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Iago's role in Othello
Discuss the role of iago in othello
Comment on the villainy of Iago
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Iago capitalizes on Othello’s naivety and virtue to get revenge on him. In act one, Othello is described as a character that is “far more fair than black” (I.iii.289). He is a man that has only been exposed to the hardship of war as he says, “Till now some nine moons wasted, they have us’d / Their dearest action in the tented fields” (I.iii.84-85). He admits he has little experience with the world as he explains to his audience, “Rude am I in my speech/ And little blses’d with the soft phrases of speech” (I.iii.81-82). Without hesitation Iago makes Othello’s good traits negative. He reassures Rodergio that Othello has no guidance in the world, and with his virtuous nature, he trusts anyone. Iago says, “The Moor is of free and open nature” (I.iii.399). Without further ado Iago points out how such a lovely trait can something awful by explaining that Othello “Thinks men honest that by seem to be/And will as tenderly be led by th’nos/As asses are” (I.iii.400-402). Iago’s acknowledgement of Othello’s naivety proves true when Othello characterizes Iago as “most honest” (II.iii.7). Iago p...
Iago is a twenty- eight years old Caucasian married man and he is soldier in the Venetian army. Iago is viewed as modest, honest, and a good friend to people in public. People refer to him as “honest Iago” which lead them to trust him. Iago plans to destroy Othello by manipulating him to believe that his wife is being unfaithful to him with his promoted lieutenant Cassio, a position Iago wanted to have. Although the scandal that Iago came up with is a complete lie, Othello ends up believing him. Iago uses his ability to talk to people in order to accomplish his plan of destroying Othello because he wasn’t granted the position of the Venice army. (Sorto 1)
Both Othello and Iago have many different qualities but the ones that are the same are what proves the point of them not just simply being two sides of one coin. Othello had many weaknesses and Iago plays off every single one of them, the “hellish villain”(V, ii, 354) that Iago is killed every living ounce that was left in Othello, and once the truth came to the surface, Othello only wished he could awaken and “arise, black vengeance, from the hollow hell” (III, iii, 507). The fact that Iago had “ensnared [Othello’s] soul and body” (V, ii, 354) made Othello believe that “honesty’s a fool” (III, iii, 436) and his life was over.
In the fair city of Verona, two rival families, the Montagues and Capulets were involved in a nasty family feud that goes back years before any of the members were born. Even the townspeople were involved in the dispute, because the families were always fighting in the streets and causing disturbances. They disrupted the streets of Verona and even Prince Escalus tried to break up the fighting. They were given a warning, by him that another public fight would result in death. While this was occurring, Romeo, (a Montague) the main character, was getting over his last love, Rosaline, and was very upset. Juliet of the Capulet household had just been introduced to a wealthy young man, Paris, whom her parents wished her to marry. Yet she did not love him. Romeo goes to a party in an effort to forget about Rosaline. At this party he met Juliet, and immediately fell in love with her. He later finds out that she is a Capulet, the rival family of the Montagues. He decides that he loves her anyway and they confess their love for each other during the very famous "balcony scene" in which they agreed to secretly marry the next day. Friar Lawrence agreed to marry them in an effort to end the feuding between the families. Unfortunately, the fighting gets worse and Mercutio (Montague) a good friend of Romeo ends up in a fight with Tybalt (Capulet), Juliet's cousin. Tybalt killed Mercutio, which caused Romeo to kill Tybalt in an angry rage. For this, Romeo is banished from Verona. At the same time, the Capulet's were planning Juliet's marriage to Paris. Juliet didn't want to marry this man so she arranges with Friar Lawrence to fake her own death with a sleeping potion that would make everyone think that she was dead. Friar Lawrence promised to send word to Romeo to meet her when the potion wears off and to rescue her to Mantua, where Romeo was currently staying. There they would live happily ever after. Unfortunately, Romeo didn't receive the message on time and upon hearing of her "death" went to Juliet's tomb where he drinks poison and dies. When Juliet's potion wears off, she wakes to find her lover's dead corpse. She then proceeds to stab herself with Romeo's dagger. The two families find the bodies and with their shared sorrow, finally make peace with each other.
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
Fate or choice? Choice or fate? How does one separate these ideals? Can one? Shakespeare could not. Nor can we. Fate and choice are so intertwined that our choices determine our fate, and our fate determines our choices. William Shakespeare trusts the audience to scrutinize whether it is fate or choice that rules our human life. Shakespeare aptly conveys this oxymoron (with which people have been dealing for ages) through the evidence and structure of his play, Romeo and Juliet.
