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Othello's significance to the story
Othello's significance to the story
Othello's significance to the story
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In the play Othello by William Shakespeare there are many great themes that can be seen. For instance, jealousy, hatred, marriage, love, manipulation and more. This book can be related to the movie The Count of Monte Cristo by Kevin Reynold because they both share many themes. In the film there are themes like revenge, perseverance, ambition, manipulation, hatred, jealousy and more. The main themes that both stories have in common are hatred, manipulation and jealousy, because in both stories there were many situations were all these themes could be seen.
The first of many themes that were in these stories is hatred. In Othello, the villain seems to be motivated by hatred. Iago’s hatred and willpower to destroy the moor, Othello, appears out of proportion with his intensions. He is angry that Othello did not give him the position of lieutenant and he also thinks that Othello might have slept with his wife.
“Though I do hate him as I do hell's pains
Yet for necessity of present life,
I must show out a flag and sign of love,
Which is indeed but sign.” (1.3.379-383)
“I hate the Moor:
And it is thought abroad, that 'twixt my sheets
He has done my office: I know not if't be true;
But I, for mere suspicion in that kind,
Will do as if for surety. “(1.3.379-383)
These two quotes are some of many that show hatred in this story. These two are Iago saying that his hatred for Othello is all based on jealousy. As A.C.Bradley says in his essay “Othello’s downfall lies with the fact that he is not observant and his nature tends outwards”. In the movie the theme of hatred is shown mostly through Fernand Mondego and Baron Danglars’s actions. Mondego is Dantè’s contender for Mercédès love. He helps set up Dantè so t...
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... then killing himself after he realizes that everything was a lie. In the movie, jealousy can be seen between Edmond and Fernand, they both wanted the same thing, which was to have the heart of Mercedes.
In conclusion, these stories are very similar in many ways. Out of all the themes that could be used to compare the two, the most important ones are hatred, manipulation and hatred. Hatred is disliking some one or something and there are many characters that dislike each other. Manipulation is using your creativity to come up with a way to get someone to believe something that is not true. Lastly, jealousy, which is wanting something that someone else has and doing things to get it which is what Iago did in the play and Fernand did in the movie.
Works Cited
Shakespeare, William, and Jane Coles. Othello. Cambridge, England: Cambridge UP, 1992. Print.
Iago's reasons for his hatred of Othello begin with the fact that in choosing a lieutenant, Othello passed over Iago in favor of Cassio, but Iago may have hated Othello even before that. Roderigo opens the play by exclaiming to Iago, “Tush! never tell me? I take it much unkindly that thou, Iago, who hast had my purse as if the strings were thine, shouldst know of this” (1.1.1-3). The "this" is the elopement of Othello and Desdemona.
When Shakespeare composed the tragedy Othello televisions were not. Along with no televisions, life in the late 1500s had many different qualities than it does today. This time period had no war on drugs and no high school shootings. Peer pressure was not an issue. The audiences of Othello in the 1500s did not face the circumstances that we, American high school students, face today. With these significant differences in daily life, come the attempts of movie creators to help prevent our modern day tragedies.
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
Iago’s Subconscious Motive Iago, the antagonist of Shakespeare’s work, Othello, is often considered purely evil or sociopathic. At first glance, Iago appears to be a static, two-dimensional villain, but he is much more. Shakespeare, renowned for his awareness of the human condition, leaves many important aspects of Iago’s life up to interpretation. In published works and critical interpretations, Iago is commonly associated with a myriad of mental illnesses and personality disorders. Because it seems that Iago’s life revolves around Othello and Desdemona, it is understandable how people may suggest that Iago is in love with Othello, or that he is a psychopath with no true motives.
Both plays were very similar considering the fact that both were tragedies. They each had a major protagonist that rose up, then fell down and ended in misfortune. Even though both plays were written at extremely different times they both helped support the fact that “…fear is simply the consequence of every lie.” This is because a theme that was consistent in both plays is that the act of lying and its consequences causes the downfall of even the greatest leaders. This theme full heartedly supports the critical lens because it is saying that the betrayal and lying causes the protagonists to be afraid and therefore cause their own downfall.
