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Racism in othello essay outline
Racism in othello essay outline
Racism in othello essay outline
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In the 19th century, many scientists supported the belief that the human race could be categorized into different ethnic groups. Racism is generally defined as discrimination, prejudice, or antagonism directed against an individual(s) of a different race or ethnicity based on a certain belief (Brooks). Every society/generation has essentially experienced or been affected by this issue; it has been one of the most malicious aspects of the human race since the beginning of history. This subject continues to be a topic of great debate in modern society, and is one of the most significant themes that play a huge role in worldwide literature. In Othello, a tragedy written by William Shakespeare in the 17th century, racism is certainly displayed …show more content…
Iago awakens Brabantio to announce that his daughter, Desdemona, eloped with Othello, “Even now, now, very now, an old black ram / Is tupping your white ewe. Arise, arise, / Awake the snorting citizens with the bell / or else the devil will make a grandsire of you” (I.i.91-94). Brabantio mainly displays this racist characteristic when he was first informed with the news of this spontaneous marriage. When Brabantio realizes that Desdemona willingly married the Moor, he became deeply suspicious. Specifically, Brabantio was under the belief that Othello had used a spell on her “For nature so prepost'rously to err, / Being not deficient, blind, or lame of sense, / Sans witchcraft could not” (I.iii.65-67). This would be considered racist because Brabantio believes it is impractical for his daughter to have fallen in love with a Moor unless he performed some sort of witchcraft. Therefore, implies that a man of color cannot provide for a white woman, even an honorable military general such as Othello. He will expect the Duke of Venice to agree when he asks him to rule on the legitimacy of the marriage, “Mine’s not an idle cause. The Duke himself / or any of my brothers of the state, / Cannot but feel this wrong as ’twere their own. / For if such actions may have passage free, / bond-slaves and pagans shall our statesmen be” (I.ii.97-101). Illustrating another display of racism - Brabantio is under the assumption that the Duke will take …show more content…
Beginning in 2013, there has been regular protests and a great controversy over the issue of “Black Lives Matter”, an international activist movement that campaigns against the violence and racism towards black people (Rickford). Furthermore, it relates to the police brutality and shootings towards the (unarmed) African American community. Blue Lives Matter, made up of active and retired law enforcement officers, is a pro-police movement that was developed in the United States in response to the Black Lives Matter movement (Rickford). Indeed, showing how sensitive and how much of a significance racism is in modern
The events occurring in others scenes in Act I lead Brabantio to speak that mind-morphing line to Othello. Brabantio wakes up abruptly by Roderigo and Iago telling Brabantio that his daughter, Desdemona, marries Moor Othello without Brabantio's blessing. Iago yells, “Even now, now, very now, an old black ram is tupping your white ewe […]” (I.i. 90-91). The harsh wording creatively constructs nefarious imagery in both the audience’s and Brabantio’s minds. Othello’s and Desdemona’s open disregard for Venice’s laws casts both of them as morally corrupt in the eyes of Renaissance society. Like now, rules are not to be broken, but the people of Renaissance dealt with lawbreakers more severely than current society does now. Shakespeare by placing Brabantio in Othello serves as the opinions of the majority during the Renaissance towards Desdemona’s reckless behavior.
come from and also the underlying racism and sexism throughout the play is inherent in Venice. An example of this is Brabantio. although he welcomes Othello ('Her father loved me, oft invited me'). into his home, there is a distinct difference between treating Othello. as an interesting novelty, and displaying a pseudo.
