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How is theme of jealousy explored in othello
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Within almost every piece of literature contains some substantial amount of human conflict. Without human conflict stories can easily lack of a readers interest. One of the most amazing types of human conflict in literature is jealousy, mainly because jealousy is a well effected method of twisting human emotions, and is known to spice up almost any situation in a story. In Othello we see cases of jealousy in every scene that defiantly keeps readers interested in the story, but is it the most important part of the story.
The story Othello has a large portion of jealousy in it; the story even begins with a discussion of jealousy in where Lago is completely outraged by Othello who had selected Cassio as his lieutenant. This event of Lago not given the military position of lieutenant pushes him and makes him want to get even with Othello. The only reason to why Lago shows jealousy is to allow the plays true plot come into action. You would never be able to tell that Lago is a person of pure evil because he always looks and acts so innocent. Lago without a doubt a very important factor of this story, mainly because the human emotion of jealousy would probably never exist if it weren't for him.
Although there is a great overall of jealousy in the story another important part of the story is revenge. Lago's whole intentions are based on revenge and on trying to get back at Othello for not choosing him as lieutenant. But unlike jealousy, revenge never changes; it's basically surrounding the evil intentions of Lago. Jealousy however always changes and every character will have they're own form of jealousy toward another created by Lago.
Throughout the story we are introduced to Brabantio who is the father of the very beautiful Desdemona. Desdemona was the one and only thing Brabantio loved and once Desdemona marries Othello jealousy emerges from Brabantio. The loved that Desdemona gave to her father now belongs to Othello. Roderigo who is another in love with Desdemona can not stand the fact that the woman he loves is married to another. This jealousy put another character against Othello and a helping pawn in Lago's evil plan. Without these emotions of jealousy toward Othello, Lago's plan wouldn't stand a chance.
Later in the story Lago reveilles his master plan to get back at Othello and of course this master plan involves jealousy or as Lago likes to call it, "the green-eyed monster.
Roderigo was jealous of Othello’s union with Desdemona. Othello’s jealousy was based on false information. Iago’s jealousy was based on the desired job position, and Roderigo’s jealousy was based upon his love for Desdemona. As human beings, I think it is almost impossible to avoid jealousy, but a person can overcome it. It is part of the human nature that makes us feel jealous, but it is how we deal with it that matters.
The old cliché "One bad apple ruins the bunch" is what enters one's mind when discussing the villainous, deceitful, protagonist Iago in Shakespeare's tragedy "Othello." It is amazing how one person alone can completely destroy, or deteriorate a group of good natured, trusting, loyal peoples' lives in a matter of days- three to be exact. What is the motive behind Iago's heinous, selfish acts, one may ask? A rather obvious theme in the Shakespeare's tragedy, "Othello", is that of the many facets of jealousy, which instigate the evil-doings of protagonist, Iago. Jealousy can be best defined, in the thinking of Renaissance, as a derivative or compounded passion. It is a species of envy, which is in turn a species of hatred. Hatred finds its opposite in love and is opposed to love. Envy is opposed to mercy. Yet while jealousy is opposed to love, it often rises from love. Like envy, it has something of the grief or fear that comes from seeing another in possession of what which we would possess solely for ourselves. Though jealousy is compounded, it still partakes in the nature of hatred, and hatred brings in its wake anger and revenge (Nardo 122). This could not be more accurate in the horrid actions Iago resorts to in his insatiable desire to get what he feels is rightfully his, regardless of who he hurts along the way. Iago serves as a prime example that keeping your enemies closest does not always work to your advantage. Let us now examine the heights of deceit to which Iago rises in his selfish, tactless rage to acquire what he wants. The best demonstration of Iago's jealous ways are shown through his twisted motives and his strategically planned out course of action in which he...
“O, beware, my lord, of jealousy;It is the green-eyed monster which doth mock.The meat it feeds on; that cuckold lives in bliss. Who, certain of his fate, loves not his wronger; But, O, what damned minutes tells he o'er. Who dotes, yet doubts, suspects, yet strongly loves” (3.3.163-168). In Shakespeare’s Othello, jealousy is the common theme that becomes Othello’s undoing. Through text in the play, the audience can notice Othello slowly begin to become crazed through his speech.