The play "Othello" by William Shakespeare is based on an Italian story in Giraldi Cinthio's Hecatommithi (Groliers). In "Othello" we encounter Iago, one of Shakespeare's most evil characters. Iago is an ensign in Othello's army and is jealous of Cassio's promotion to Lieutenant. Through deception and appearance, we see unfolded a plethora of lies and clever schemes. The astonishing thing about Iago is that he seems to make up his malicious schemes as he goes along without any forethought. Noted writer Samuel Taylor Coleridge describes Iago's plan as "motive-hunting of a motiveless malignity" (Scott 413). Iago seizes every opportunity to further advance his plan to his advantage. Greed plays a major role as a motive for his various schemes. Throughout the story, Iago portrays himself as a Satan figure. In many ways, Iago can compare with Satan.
In the play Othello (1603) by William Shakespeare, love and hate are two most critical far-reaching themes expressed throughout the play. There is no doubt that whether Othello loves Desdemona during the initial parts of the play and hence they get married. Then as the play progresses, Iago, the villain in the play manipulates Othello, by gaining his trust and injects him with the poisonous seeds of hate and jealousy. Thus, the great love between the couple fades away as hatred, jealously and revenge takes over Othello – which only ends after he murders his wife. Iago’s character was very diabolical from the very beginning of the play and it can be analyzed that Iago’s motivation for wrecking Othello’s happiness and his life arises solely from hatred. But, the real question that we need to focus, is that on whether Iago loved Othello at the same time? Can Iago’s evil actions be compromised if he wished that if he couldn’t be with Othello; Othello shouldn’t be with anyone - even if it included destroying
Shakespeare adapted Othello from Giraldi Cinthio's "Hecatommithi," but he altered the original story. The central point of Cinthio's story is that one should look for marriage partners from the same ethnic and cultural background, whereas Shakespeare's play explores the relationship of the lovers, as well as the villain's plans to destroy that relationship.
It is easy to tell that in this play people’s motivations to do bad things are driven by jealousy. Iago is jealous of Cassio, who is chosen by the moor as his lieutenant, so he decides to take revenge on the moor and Cassio. Othello is also jealous of Cassio who “wins” Desdemona, so he wants to kill Desdemona and Cassio. Therefore, jealousy is the basically the factor that leads to all the tragedies.
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
In the story of Othello we see how the actions of one man go on to ruin the lives of multiple people. The villain Iago single-handedly creates the tragedy of Othello through his puppeteer like control of the other characters in the play. Iago captivates the audience as his plan progresses. Readers are anxious to know what will happen next in the play. What makes Iago so fascinating is his mysteriousness as a character, his fully devious ways, and how magnificently clever he is in organizing the demise of Othello.
The color imagery of Othello influences many characters; some are influenced to hate or love Othello because of “black” and “white,” while Othello himself is driven to murder, particularly with red imagery. While each color plays its own role throughout the text, they all greatly contribute to the characters' behaviors and actions … leading to the play's tragic end.
William Shakespeares Othello uses different and unique techniques in his language to express the nature of evil throughout the play. Verbal twists and the characters most importantly stress the act of evil. Iago, most of all is portrayed as the villain or protagonist in the play. Shakespeare uses this character to set the basis of evil. Each plot point is spiraled further into tragedy due to the nature of Iago and his manipulative language towards the other main characters.
Iago can be viewed as the narrator of this play. He is left alone on stage several times trough out the play to more or less speak to the audience. One such instance is the last part of the first act where Iago devisee’s his plan of attack on every character in the play. At this point the only reason we have seen for his anger is that he has not been appointed Othello’s lieutenant, despite his recommendations. “But for my sport and profit, I hate the moor…”(1.3.365). It is obvious that Iago is the villain in the play. But this line is very important. Iago hates Othello it seems because of his unapointed position. This line asks us, the audience, a good question: does Iago hate Othello enough to go trough all the trouble creating enemies of the entire cast? There could have been much simpler ways to get at Othello without dragging everyone else into the picture. Also after Rodrigo lost his luetiency it would have been simple for Iago to fill the newly vacant position. I believe, as the line says, Iago hates Othello only for amusement. “But for my sport and profit…” (1.3.365) Iago engages in the act of hating not because he has a disregard for Othello. Iago engages in the act of hating only to hate, whether it be Othello or his own mother. Iago hates for his own “sport and profit.” thus understand this concept of Iago puts a whole new spin on the evil which consumes him.
Othello’s foe, Iago, wanted to hurt Othello in the worst way possible, ruining his marriage. Iago claimed that he had many reasons for disliking Othello,