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Notes on Desdemona and othello relationship
Notes on Desdemona and othello relationship
Notes on Desdemona and othello relationship
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Othello: Iago Makes Othello Believe His Wife Is Having An Affair
In Shakespeare's "Othello," Iago carefully and masterfully entraps
Othello into believing that his wife, Desdemona, is having an affair with Cassio.
He does this through a series of suggestions and hesitations that entice and implant images into Othello's head that lead him to his own demise. More importantly, Iago gives Othello the motive to murder his own innocent wife
Desdemona, satisfying Iago's immense appetite for revenge.
The motive for Iago's devious plan is initially made clear in the first of three major soliloquies, in which he proclaims Othello has had an affair with his wife, Emilia: "And it is thought abroad that t'wixt my sheets/ He's done my office" (I.iii.381-383). The irony behind this line is where he continues: "I know not if't be true/ But I, for mere suspicion in that kind; / Will do as if for surety"(I.iii.383-385). Iago is so exceedingly paranoid and insane that he will go far as murdering, and deluding even a general into murdering his wife.
Iago simultaneously conducts a devious plan to obtain Cassio's position as lieutenant, using Desdemona's prime weakness; her naivety. He disgraces
Cassio by intoxicating him enough so he strikes Roderigo. Othello then discharges Cassio of his Lieutenancy when he says: "Cassio, I love thee,/ But nevermore be officer of mine" (II.iii.242-244). It was therefore understandable that he would fall to the mercy of Iago, completely oblivious to the inevitable effects. Iago reveals his plan to the reader in his third soliloquy when he states: His soul is so unfettered to her love,
That she may make, unmake, do what she list, even as her appetite shall play the god
With his weak function...
And she for him pleads strongingly to the Moore,
I'll pour this pestilence into his ear:
That she repels him for her body's lust,
And by how much she strives to do him good,
She shall undo her her credit with the Moor (II.iii.330-350).
&n...
... middle of paper ...
...xpress their love and passion for each other:
Othello: O my fair warrior!
Desdemona: My dear Othello!
Othello: It gives me wonder great as my content
To see you here before me. O, my soul's joy (II.i.175-180)!
Perpetual love and affection and contrasted with lusting animal attraction. What does Iago feel when he sees Othello and Desdemona together? How his mind must associate the same atmosphere with Othello having had an affair with his wife, enticing the "green-eyed monsters" within him.
The feelings Iago feels is common jealousy. But to have it without surety, and to take it to such a great extent as to only describe it as being
"mad." In an attempt at revenge, he does more than Othello supposedly did to him.
By putting Othello through the same feelings he himself had gone through, he does not rid or relieve his feelings, but merely gains sadistic pleasure from brutal revenge That is not to say Othello is not a compelling and flawless character. Generally, it can be said that is more the function of our imagination and understanding of our own nature through which we determine Iago as who he is.
As Desdemona constantly denies his accusations, Othello becomes very angry. He asks for her forgiveness (jokingly) and says “I took you for that cunning whore of Venice” (Act IV, scene ii, line 93). Desdemona is left mad by Othello’s ridicule and listens to Emilia’s contrasting attitude.
Opposing Views on Character Fault in Shakespeare’s Othello In Shakespeare’s Othello, the main characters suffer a tragic demise at the end. While it is clear that somebody is to blame for the unfortunate events, the main culprit behind the tragedy remains unclear. Three different authors, the humanists Baldassare Castiglione, Juan Luis Vives, and the Puritan preacher William Whately, would all disagree on which character is to blame.
Othello and Iago are diverse in their characters and in their colors. It could be said additionally, notwithstanding, that they are comparative because of their untrustworthiness. Iago is overcome with his longing for vengeance to such a degree that he places it vigorously. Othello 's adoration and possessiveness of Desdemona assume control him until he in the long run would rather murder her than permit any other person to have her. In this way, despite their differentiations, Iago and Othello both speak to the furthest point of the same thing - human emotion.
The events that occur in the first half of Act 1 are all in anticipation of the lead character Othello who we are not immediately introduced too. We learn Iago’s name in the second line of the play and Roderigo’s soon after, but Othello is not mentioned by his name once. Instead he is referred to as ‘he’, ‘him’ and is frequently described as ‘the moor’ (1.1.58) he is also described as having ‘thick lips’ (1.1.67) and later as being a ‘Barbary horse’ (1.1.111) is continuously described by his critics, mainly Iago, as a ‘moor’, demonstrating Iago’s frequently concerning nature of race and also portraying Othello as something of an alien. From this reference we are able to immediately understand Iago’s true feelings and motives for Othello.
