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Descriptive essay on jealousy
An essay on jealousy
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Othello is a play about jealousy’s causes and effects. Each character in the play had different reasons to be jealous and each of them chose to deal with it a certain way. All three characters Iago, Othello, and Roderigo had such cases and in the end dealt with different conflicts and outcomes. It’s important to understand that their actions in dealing with their jealousies were a reflection of their characters, and persona.
In the first scene, Iago was seen in the middle of a conversation with Roderigo. This opening scene sets forth the key elements to understanding Iago’s basic character and the play’s conflict. The scene revealed Iago’s deep resentment toward Othello and his outlook on himself as a soldier. “And I of whom his eyes had seen the proof / At Rhodes, at Cyprus, and on [oth...
Act iii, scene iii, lines 108-131 of William Shakespeare’s “Othello” unquestionably shows Iago’s trickery and deceptiveness which is masked through his reputation for honesty, reliability and direct speaking. This section not only shows Iago’s slow but powerful act of deception, but also shows the jealousy and insecurities slowly depriving Othello’s inner peace and balance.
	The first scene of Act I illustrates Iago's use of manipulation. Iago knows that Roderigo is upset about losing Desdemona to Othello. Iago himself is angry at Othello for being passed over for promotion to lieutenant for Michael Cassio. Realizing that by playing on Roderigo's jealousy he can gain an ally to work against Othello. Iago does this in a subtle manner. He explains to Roderigo that he was passed up for promotion by Othello. While doing this he makes Othello look inferior by reinforcing the fact that he is a Moor. By pointing out that Othello is a Moor Iago causes Roderigo to become even more jealous, because of the fact that he lost Desdemona to someone who he feels is of a lesser race. It even seems that Iago is toying with Roderigo when he reveals that he is a fraud when he says, "I am not what I am." (I.i.62) By using these tactics, Iago has almost gained total control of Roderigo.
Despite the negative foregrounding of Othello’s character by Iago, our first impressions of Othello in Act 1 are of a noble and well-spoken man, his nobility is conveyed through his speech ‘most potent grave and reverend signiors’(1.3.76) to his future father-in-law Brabantio of Othello’s love for his daughter Desdemona in Act 1 Scene 3. This is a very different character to what we expect from Iago’s preparation for the introduction of Othello. Where we are expecting an angry and possibly violent character, we instead are met with something completely surprising, a quiet and calm man who dismisses Roderigo’s insult and even avoids the prospect of a conflict.
Iago is the main antagonists against Othello, throughout the entire play. Iago is not realistically motivated. Even though Iago makes many of his decisions with careful thought, he does have a main flaw that will come back to haunt him in the end. Iago unlike other characters, doesn’t have true honorable morals. Because of this, he makes many situations which are manageable, and takes them further out of proportion he does this for his own pure enjoyment to create havoc for sport. Iago manipulates the characters who trust too easily, such are Roderigo and Othello. Iago uses them as an addition to his plans, which he manages so they will work in his favor in the end, or so he believes they will.
In the first scene we are thrown right into the action with the argument between Iago and Roderigo. This first argument shows us how Iago is cunning and sly because he has already manipulated a weak Roderigo into paying him for something he hasn't even done yet. Roderigo who is obviously weak and simple has asked Iago to help him woo Desdemona in exchange for money, he thinks Iago has not done this because Desdemona is now at this moment marrying the moor. Yet Iago manages to convince Roderigo of his sheer hatred for Othello and swindle him out of his money. As he later exerts in his soliloquy at the end of Act I.3 ' thus do I ever make my fool my purse' this shows his attitude to Roderigo he is just money for Iago a pawn in his plan. This attitude shows how to a certain extent Iago primes the character he will use later in his plan showing a consistent strategy, he knows he can use Roderigo in the future so keeps him on his side instead of being rude and sharp with him. You can see that Iago finds Roderigo tedious but keeps him a friend for his money and possible use in the future.
In this first scene we see Othello, a general of Venice, has made Cassio his new lieutenant. Iago feels he truly deserves his promotion as he says "I know my price, I am worth more than a place." "(l.i.12) Iago over here is confused why Othello has made such a stupid decision. Iago is a man with a tremendous ego who knows, sometimes overestimates, his worth. Roderigo, a Venetian gentleman, understands Iago when Iago said that he is "affined to love the Moor. " (l.i.41-42)
In Othello, we are first introduced to Iago, a military officer under the command of the Othello, a well-respected Moorish captain. Iago’s hatred for Othello is revealed in the very first lines of the play, when it is revealed that he has been...
Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello. Throughout the play, jealousy is a ruler over Iago’s thoughts and actions, influencing the way he feels about himself. Iago’s jealousy is exhibited while speaking with Roderigo “One Michael Cassio, a Florentine/ (A fellow almost damned in a fair wife)/ That never set a squadron in the field, / Nor the division of a battle knows/ More than a spinster—unless the bookish theoric, / Wherein the toged consuls can propose/ As masterly as he.
With Roderigo, someone he commands control over, Iago employs pathos, allowing his plan to appeal to Roderigo’s sensitive emotions about Othello. Roderigo and Iago discuss about how each of them despise Othello when Iago says, “If ever I did dream of such a matter, / Abhor me” using pathos to confirm his hatred towards the General (1.2. 5-6). The play commences with Iago employing direct rhetoric and partnering up with Roderigo to enhance a sense of comradery. Harsh language such as “Abhor me”, exemplifies the hateful emotions Iago feels toward Othello as well as enhances the emotions Iago wants to appeal to in Roderigo (1.2. 6). Affecting Roderigo more influentially, Iago uses deeper, more personal pathos, by highlighting the seemingly good qualities in Roderigo. Iago contrasts Roderigo to Othello pointing out, “Let not they discreet heart think it…manners and beauties: all which the/ Moor is defective in” (2.1. 215, 219-220). Firstly, Iago weighs Roderigo’s positive qualities against Othello’s negatives ones, convincing Roderigo to feel more confident with Iago and following along with his scheme. Secondly, Iago alters this rhetoric to include Roderigo’s love interest, Desdemona. By exemplifying a more personal and sensitive side when talking about “manners and beauties”, Iago can create a bigger impact in
Roderigo is consumed by jealousy. Roderigo is jealous of the marriage of Othello and Desdemona. Roderigo loves Desdemona. With romance in Roderigo is able to be controlled by Iago thinking the down fall 0f Othello and Cassio would get Roderigo Desdemona. Roderigo is the biggest pawn Iago possesses. And probably the saddest character in the whole drama.
Othello doesn’t realize Iago doesn’t care towards him and never did after Iago wasn’t promoted to lieutenant. Iago plays the as the main director of what happens in Othello’s life. Othello doesn’t realize it thought. Iago is able to hide his emotions towards others. Which allows Othello not to notice he is faking every emotion of helping Othello. Iago is always at ease when in the eyes of his peers. “He moves jovially and at ease among the gentlemen of Cyprus, even as he sets up Cassio for a drunken fall” (Barnes 15). This shows how committed Iago was to strike revenge against his foes. Only a psychopath could hide their feelings in front of the people you want to hurt. “Iago refuses to show the "outward action" which would "demonstrate / The native act and figure of [his] heart / In complement extern" (“Where Iago Lies” 19). Because of Iago, Othello creates his own anxiety. He has anxiety because he now worries that Desdemona may be cheating on him with Cassio. Iago creates Othello’s fear by twisting his words to have different meanings. “Iago: O, beware, my lord, of jealousy/ It is the green-eyed monster which doth mock/ The meat it feeds on” (Shakespeare 1816-1818). Iago is manipulating Othello into believing that Othello shouldn’t be jealous, which tricks Othello into being jealous. The green-eyed monster is another term for jealousy. It is Othello though that allows him to get trapped in anxiety. Iago exploits him to bring Othello to a tragic
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Jealousy can sometimes be an inevitable feeling to have towards other people in relationships or even in friendships, and that feeling can negatively affect the bonds with these certain people. One of the main themes in Shakespeare’s Othello, was how friendships and marriages can be ruined all because of one person’s jealousy, which can ring true in real life.
Roderigo became jealous because Desdemona didn’t fall in love with him. Bianca became jealous because she thought that Cassio was cheating on her with another woman. Othello became jealous because he thought Desdemona was cheating on him with Cassio. Iago became jealous because Othello gave Cassio the position of lieutenant. These characters’ jealousy affected them in different ways.
The theme of Jealousy is apparent throughout the tragedy. From the beginning, Iago is jealous of Cassio because Othello promoted Cassio to lieutenant