The common thread of jealousy ties together the main plots in Much Ado About Nothing, Othello, and The Winter's Tale. In each of these plays, the main conflict is centered around some form of jealousy. While jealousy is the mutual, most prominent cause for turmoil in these plays, its effects on the characters, and ultimately the plots, is different in each case. This difference has much to do with the way in which the concept of jealousy is woven into each play, and what it is intended to accomplish.
Now assume that this need for revenge spawned from the Jealousy from his relationship between Othello and his wife, but the motive surfaced from Othello simply not choosing Iago for a promotion. Lago has a motive that seems trivial but it really isn’t to himself. This situation triggers the whole plot, which ultimately ruins the one thing Othello loves the most, Desdemona. It Must have been one important promotion or Iago was just a very sinister person by nature, which we can find indeed to be true.
In the play Othello, there are many jealous and selfish characters. Each of the characters at one point or another let their jealousy take over. It seems like they all have these plots and plans on how to hurt another character in the play either physically or emotionally, as an act of selfishness, so that they can feel better about themselves. One main character who seems extremely jealous in this play is Iago. Infact, probably the most jealous. Many bad things happen because of Iago. The first bad thing that Iago did, was tell Barbantio (Desdamona's father) that Desdemona has married Othello, the Moore. Iago was mad at Othello, because Cassio had made Othello a higher position and not Iago. Iago thought that he was the one who qualified for the position as general, not Othello. Iago was jealous because of this, so he decided to tell Barbantio about Desdemona and Othello. This was bad, because Barbantio did not know yet, and something like that should have been said by his own daughter, not someone who was not part of the family. The way Iago went about telling him was also bad. He called to his house in the middle of the night. He yelled it to Barbantio from downstairs into his window in a rude manner. " quote from Othello here." He wanted Barbantio to be upset about what had happened, and most of all, he wanted Barbantio to be mad at Othello and do something bad to him.
The play “Othello” by William Shakespeare was written in 1604 during the Elizabeth era. Othello is one of the most extraordinary characters in all of Shakespeare’s dramas. He enjoyed unheralded success in the combat zone, which gave him the reputation as one of Venice’s most competent generals. Even though he has great success in the battlefield, he has a dramatic flaw that causes a downfall in his life. The dramatic flaw that causes his downfall is jealousy. This was brought on by a simple persuasion of Iago, the evil character in the play. Even though Iago used extreme manipulation to get Othello to be jealous, Iago did not really have to try very hard to get Othello in a jealous state of mind. Othello was blinded by his jealousy which led him down a path of constant questioning of his wife and his friend Cassio. Throughout the play we see his dramatic flaw sink him deeper and deeper into a cloud of doubt which eventually leads him to kill not only his love of his life but also himself.
In Shakespeare’s tragedy Othello, good is often confronted by evil, in which almost every case is in the form of jealousy. Iago, the plays antagonist, is a very manipulative villain. Iago uses his own agony and distress brought upon him by his envy of others, to provoke the same agony within the characters in the play. Jealousy’s ability are shown to influence people to new ends and make all humanistic judgment disappear leaving that man a monster torn apart by envy. Jealousy’s true destructive wrath and the pure evil it brings out in people can be revealed through Iago’s actions throughout the tragedy Othello.