Language and imagination are among the most dangerous weapons Iago has at his disposal in Othello. Jealous and angered by Othello’s - his commanding officer - passing over him for a promotion, Iago develops a fierce, antagonistic perspective the aforementioned character; this sentiment quickly corrupts his volition, and he subsequently concocts a plot bent on destroying Othello. He renders this revenge scheme credible by concealing his true feelings behind a facade of loyalty and trustworthiness, and fabricating a fictitious story concerning the infidelity of Desdemona, Othello’s wife. Until the play concludes, Iago utilizes purposeful rhetoric to drive his agenda, and also a mastery of deception to mislead the minds of his targets.
“I asked her to wear something revealing, so she showed up in a prophet's toga.”(CITE) Jarod Kintz’s words are an example of miscommunication, or failure to comprehend meaning. In this case, it is implied that one person misunderstood the message of another, but incomprehension also applies to problems other than falsely interpreted requests. Incomprehension can occur when people misinterpret another’s words or intentions, or when a person misreads situations or events. The outcome described in Kintz’s quote is unexpected and unintended, but there are instances of incomprehension that have consequences of greater severity. Perhaps a classic tragedy with a high body count falls under these parameters.
In Othello, Iago uses his fine reputation as an “honest man” and Othello’s insecurities to manipulate him and carry out his master plan of destroying Cassio, Othello, and Desdemona. Iago’s insight towards the other characters’ weaknesses enables him to let them know exactly what they want to hear, which helps him gain their trust. He plays upon the insecurities of others to maneuver them into carrying out the actions he needs done in order to fulfill his own desires. In looking at Othello, we will consider the Othello’s blind acceptance of “the truth” as it is presented to him and find that when we blindly take another’s “truth” and accept it as our own, we merely become tools utilized by the person who gave us that supposed truth and give up the power of being ourselves—we fail to assert a self. Iago is angry because Othello chose Cassio to hold a position which he thinks he deserves, so he seeks revenge by playing upon Othello’s main flaw—his lack of trust—and putting Cassio in a position that would turn Othello against him.
Throughout the entirety of Romeo & Juliet, Shakespeare is hinting at the “star crossed” deadly fate of the lovers spoken of by the chorus in the prologue. Romeo and Juliet are also constantly mentioning their uneasy feelings and how they can sense that something bad will happen, which confirm the aforementioned conclusion. This foreshadowing not only tells us this tragedy planned, but there must be pawns of fate that have to drive Romeo and Juliet together, while at the same time leading them to their death. In Romeo and Juliet, their deadly destiny was written by the universe and characters along the way, such as Capulet, Montague, Nurse, Friar Lawrence, Friar John, and Mercutio.
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
As early as the first scene of the play Iago shows us strong motives for his actions. In this first scene we see Othello, a general of Venice, has made Cassio his new lieutant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more no worse a place."(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor."(l.i.41-42) What Iago really means is "I follow him to serve my term upon him."(l.i.45) Iago wants to use Othello for his personal goals. We also must put ourselves into Iago's shoes. He is a man whose self-esteem and professional carrier have just been torn apart. Iago makes his actions of revenge toward Othello almost immediately by informing Brabantio, a Venetian senator and father of Desdemona, that "an old black ram (Othello) is tupping (his) white ewe (Desdemona)."(l.i.97)
Fred West addresses the fact of Iago misrepresentation, “It is not sufficient to simply drape Iago in allegorical trappings and proclaim him Mister Evil or a Machiavel or a Vice. Such a limited view of Iago is an injustice to the complexity of his character, since Shakespeare’s studies in personality are acclaimed by psychologists for their accuracy and profundity” (27). West seems to be reminding us that just seeing Iago as the representation of evil within the play of “Othello” is the wrong way to paint him. Iago is a man wronged by Othello in the fact that he was not chosen to be Othello’s lieutenant, which is what put the dastardly idea into Iago’s head to trick them all and bring them to their knees. As Iago tells Roderigo within the first act and scene of “Othello”,
It is clear that the race of Othello is a factor in his downfall. A
“I am not what I am,” proclaims one of Shakespeare’s darkest and most enigmatic villains, Iago, in the tragedy Othello. Iago’s journey for revenge enables him to become capable of immoral acts, and whilst his malevolence excites us, we are no more intrigued by his attributes than we are of the play’s tragic hero, Othellos’. Rather, both characters’ confrontation with jealousy and their subsequent moral demise as a result of failing to control such an emotion provides the true excitement for audiences. Iago’s spiteful manipulation of Othello makes him a multifaceted character — whose corrupt attributes make the audience examine their own morality. However, the same can be said of Othello; his failure to withstand Iago’s ‘pouring of pestilence’
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with