To begin, race is the first and clearest of differences between Othello and other major characters. However race is also the least seen issue in the play. Racism is, as stated by Martin Okin “confined to Iago, Roderigo, and Brabantio” (Orkin, “Othello: and the”). Emilia herself has her moments of racism, going from using Moor as a describer of Othello to using it as an insult. Brabantio shows this racism when he discovers that Othello has wed his daughter stating:
The audience at this point know nothing of Othello that is gained by their own opinion, instead we are lead to believe from Iago’s race related description that Othello is a threatening and evil moor, whose beastial sexual appetite, conveyed by Iago’s cries to Brabantio, telling him that ‘an old black ram is tupping’ his ‘white ewe’ (1.1.89), is something of a rapist. Iago’s coarse animal related language conveys Iago’s feelings against Othello’s marriage in a much more pronounced way. The image of an ‘old black ram’ gives the audience nothing but negative images of Othello, especially when this ‘old black ram’ is being associated with the innocence of a ‘white ewe’. Iago then associates Othello with the image of ‘the devil’ (1.1.92) because of Othello’s colour, Iago warns Brabantio that he has ‘lost half [his] soul’ now that Desdemona is married to Othello. Iago here emphasises the biracial nature of the marriage, already showing his ability to manipulate people, in this case he is manipulating Brabantio, to believe in Iago’s own opinions and in theory to eliminate all thoughts that Brabantio might of had of his own about the marriage.
... moor but Shakespeare is instead discussing the, "amalgam of the noble and the jealous, the soldier and the fool and the Christian and the barbarian who is reduced to stammering brutality." A modern audience would not see Othello as the guilty and barbaric moor but as a victim of Iago and his deception. The audience instead would take would take with them a message that colour does not play a part in character. Instead those who discriminate people racially are the truly devious characters and Shakespeare shows this clearly through Iago and Barbantio. Iago himself is clear evidence that Shakespeare is not in any way condoning racism but instead he is attacking racism. The attack on Barbantio's hidden racist views also prove that this is the case. The main message of Othello would be very positive foe a modern audience; that racism in all forms is totally unacceptable.
In a play written by William Shakespeare called “The Tragedy of Othello the Moor of Venice” during 1601 and 1604. It all started out with a beautiful Venetian lady named Desdemona who married The Moor of Venice Othello without her overprotective and clueless father Brabantio, unaware. In Act 1 Sn3 they questioned and held a meeting with the two lovebirds. Being from the time period where interracial relationships were considered as abnormal and often questioned. When a beautiful white lady ends up with black Moor ignorance and trust plays a crucial role. Brabantio shows his disapproval of the marriage as they were both questioned about the reason why he or she would fall in love with such person. His ignorant attitude and harsh words used to describe the relationship between the two were hateful.
Othello: The Moor of Venice is probably Shakespeare's most controversial play. Throughout this work, there is a clear theme of racism, a racism that has become commonplace in Venetian society which rejects the marriage of Othello and Desdemona as anathema. The text expresses racism throughout the play within the language transaction of the dialogue to question the societal ethos established by Othello, thereby making him nothing less than a cultural "other." Furthermore, the character of Desdemona is displayed as mad, or out of her wits, for marrying such an "other," and the audience sees her slip from an angelic state of purity to that of a tainted character. Also, the menacing Iago, a mastermind of deviant rhetoric, is able to play Othello and Desdemona against one another until their marriage fails, while at the same time destroying his adversary and friend, Cassio. Thus Iago has a specific agenda, not only to get back at Othello for choosing Cassio instead of him, but also to make Cassio the victim of his plan to destroy the forbidden marriage referred to by Brabantio as a "treason of the blood" (1.2.166-167). Essentially, Iago is a representative of the white race, a pre-Nazi figure who tries to inform the public of the impurity of Othello and Desdemona's marriage. He demonstrates how this miscegenation is threatening to the existing social order. Thus, through analysis of racism, the play represents the hatred possessed by mankind -- a hate so strong that society sees the mixing with an "other" to be a curse to humanity and a terrible threat to Aryan culture.
Brabantio is also racially prejudiced. He is upset when he discovers that Othello, the Moor, is the man that Desdemona has chosen. He feels that Othello is not worthy of his daughter's love because he possesses darker skin and is of Arabian descent.