The role of jealousy, love and betrayal play a major role in The Tragedy of Othello, the Moor of Venice. The entire play is based on the human interactions of the characters as related to Othello and Desdemona. The characters’ personalities, their social status, and their relationships to each other control the story line and their fate in the play. Othello is portrayed early in the play as an outsider with animalistic characteristics by Iago and Roderigo because of jealousy. “Your heart is burst; and have lost half of your soul/Even now, now, very now, an old black ram/Is tupping your white ewe”.(531) Desdemona’s father, Brabantio, accuses Othello of using witch craft on his daughter. “If she in chains of magic were not bound/ Whether a maid so tender, fair, and happy/ So opposite to marriage that she shunned…” (535) This point is important because Othello must defend himself not only to Desdemona’s father, Brabantio, but to the entire Venetian Senate. “And till she come, as truly as to heaven,/ I do confess the vices of my blood./ So justly to your grave ears I’ll present/ How I did thrive in this fair lady’s love, / And she in mine.” (539) Othello proves himself to be an intellectual hero early in the play. He has worked hard to gain respectability and power, but because he has a different background, is from another country, is dark-skinned and is older than Desdemona, he becomes jealous very quickly of Cassio. Cassio is from the same social class, is compatible with Desdemona and is a young handsome man. Iago has also convinced Cassio to seek favor with Desdemo...
Jealousy can come from someone else having what you do not have. In the case this play provides, Roderigo is jealous of Othello for the wife he has (Desdemona). Roderigo notices that he cannot change Desdemona’s feelings towards Othello; he finds them being together as torture and would rather drown himself than be alive to watch someone he cannot have (I.i.350-353). Roderigo’s jealousy
This character is so noble, Othello's feelings and actions follow so inevitably from it and from the forces brought to bear on it, and his sufferings are so heart-rending, that he stirs a passion of mingled love and pity which readers feel for no other hero in Shakespeare, and to which not even Mr Swinburne can do more than justice. Yet there are some critics and not a few readers who cherish a grudge against him. They do not merely think that in the later stages of his temptation he showed a certain obtuseness, and that, to speak pedantically, he acted with unjustifiable precipitance and violence; no one, I suppose, denies that. But, even when they admit that he was not of a jealous temper, they consider that he was "easily jealous"; they seem to think that it was inexcusable in him to feel any suspicion of his wife at all; and they blame him for never suspecting Iago or asking him for evidence. I refer to this attitude of mind chiefly in order to draw attention to certain points in the story. It comes partly from inattention (for Othello did suspect Iago and did ask him for evidence); partly from a misconstruction of the text which makes Othello appear jealous long before he really is so; [Endnote 2] and partly from failure to realise certain essential facts. I will begin with these.
Lago has to be hands down one of the most infamous villains I have come across to date. The way he undermines Othello and Desdemona’s marriage is a sign of a true villain, Iago, a devious person unable to find the kind of love Othello and Desdemona had due to this antihero's demeanor. Iago had a special position in Othello’s army, and he was very trusted by Othello. This made it very easy for Iago to manipulate Othello. The manner in which Othello was tricked was done in a very well planned almost fool proof manner.
The play, Othello is one of the most famous tragedies composed by William Shakespeare during the Renaissance period. It powerfully portrays a world where the acts of evil ultimately vanquishes fidelity, nobility and integrity. The central themes jealousy and manipulation embodies the foretold tragedies and the downfall tragedies of the characters due to one’s insecurities. Through the use of literary techniques and figurative language, Shakespeare has effectively explored the themes of jealousy and manipulation.
Lago develops hatred toward Othello because Othello has not chosen him to be lieutenant. Othello choses Cassio who Lago believes does not have the knowledge to have such a position as he has no military experience and Lago develops an unhealthy jealousy. Lago also suspects Othello has been sleeping with his wife, Emilia. Regardless of having no proof of such events, Lago choses to believe it is true. Lago rarely refers to Othello by his name but refers to him as “the Moor”, “blackish Othello”, and a “barbarian”, leads the audience to perceive Lago has also being racist against Othello and harbors ill feelings of Othello marrying Desdemona.
Lago does a very good job of playing for both teams, he plays on Othello’s team so that Othello does not suspect anything of him, and he plays on his own team so that he can get revenge on Othello because that is Lago’s main goal. After Cassio left, the first thing Othello had said to Lago was “How shall I murder him, Lago”(4.1. 2601). Obviously that is pretty crazy to say, and this doesn’t seem like anything the Othello from the beginning of the story would do. Then he goes even further, “[Striking her] Devil” (4.1. 2681)! Othello struck Desdemona right in front of Lodovico.