This along with the language Othello uses shows his frustration and annoyance at this encounter. This is seen when he relates religiously to the situation, 'by heaven'. Othello's language starts to deteriorate in this section, from that of a commanding general, to the similar uses of imagery used by Iago.
After learning from Desdemona that Othello is upset, Iago response saying, “Can he be angry? I have seen the cannon / When it hath blown his ranks into the air / And, like the devil, from his very arm / Puffed his own brother—and is he angry? / Something of moment then, I will go meet him. / There’s matter in ’t indeed, if he be angry.” (3.4.154-159) He has seen Othello in battle, keeping his head when men were dying all around him. Iago is a habitual liar, but there is no reason for him to lie about how Othello has conducted himself in battle. He says that if Othello is upset then something must be a good reason behind his anger. Of course, Iago knows the reason but he can not let Desdemona or Cassio know of his plan. Lodovico, a member of Venice 's diplomatic service, makes a similar remark about the Moor’s composer after he smacks his wife. He is in utter disbelief at the man actions. “Is this the noble Moor whom our full senate / Call all in all sufficient? Is this the nature / Whom passion could not shake? Whose solid virtue / The shot of accident nor dart of chance / Could neither graze nor pierce?” he asks. (4.1.297-301) Othello is unravelling at this point. His jealous is so strong that he has lost the very nature of his being. Instead of being a calm, collected leader, he is now acting
Secondly, Emilia mentally challenges the social norm of chastity by condoning women that deceive their husbands. Although Emilia does not explicitly state whether she has ever cheated, she does say that she would not cheat for small, material wealth, but any woman would cheat in order to make her husband king: "Who would not make her husband a cuckold to make him a monarch? (4.3. 77). Furthermore, Emilia explains that the reason women cheat is because their husbands "slack their duties" and "break out into peevish jealousies (4.3. 87, 89). In essence, Emilia accepts the "abuse" of men by women because she feels that it is the husband's flaws that evoke the women to cheat.
In the play “The Tragedy of Othello” by Willian Shakespeare, Othello Changes from an intelligent and confident person to a senseless and insecure person. This change in his personality occurs mainly because: Iago plans to ruin his relationship with Desdemona, he was an Outsider, he had bad judgement when it came to trusting people and failed to see reality, his negative thinking about himself and his relationship with Desdemona.
The Motivations of Iago in Othello Have you ever met a devil who does evil for his own sake? Iago in William Shakespeare's Othello could seem like he has good motives, but I feel that he uses them as his excuses. The first thing that I did was uncover Iago's motives. Iago is the most controversial character in Othello. He is able to keep his true thoughts and motives from everyone.
Iago uses the word "honest" in act three of Othello in three primary ways. The first way he uses it is to mean honourable, about Cassio. He uses this meaning of the word to force Othello to doubt Cassio's honesty, and question his hounorablility. The second way is to mean faithful, both about Desdemona and Cassio. Iago uses it in the context that the two may be "truthful," again to make Othello doubt. The third way is Iago's most effective use, which is to use honest in the context to mean truthful, as in, he has told Othello the truth. However, Shakespeare has created tremendous dramatic irony, for we know that Iago is being anything except truthful. The three uses of the word honest are used largely in the subtext of the act, they are used by Iago to force Othello to question his wife's integrity, and honesty. Shakespeare uses the word by Iago to plant tremendous doubt in Othello's mind. The word is also used by Iago in the action line. His objective is constantly to make Othello think things without actually being told them, and Iago's parroting of the word and constant useage do this quite nicely.
Without a doubt, one of the main themes that runs throughout William Shakespeare’s tragic play, Othello, is that of honesty. In the play, the most interesting character is Iago, who is commonly called and known as "Honest Iago." However, this could not be farther from the truth. Through some carefully thought-out words and actions, Iago is able to manipulate others to do things in a way that benefits and moves him closer to his own goals. He is smart and an expert at judging the characters of others. Because of this, Iago pushes everyone to their tragic end.
The tragedy, "Othello" by William Shakespeare, is not just a play of jealousy. It is a drama about the collision of two worlds. One of them is a world of an absolute cynic, Iago the manipulator. A second world is a world experienced by all the other characters of the tragedy. The ability to understand the true nature of people around Iago makes him quickly navigate the situation. Given by nature, the psychological technique of manipulation, Iago is a master to wear different masks, because he can predict the further course and he is proficient of destroying everything to achieve success.
by wishing he were Othello and by doing so he almost believes he is Othello. Shakespeare
If Iago is evil personified, cite specific incidents that help us to see and explore his physiological
William Shakespeare’s tragic drama Othello boasts quite a little list of abnormalities in both occurrences and personal behavior.