be a personal preference, but when I see a musical I like for the music to be central like it is in Hamilton or Les Miserables. However, this musical was very good and not much could be added to enhance the
The sound design and choreography intensified the overall musical. They created the time, place, and mood through rhythm and great energy. The actors had wireless, behind the ear mikes, that attached to the mike pack which amplified the sound, making it very clear. I could easily understand what they were talking about or singing.
The most successful aspect of the performance for me were the scene changes. I found that the rotation of the blackboard, center stage, where the actors were able to stoop beneath it in order to enter and exit the stage, was an effective touch to this non naturalistic performance. When this was first used, at the end of the first scene, when the characters Ruth and Al left the stage, I thought it didn't quite fit as at the beginning the style was leaning towards realism. But as the play progressed and the acting style became more and more non naturalistic, and this rotation of the black board technique was used more frequently it fitted in really well and became really effective.
I selected this play mainly because I love the way Thornton Wilder chose to break the fourth wall. The fourth wall is the space that separates a performer or performance from an audience. The Skin of Our Teeth doesn’t just break the fourth wall it topples it boldly, with actor’s occasionally breaking character to gripe about the script in a play-within-a-play. Technically The Skin of Our Teeth is a double narrative: the story of the Antrobus family in the play and the story of a theater company putting on the play. I find it fascinating how the actors break the actors' fourth-wall by speaking directly to the audience, as the frustrated stage manager tries to keep the show together. Breaking the fourth wall allows the audiences to feel like they are part of the play and it tunes them more into the show.
Wilder uses devices such as the lack of props and connecting us to the cast to enable us to better relate to the play, thus showing us that these lessons are true in our own lives. He then uses strong shifts in perspective on events in our lives to drive home what is truly important in life. Wilder shows us that while time passes, our lives stay relatively the same. Wilder uses these