Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Films moral value
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Films moral value
In the film All Is Lost, directed by J.C. Chandor, Chandor tells this story through the eyes of Our Man and his experience of trying to survive while lost at sea. In the very beginning of the film, the camera scans a shipwrecked yacht and we hear the confession of a man at the end of his rope. He accepts responsibility, asks forgiveness, and utters the sad and crushing lines: "I'm sorry. I tried." He seems to have made peace with his fate concluding that "All is lost here except for body and soul." The setting swing back eight days earlier to see this individual, identified as Our Man, waking up alone in the middle of the Indian Ocean on his 39-foot Cal yacht named Virginia Jean. With this scene, we can see with his appearance, clothing, …show more content…
and his capability of owning a yacht, Our Man can be seen as a middleclass or an upper-class citizen. Our Man is also seen to wear a wedding ring. He is also all alone in the Indian Ocean, and later as the film progresses, Our Man writes a letter, which was the Our Man’s voiceover at the very beginning of the film. It is hinted that he is currently divorced and could’ve have possibly cheated on his family. Clues that support this is that in the letter he confesses by saying he is sorry and asks for forgiveness, and hoping that the letter will one day be reached to his loved one. Throughout this film Our Man is can be always in some unfortunate predicament.
But even though Our Man is stricken with bad luck throughout this film, he always finds a way stays calm and always tries to fix the situation as best as he can. These types of examples can be shown throughout the whole film. The first example of this is when a shipping container collides with his ship. He comes up with a way to get his yacht away from the container away as it leaks running shoes into the ocean. Another example is when Our Man is not pleased when he discovers that his radio is waterlogged and his communications gear compromised. He tries to fix it when he climbs the mast to repair an antenna lead. But he sees storm is heading his way. He has no choice but to sail into the storm which tosses him and his boat around. His body is battered by the wind and the water, but through all of that he emerges from that horrible mess with only a cut on his forehead. Additionally, despite the feelings of puzzlement about his bad luck, Our Man has the foresight to realize that he will have to leave his beloved Virginia Jean and take refuge in a rescue craft. He gathers his meager supply of canned food, a large container of fresh water, and a few other odds and ends. He is smart enough to know that his only hope for survival is to use his sextant and nautical maps to get to a shipping lane where he can signal for help. Though his analysis and composure of the situation is outstanding, Our Man has
flaws, he is still naïve and inexperienced in this film. He planned to travel alone in the Indian Ocean. But with the sun burning his skin, his water rations compromised, and sharks circling beneath his precarious raft, Our Man grows increasingly distressed and screams out a four-letter word in anger at his plight. His distress at having his flares ignored by passing container ships is a telling that he has truly given up on everything is ready to succumb to defeat. Though his analysis and composure of the situation is outstanding, Our Man has flaws, he is naïve and inexperienced in this film. He planned to travel alone in the Indian Ocean. Our Man is always thinking about the best will come for him. But not once, a single good moment occurred for him, he cheated death serval times, which that still didn’t help Our Man out in the long run. His yacht had sank, two containers ships had passed him up, his food supply was extremely low, and his last resort of the rescue craft was burned and destroyed.
The first mate, the owner of the Sally Anne, dominated his life with his boat to the point of never being able to sleep right without the hum of its motors. This artificial connection made between mate and boat can have major complications. From the text we discover that this first mate has dedicated his life to sailing, ever since grade 10. At the finding of the Sally Anne, it becomes an unhealthy obsession of creating, but later not maintaining, the perfect boat. The text shows paragraphs of the first mate going on about the boat, and how he could not leave it for a day. The irony in this situation is that he spent so much recreating this boat, yet rejected the fact the eventual flaws that accompanied the years of use. It was always just another water pump and coat of perfect white paint away from sailing again. At this point it is clear that the boat has become a symbol for him and his insecurities. At the flooding of the boat and at the initial loss of life upon the Sally Anne's wreck the denial towards the destruction shows how he was using the boat as his only life line, now literally as he clings to last of his dream. At this point of the text, there is no survival, and no acceptance of the truth he must
In A Place Where the Sea Remembers, is filled with guilt and regret, the main factors in the characters lives, and forgiving one other is hard to come by. Some of the characters experience the pain of trying to live wi...
Seafarer” is a monologue from an old man at sea, alone. The main theme in The Seafarer is
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Hiding from those who would find him and carry out the wrath of vengeance upon him, the protagonist plans his escape. About to dive in the rancid water and swim for it, a body in the shallows abruptly stops him. The bloated and decomposing corpse pulls the narrator back from his adrenaline-induced frenzy. After a few moments, he settles and reflects, “I thought about him, fog on the lake, insects chirring eerily, and felt the tug of fear, felt the darkness opening up inside me like a set of jaws. Who was he, I wondered, this victim of time and circumstance bobbing sorrowfully in the lake at my back” (193). The narrator can almost envision himself as the man whose corpse is before him. Both deceased from mysterious causes, involved in shady activities, and left to rot in the stagnant lake water, and never to be discovered by the outside world. This marks the point where the main character is the closest he has ever been to death. Although he makes it out alive, the protagonist and his outlook on life are forever changed.