At the beginning of the play, the audience is made aware that Othello is a Moor working in the service of Venice. During the time the play was written, racism was strong. Despite Othello’s carefully built up life in which he managed to rise from being very poor to a powerful general, he still experienced racism from characters such as Roderigo and Brabantio. In Act One Scene One, Brabantio is appalled at the idea of his delicate daughter Desdemona secretly marrying a black man without his consent. He openly insults Othello, oblivious to Othello’s power: “That thou hast practiced on her with foul charms, Abused her delicate youth with drugs or minerals.” Brabantio is accusing Othello of witchcraft and trickery, and suggesting that no one could ever love him without the influence of his evil witchcraft. The audience feels pity for Othello because they know that Othello loves Desdemona and that he is a kind man, and is receiving these insults because of his race. The audience realises that he is already at a ...
Racial prejudice against Othello is introduced early in the play and is present throughout. Iago and Roderigo approach Brabantio with news about his daughter Desdemona. They inform Brabantio his
Racism in William Shakespeare's Othello. The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialogue. This racism is directed toward Othello, a brave soldier from Africa and currently the supreme commander of the Venetian army.
To begin with, Othello’s race and the racism around him ruined his marriage with Desdemona. Othello and Desdemona made a good couple, but you know what they say, all good things must come to an end. Almost everybody had a problem with their relationship. In that time, interracial relationships and marriage was not allowed. While Brabantio (Desdemona’s father) was sleeping, Iago and Roderigo woke him up saying that Othello was having sex with his daughter Desdemona at that very moment (Shake...
One of the major issues in Shakespeare's Othello is the impact of the race of the main character, Othello. His skin color is non-white, usually portrayed as African although some productions portray him as an Arabian. Othello is referred to by his name only seventeen times in the play. He is referred to as "The Moor" fifty-eight times. Webster's Revised Unabridged Dictionary (1913) states that a Moor is "Any individual of the swarthy races of Africa or Asia which have adopted the Mohammedan religion. In Spanish history the terms Moo, Saracens, and Arabs are synonymous." This indicates that Othello is constantly being degraded and set up as an evil person throughout the play. What this really means is that Othello is being judged by his skin color rather than the person under the skin. The view that whites and non-whites are equal is a relatively new concept in our society. In institutionalized racism, such as American slavery, those of a different color were often viewed as inferior. As Shakespeare wrote Othello, this idea was becoming quite prominent as England entered the African slave trade. One can look at the racial issues from the perspective of color, slavery, and society.
When Iago and Roderigo break the news to Brabantio that his daughter eloped with Othello, they say, “You’ll have your daughter covered with a Barbary horse, you’ll have your nephews neigh to you, you’ll have coursers for cousins and jennets for germans,” (I.i.124-127). They are giving Brabantio a look into the future about what will happen if you let this relationship between Othello and Desdemona continue. Comparing Othello to a horse, and his cousins and grandchildren to other vile animals shows enrages Brabantio. Also, going back to the fact that Iago had said, “An old black ram is tupping your white ewe” (I.i.97-98). This also is meant towards Brabantio in a manner that his daughter is having sex with a black man. In Europe, at this time, love didn’t matter; it mattered that you married a white man. Also, having your daughter go out and elope to a black man is far worse. Depicting it in a gruesome way, telling Brabantio that his daughter(a graceful sheep) has eloped with a big old ram is graphic. Shakespeare is showing that Iago would go through great lengths to break relationships in order for his plan to succeed, and get revenge on Othello and
Racism is just one of the many problems that we have here in the United States today. Racism isn’t as bad as it used to be but it’s still here. In Othello, written by the one and only William Shakespeare, racism is the main theme and focus. England became involved in the slave trade during the late sixteenth and seventeenth centuries (Slights 377). Racism started in the twentieth century after this was written but the way the Elizabethan era viewed black people was similar to how racism is today (Bartels 433). Othello struggled a lot during the play because of his dark skin color. He was called several racist names like “the Moor,” “Old black ram,” “Barbary horse,” and “Thick lips.”