Throughout the story, Connell reveals Rainsford having the quality of perseverance. For instance, Rainsford falls off the yacht, into the ocean, he swims until he succeeds into making it to shore, despite the extreme tiredness he was
"I suspect that most of you have been telling stories all your lives..."(O'Connor #2 PG) is the statement Flannery O'Connor makes in her lecture entitled Writing Short Stories. Living to be only thirty-nine years old when lupus took her life in 1964, it did not take long for her to became a literary icon. It is difficult for O'Connor, who raised peacocks in her hometown of Milledgeville, Georgia, to fathom that people perceive writing fiction as a chore, as one of the "most difficult literary forms" (O'Connor #2 PG), when it is something she achieves as though it were of no effort whatsoever. One of her primary points to writing good fiction involves the use of symbolism, which is more than apparent within the literary boundaries of A Good Man is Hard to Find, where "a psychopathic killer and a grandmother meet head-on in epic, parabolic violence as large as life, death, faith, and doubt" (Gingher 258).
They are forced to contend with the realization that their survival does not matter to nature. The correspondent comes to the realization, “When it occurs to a man that nature does not regard him as important, and that she feels she would not maim the universe by disposing of him, he first wishes to throw bricks at the temple, and he hates deeply the fact that there are no bricks and no temples” (Crane 213). While the men may try to pin their trouble on the “mythicized deity,” that really does not serve them. When discussing this, Hilfer says, “The discomfiting thing about nature is that though we can address it, our messages can only come back stamped ‘return to sender’” (251). No matter how much the men in the boat try to make sense of what is happening to them, they cannot find the being or force behind
... out that nature, although it does impact the men's lives, does not have any connection to the outcome. With his short story, Crane challenges the idea that men and nature are connected spiritually. He even challenges the idea of religion by leaving the outcome of the men simply to the experience that they have. The boat, an oar, and some directions from their captain save the men from death, not a divine guide. One man simply does not make it to the shore alive. The view of man and nature within this story is somewhat pessimistic, pointing to the philosophy that we are hopeless in the face of circumstance. The point Crane makes in the end is that although people are often victims of circumstance, humans have one another to help survive difficult experiences.
...held him in the sea that swirled him out and safely over the boat to water in which he could touch. The surviving men were thankful to have survived, but learned that they really had no control over their lives. One of the most important lessons the correspondent took from the experience was, “… that “in the ignorance of the grave-edge” every man is in the same boat, which is not much more substantial than the ten-foot open dinghy on a rough sea” (Buitenhuis, web). Having survived the experience the cook, the correspondent, and the captain each believed that they could be interpreters for the sea. Crane gave each man a voice in “The Open Boat” that is uniquely theirs, but at the same time shared a common bond and struggle with nature for survival. It is up to each man (mankind) to find our own place in the universe and be open to the lessons that life can teach us.
A symbol is any “‘object, act, event, quality, or relation which serves as a vehicle for conception’” (230). Peyote Hunt: The Sacred Journey of the Huichol Indians by Barbara Myerhoff is a very intricate text which involves numerous aspects of symbolism. Myerhoff not only applies a much deeper meaning to deer, maize, and peyote, but she also uses these objects as a representation of divine beings and spirits. The deer, maize, and peyote are very powerful entities but together they form the deer-maize-peyote complex, which is central to the Huichol life. The unification of these disparate objects can be easily understood once they are analyzed on three different levels: exegetical, operational, and positional.
In fact, the daily life of human beings is at the mercy of the uncontrollable waves of the sea; while, at the same time, the essential part of reality remains unknown to feeble, helpless humans. The human voyage into life is feeble, vulnerable, and uncontrollable. Since the crew on a dangerous sea without hope are depicted as "the babes of the sea", it can be inferred that we are likely to be ignorant strangers in the universe. In addition to the dangers we face, we also have to overcome the new challenges of the waves in the daily life. These waves are "most wrongfully and barbarously abrupt and tall", requiring "a new leap, and a leap."
ship to become shipwrecked on his very own island. He uses this as an advantage
He entered a battle when he had just learned of the uncertain odds, he nearly sacrificed the lives of his family while trying to act the hero in front of them, and he recovered from the death of his wife unnaturally quickly when faced with the prospect of leading a voyage. Though his experiences seem to depict the worst of them, he hints at evidence that he learned from these experiences and emerged a better person because of
Santiago went through many turmoil’s in his life and his story is one of wisdom in defeat from the lengthy time of which he could not catch anything to that of his loss of the marlin to the sharks after such a lengthy battle to catch it then attempt to bring it back to shore. Now I could go on and on like any other paper about all the symbolism in The Old Man and the Sea but no matter what I did while reading it, in almost every aspect it screamed out to me as an impersonation or reflection of Hemingway’s own life in a multitude of ways that no one can deny. The Old Man and the Sea was an allegory referring to the Hemingway’s own struggles to preserve his writing i...